British Comedy

TV Review: Noel Fielding’s Luxury Comedy: Tales From Painted Hawaii

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Yesterday, on the 24th of July, 4OD previewed the first episode of Noel Fielding’s Luxury Comedy: Tales of Painted Hawaii, which was, of course, greeted with open arms by the Fielding community. Noel has previously said that this series took a lot longer to write than the first, and that audiences should be prepared for a very different show format. This is down to the fact that the making of series one of Luxury Comedy was a chance for Fielding and the other creative minds behind the show to throw lots of ideas into the mix, as well as there being an obvious need to establish a few core characters and concepts, and as a result, the show’s debut was a colourful combination of the insane and the psychedelic.

Although this first series was adored by fans all over the world, it also received a fair amount of criticism from people who thought it was a step too far and many suggested it was self-indulgent. I can’t say I disagree with the latter, but I wouldn’t say it was a bad thing: it is important that creators of content are in love with what they are producing, and I think Fielding’s passion for both art and comedy shone through. From what has been shown of series two, however, Luxury Comedy has evolved into a wonderful sitcom, rather than the fast-paced sketch show it was previously. By approaching the format in this way, Noel and Nigel Coan (who co-wrote the show) have been able to add a great deal of depth to all the characters, which is evident from the first episode alone.

https://www.youtube.com/watch?v=mmND4XGw0zE

There is a fresh new energy within the cast, that is made up of Noel Fielding, Mike Fielding, Tom Meeten and Dolly Wells, but still has the same feelings of warmth and familiarity of previous episodes. Actually, there are many subtle changes as well, such as the way Noel is much more self-depreciating and, therefore, more ‘human’. That is a definite theme I picked up on: the show has suddenly become a lot more human. This is made clear in the dialogue where characters often refer to the audience, or the fact that the show didn’t have many viewers (though it did, of course).

With the immense talent that is Serge Pizzorno (Kasabian) working with Noel to create the show’s music and the famously gifted Dave Brown putting together the unique and recognisable animation, the programme is absolutely seamless. Subsequently, right at the start of this first episode, with the title sequence that features efforts from both sides, there really is a lot to sing and dance about.

I cannot wait to see the rest of the new series of Noel Fielding’s Luxury Comedy and will probably write up a full post about it when it finishes as I just can’t help myself; Noel is my idol.

TV Review: Mock The Week, Series 13

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On the 9th of February this year, the BBC made an announcement that lead me to write this post because it made me feel so disheartened. The announcement concerned the number of female comedians that are present on panel shows broadcast by the BBC and proposed that all new episodes of programmes like Mock The Week, Have I Got News For You and QI will have at least one woman each. The statement given by Danny Cohen, Director of Television at the BBC, that contained the proposal, was not taken well by comedians and the general public alike. As I explained in my post at the time, this was mainly because of the patronising nature of the new rule and I worried immensely about the effect this will have on female comedians and their audiences.

It is now five months later and the first half of Mock The Week series thirteen has been and gone. As promised, there has been one female comic on each of the six episodes so far and, as a result, I personally think it’s been one of the best series yet. This is because many wonderful comedians have been given the chance to appear on the show where they may not have been able to before, and many of them have been women. Now, I completely stand by the concerns I expressed in my previous post and still fear they are just as valid: I am very uncomfortable with the idea of a ‘token woman’ on such programmes and it’s always going to be an issue because of Cohen’s statement.

However, despite my worries, when I focus purely on the entertainment; when I pretend I don’t know why there are suddenly more women on Mock The Week, I thoroughly enjoyed the series. It made me incredibly happy to see some of my favourite female comedians make their Mock The Week debut, such as Angela Barnes and Sara Pascoe, and to see the wonderful Katherine Ryan make her fourth appearance on the show (an impressive achievement, looking at the statistics for such a programme). Not only were there many new female faces (also including Susan Calman and Tiff Stevenson), but I was also delighted to see one of my favourite male comedians appear on his second, third, fourth AND fifth episode: the hilarious Romesh Ranganathan.

So there have been six episodes in this half of the series and that means there have been six female comedians who got some screen time who may not have got it otherwise, and this has to be a good thing. I did some research and discovered that series eleven had five different female comedians throughout the whole of the twelve episodes: Jo Caulfield, Zoe Lyons, Ava Vidal, Andi Osho and Katherine Ryan. Likewise, series twelve only showed three on all eleven episodes and they were Ava Vidal, Katherine Ryan and Holly Walsh. Despite the humiliation of the extremely concentrated ‘positive discrimination’ that women (including the public as well as comedians) are being force-fed with, it is undeniable that Mock The Week is a better show because of it, I just wish it hadn’t been done so blatantly, before everyone’s eyes.

In February, I was made to feel embarrassed for being a girl. I felt like female comedians were being held up under a spotlight and examined; pitied. And it made me feel really helpless because if this is the only way for women to get an equal amount of time on panel shows, there is something very wrong with the world. But the effects seem to be wearing off and hopefully many people haven’t even noticed the change, which shows how unnatural it was to have so little female comedians on Mock The Week in the past.

Anyway, I don’t want this to be a negative post because I think the nation’s memory of Danny Cohen’s statement has faded considerably since February and I’d like to hope it stays like that. In general, the changes that have been made to the running of Mock The Week seem to be extremely positive and I hope this signals the start of some kind of panel-show-revolution.

PS. Another thing I noticed was that the female comic was always in the middle chair on Andy Parson’s team and that has intrigued me as I can’t think of a reason for that being so. If anyone can enlighten me as to why, that would be much appreciated.

Seven Questions With… Lost Voice Guy

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Lee Ridley, aka Lost Voice Guy, is a funny man with a unique comic voice: being that he literally has none. Lee relies on an iPad to communicate with his audiences, due to losing his speech as a child, which allows a completely different style of comedy gig to take place, and one that everybody should experience. With his light-hearted attitude towards his disability, Lee is working to end the stigma that is attached to such physical conditions while being a right laugh as he does so.
In order to find out a bit more about Lee, I asked him these seven questions…

1) Describe the strangest dream you’ve ever had?

I have strange dreams quite often actually. I’m not sure why. I can hardly remember any of them though. The only ones I can recall are the ones when I talk in my sleep and wake up with a load of random shit written on my iPad. I woke up once and found that I had written ‘but the Queen told me to do it’ so I’m guessing that was quite a weird dream.

2) In your opinion, what is the biggest disgrace to humanity?

Mrs Brown’s Boys, without doubt. I mean why? Why? WHY?! Why does it exist? What is it’s purpose? Is it supposed to be funny? Why does everyone seem to like it? Why does it make loads of money? It’s shit, isn’t it? Isn’t it?!!!!!!

3) Worst on-stage experience you’ve ever had?

A lot of comics suffer from stage fright but I’m not one of those. I’m more likely to suffer from a dead battery or the electricity going off. I suppose one of the worst on stage experiences was in Halifax when this woman stormed out of the room as I got on stage and said ‘oh I can’t watch this!’ I didn’t even think I was that ugly!

4) Three bands/artists in your perfect festival lineup?

Just three?! That’s really hard! Ash would be my first choice. I’ve always loved Ash since their 1977 album. I’d probably have the Manic Street Preachers as well but I’d make it clear to them that they had to only play their classics. Then I’d bring Michael Jackson back because he still owes me a gig from his London shows that got cancelled. Selfish bastard.

5) What ice cream flavour doesn’t exist, but should?

Monkey flavour ice cream. Because then you could ask for monkey’s blood to get put on top of it and it’d be so much more realistic as an experience. I doubt monkeys taste good though. I’ve never tried.

6) Other than humans, what is the most irritating animal on the planet?

Sheep. They’re constantly ruining my train journeys to gigs by standing on the train line. I meaLost Voice Guyn I don’t know why we can’t just run them over?! Maybe they’re trying to commit suicide anyway. They’re probably wondering why they never succeed.

7) Who is your comedy hero?

I always say Ross Noble so, for a change, I’m going to say The League Of Gentlemen. For everything they have made. I just love how dark and twisted they can get. It’s definitely my sort of humour. I just seem to adore everything they do. And I still want to go to the actual town which was made into Royston Vasey. I’d just go around shouting catchphrases from the show.

TICKETS ARE NOW AVAILABLE FOR LEE RIDLEY’S 2014 EDINBURGH SHOW

SEVEN QUESTIONS WITH…

Sara Pascoe and John Robins, Edinburgh Previews

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It’s nearly time for the Edinburgh Festival 2014, and although that makes me want to shrivel away with jealousy because I can’t be there, it also means comedians are performing their shows to small audiences in order to perfect their routines. I visited a lovely little art centre called the Mac in Birmingham, which I’d urge anyone to visit if they are nearby as it also puts on theatre performances, art exhibitions and cinema shows (amongst many other things).

Firstly, we saw Sara Pascoe’s show: Sara Pascoe Vs History, which was a wonderful mix of relatable material, crazy facts and a small amount of madness. Sara has been one of my favourite comedians for a while and she has growing audience-wise week by week, having recently appeared on Mock The Week, for example. It’s been great watching her television persona develop over time and I was really looking forward to actually getting to see Sara perform her stand up to a live audience.

What I loved most about Pascoe’s show was that she talked very openly regarding her feminist views without leaving a resentful feel in the air: she spoke of liberation and change. But also, it was hilarious. One of my favourite ideas she expressed was one that she also talked about on Mock The Week very recently: that Page 3 should actually be made like jury duty, where anyone could be called up at any time. She expanded on it during her live show and I actually think it’s an excellent idea in theory, but I definitely don’t want to see it put in place! (Well, actually, I gladly don’t read The Sun, so maybe I, and most people I know, would be okay!) I really enjoyed Sara’s set, even though everyone was sure the building was burning down at one point and even the venue staff had to investigate the smell of smoke during the interval.

Pascoe and Robins

Next, we saw John Robins (my latest Comedian Of The Month, who is a relatively new comedian for me) with his show: This Tornado Loves You. I talked at length about John’s style of comedy in the post mentioned above so I won’t go too far into that as I’d just be repeating myself. However, what I will say is that this new show is very strong, with a good balance of accessible observations (such as an in depth analysis of the strange tradition of weddings and people’s behaviour at such events) with brilliant acted out scenes that only contained one person (John, obviously), but were developed around another silent character. I found a quote for John which summed up what his new show portrayed: ‘His self-deprecation and Olympic ad-libbing would have you skipping happily down even the darkest alley’ (Venue).

It was really interesting to see which jokes from both comics didn’t work with the audience, not because they weren’t funny but simply because there needed to be something additional said in order for us to understand and appreciate them (such as subtle wordplays that kept going unnoticed). If you’re in Edinburgh this summer or are interested in seeing some preview shows, I definitely recommend both Sara Pascoe and John Robins as they are both very talented and hard-working comedians.

SEVEN QUESTIONS WITH… SARA PASCOE

MORE EDINBURGH PREVIEWS

Garth Marenghi’s Darkplace, Revisited

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Garth Marenghi’s Darkplace is a wonderfully stupid but very sinister cult comedy classic. It aired in January 2004 so celebrated it’s tenth anniversary at the start of this year. Sadly, the show only ran for one series but I want to relive the chaos of Dark Place with you. This new weekly feature will see a short analysis of an episode each week and I hope it will either help you to remember the things you loved about the show or even introduce you to something you may never have watched.

Darkplace is a medical drama based in Romford; talked through to the audience by the writer of the show’s screenplay, Garth Marenghi. It features a cast full of wonderful comedic actors, many who have also worked on The Mighty Boosh and The IT Crowd.

dean and garth

The immediate cast include Matthew Holness as “author, dream weaver, visionary, plus actor”, Garth Marenghi, who plays the part of “maverick doctor”, Rick Dagless M.D; Richard Ayoade as Garth’s manager, Dean Learner and also as his role of Thornton Reed, Dagless’ boss and Matt Berry as horror film star, Todd Rivers and his character, “hot shot surgeon”, Lucien Sanchez. Finally, Alice Lowe has the part of Madeleine Wool, a mysterious actress who later disappeared, who plays the part of Liz Asher, psychic lady doctor.

In addition to this, there are many other familiar faces that pop up, including Noel Fielding, Julian Barratt, Kim Noble, Stephen Merchant and Graham Linehan.

Many shocking and disturbing things happen in Darkplace Hospital, including a portal to Hell being opened underneath the building, a contaminated water supply resulting in people turning into apes and the arrival of Skipper the Eyechild. Is any further explanation needed? Stay tuned for a look into each episode of this brilliant show with Garth Marenghi, Revisited.

The Mighty Boosh Revisited: S1E8, Hitcher

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Episode: S1E8, Hitcher

Air Date: 6 July 2004

Summary: This episode has elements of the Boosh stage show from many years before the television series was made, with the iconic scene where Howard and the Hitcher are in the car being recreated. Ivan the bear has got too violent as a result of constant bullying from Fossil and it’s time for him to be sent to Animal Prison. Vince and Howard are sent on a road trip to get rid of the angry bear but they are soon arguing and Vince decides to “vacate the vehicle”. This leads to Vince having a wonderful time meeting the adoptive parent from his childhood, Brian Ferry, in the forest while Howard is in a spot of trouble with a strange hitch hiker with a large thumb.

The Hitcher © Baby Cow

The Hitcher © Baby Cow

 

What Else? We get a big insight into Vince’s Gary Numan obsession and yet further insight into Howard’s love of Jazz Funk, which Ivan the bear hates, that sounds very similar to Old Gregg’s song from series two. There is another animation sequence where Vince explains his childhood that was spent in the forest being raised by Brian Ferry. The storyline of this animation is very much like a warped and twisted Jungle Book. Vince’s excellent turtle impression comes in handy when passing the hours on the road with Howard and the brilliant song from the Hitcher and the Piper Twins is sung, before the hitch hiker manages to do his back in again.

Quote of the Episode:

Bob Fossil [to Naboo]:  “Technically, you’re not a Peeping Tom if it’s one of your relatives.”

Familiar Faces: Noel Fielding as the Hitcher and Rich Fulcher and Dave Brown as Jim and Jackie Piper, the Piper Twins. Julian Barratt has the role of Brian Ferry.

THE END:

So, we have reached the end of The Mighty Boosh series one and I have thoroughly enjoyed revisiting every episode with you. MoodyComedy will soon be revisiting one of the most criminally underrated British comedies ever: Garth Marenghi’s Darkplace. The first, and only series, of the programme aired January-March 2004.

THE REVISITED SERIES

TV Review: Alan Davies As Yet Untitled

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A couple of weeks ago, the channel Dave broadcast five episodes of a wonderful new comedy chat show: As Yet Untitled. It was hosted by Alan Davies, ran over the course of one working week and featured four different comedians each episode. It has been said that this show was an attempt at recreating the feel of a comedy green room, with a relaxed atmosphere and a minimal agenda. Of course, I cannot truly know if it drew an accurate comparison as I haven’t been in such a situation myself, but I can say that a comfortable conversational feel was definitely present and I found the series incredibly enjoyable.

For a start, the physical set up was uniquely casual, with the four guests and Alan Davies (the host) sat around a circular table and the audience sat around them. The way the audience was situated had almost a Top Gear feel as you could always see them in shot, but they weren’t often involved in the proceedings. Each comic provided a strange fact about themselves to begin with which allowed the discussion to have some kind of initial direction but other than that, the show had a clean slate with the objective of deciding on a title for the episode at the end.

There was a danger with this loose format that conversation might not necessarily be free-flowing but this was expertly avoided by Davies who did an excellent job at steering clear of awkward pauses in discussion. In fact, the overall feel of the programme was very natural and chilled out which I thought was really nice. There was no pushing to have anyone’s voice heard over another person’s and everyone seemed very supportive of each other which is refreshing in comparison to the vibes you get from shows with more competitive, maybe harsher formats. An important impression I got from watching As Yet Untitled was that the attention was very much focussed on the stories and the people in the stories, and not so much on the comedians telling them. This meant that nobody appeared to be pushing particularly hard to be the funny one and in this way, I think the show definitely achieved its objective of seeming like a green room.

There were many funny anecdotes shared throughout the five episodes, including Bob Mortimer’s explanation of his and Vic Reeves’ comedy style, where in the early days, if the audience weren’t laughing, the double act would throw their shoes at them. We also heard the wonderful Katherine Ryan’s tale of the creepy inflatophiliac and Noel Fielding’s reason for disappearing from his own stand up tour (he ended up spending the day working in a vintage second-hand shop in Brighton, I mean, where else?). Bill Bailey’s account of his New Zealand airport kazoo confiscation was whimsical, as can be expected from Bailey and Phill Jupitus’ numerous celebrity impressions were spot on. Ross Noble’s tales about his accident-prone kids and Josie Long’s flawless diet plan were highlights of the final episode.

It was easy for the television audience to get carried away amongst all these hilarious anecdotes, which proves what an authentic mood there was, and every now and then I would remember how different the show actually is and feel really impressed at the smoothness of it all. At any point where a normal chat show may have become awkward, such as when they transition between topics or invite a special guest on, the conversation just continued on in the same fashion which shows integrity. The only flaw I could find, or perhaps the only stunted part of each episode, was trying to round it all off at the end. Of course, these would have been heavily edited to fit the time frame but the scramble to find a title could be done with more finesse in the future.

I adored this new show and the many guests on it; my favourites including Noel Fielding, Bob Mortimer, Katherine Ryan, Josie Long, Jason Byrne, Ross Noble, Bill Bailey and Marcus Brigstocke. I will be pretty annoyed if there aren’t more episodes made soon!

The Mighty Boosh Revisited: S1E7, Electro

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Episode: S1E7, Electro

Air Date: 29 June 2004

Summary: Bad memories are stirred up for Howard when Vince is asked to join a band called Kraftwork Orange. Vince upsets one of the members of his new band, Johnny Two-Hats, who storms off when Vince criticises his fashion sense and this means the band are one person down for their important show that night. Vince asks the only person he can, Howard, but jazz-loving Howard Moon cannot play any instrument any more as a result of a meeting with the Spirit of Jazz many years ago. He was tricked into signing his soul away ‘in blood?’ no, ‘biro’s fine’. The concert has to go ahead with the Spirit of Jazz on the loose inside a vacuum cleaner and this causes chaos.

What Else? The conversation between a young Howard Moon and the Spirit of Jazz is obviously an iconic part of this episode, with the brilliant snippet of: “Yorkshire? What is Yorkshire?” “Yorkshire is a place. Yorkshire is a state of mind”. We get to see the Spirit of Jazz’s hat go up in flames, because apparently it wasn’t part of his “look”, but also a mini crisis when Vince gets angry about the Zoo and there is a lot of out-of-place bleeped out swearing as well as: “Vince, I thought you said you wanted to help the animals?” “I do, I want to help them all to die”.

Quote of the Episode:

Vince [to Howard]: “Science teachers and the mentally ill, that’s what Jazz is for.”

Familiar Faces: Sue Denim and Dee Plume (Robots in Disguise) play the parts of the girls in the band Kraftwork Orange. Fielding has the role of the Spirit of Jazz and Simon Farnaby pops up as NOT the manager of PieFace Records. Johnny Two-Hats is played by Dan Clark.

THE REVISITED SERIES

BBC iPlayer: Original Comedy Shorts

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A wonderful thing happened on BBC iPlayer on June the 1st: six comedy shorts were released exclusively online with input from many of the most brilliant people in comedy right now. This kind of thing is so vital for keeping comedy on television and online alive as we need to keep pushing the boundaries of comedy in order to keep it successful and influential.

Each comedy short is around five minutes long and they are all completely stand alone episodes (though it would be great if someone could pick them up for series in the future). My favourites were Micky Flanagan’s Foxageddon, Matt Berry in Lone Wolf and Bob Mortimer and Frankie Boyle’s Cookery Show mainly because of the comedians they involved, but I also thought Morgana Robinson’s impressions Channel M were wonderful, as always (her Amy Child impression is spot on).

I can imagine Micky Flanagan’s episode evolving into some kind of Lead Balloon–esque series in the near future as Flanagan’s comic delivery is very unique, which you’ll know if you’ve seen any of his stand up. His character here has the same comic voice as his stand up which I thought really aided the episode because there was less ground work that needed to be done to set the scene. The episode was funny because it is entirely stupid, which I guess is just refreshing for an audience who are used to satire etc. Also, the fact it featured Kerry Godliman (Derek) was a brilliant thing as I think she is very talented.

Frankie Boyle and Bob MortimerBob Mortimer is a hero of mine and I was very looking forward to seeing what he could produce in a five minute time frame. I wasn’t disappointed; it was a whimsical, nonsensical cookery world and it was a beauty to watch, as Mortimer always is. I also noted that Bob was involved in almost all of the other comedy shorts: sometimes as producer and sometimes as writer and this proves what a clever, hardworking genius he is. It was also interesting to see Frankie Boyle playing a slightly different role, as a television presenter who hates peas:

“What is it, Frankie, is it the peas, or the thought that the knife might be on the brink of extinction?”

I can picture Frankie working on some kind of childrens’ show in the future and before watching this, I would never have thought so (for obvious reasons). I think Boyle and Mortimer are both incredible comedic talents, with an interesting partnership on screen and really hope something comes from this comedy short, as with many of the other episodes, but especially the cookery show.

I also love every show Matt Berry is involved with as the man is undeniably a fabulous comedic actor. Lone Wolf is an extremely funny mini-documentary that follows a wolf pack as they hunt their next meal but the voiceover is Berry-style: foulmouthed and hilarious. Again, I can see this making a fantastic feature in a sketch show or even a show on its own.

You can watch all the comedy shorts on BBC iPlayer here and I definitely recommend you do!

The Mighty Boosh Revisited: S1E6, Charlie

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Episode: S1E6, Charlie

Air Date: 22 June 2004

Summary: Howard decides he is going to become a writer in order to impress Mrs Gideon and the famous Hamilton Cork but is horrified to learn that Vince is already doing just that. Vince explains the basis of his Charlie books which receives dismissal from Howard: “That’s not a novel, that’s the scribblings of a retard”. Meanwhile, Bob Fossil has noticed a brilliant new way to make money from the Zoo: he is going to breed the ‘black-eyed Chinese people that eat sticks’ as this will attract visitors. Vince is bullied into dressing up as a panda and flirting with the female panda to get the male jealous. That evening, Dixon Bainbridge organises a writer’s party and Vince is invited but not Howard. Chaos quickly arises as Charlie decides to pay a personal visit to the gathering…

What Else? This episode made me learn that I want to be everything that Vince is; he’s the happiest kid at the Zoo. Naboo introduces the photograph of the kitten, Phillip, who helps calm Howard down in times of frustration and Vince shows off his poncho that makes him happy no matter what. The infamous “you know the black bits in bananas, are they tarantulas’ eggs?” scene is in this episode as well as the ‘Swear on Jagger’ joke. The brilliant Charlie song is played towards the end where the giant Hubba Bubba nightmare causes a scene. This episode is artistically very inspiring with heavy use of animation and great attention to detail (Dave Brown can be thanked for a lot of that, I expect).

Quote of the Episode:

Howard [to Vince]: “You’re always happy aren’t you. Everything’s fun. You see a peanut, the day’s off to a good start. You witness some soil, it’s a jamboree for Vince Noir. I need something more.”

Familiar Faces: Simon Farnaby as Simon McFarnaby (before the show) and Hamilton Cork (McFarnaby’s character in the show).

THE REVISITED SERIES