Romesh Ranganathan Archives

TV Review: Romesh Ranganathan Asian Provocateur

October 28, 2015 by Becca Moody Leave a Comment

Self-confessed ‘coconut’ Romesh Ranganathan has recently embarked on a traditional tour of the country of his heritage, Sri Lanka. Spending each episode with a different distant relative, Romesh has been introduced to various elements of the culture he feels he has been ignoring up until now, and the time has come to share those experiences with the public.

The Ranganathans may have Sri Lankan heritage but Romesh himself is from Crawley in Sussex and openly admits that he knows next to nothing about the culture of his parents. The extent of Romesh’s ignorance is surprising at first but also understandable, with much of the show’s humour deriving from such obvious naivety. But there is also a willingness to sample all aspects of the traditional culture that ensures Asian Provocateur is not just about messing around in an unusual environment, which allows the programme to be genuinely moving at times. A key thing to be noted about this programme is that the places Romesh visits are not being mocked. He may find humour in the ways they communicate or the things they do, but the cast and crew have certainly not embarked on this journey merely to poke fun at the people they visit. There is a genuine love and interest behind Romesh’s exploration of Sri Lanka, perhaps as a result of the comic wishing to learn more about the life his late father lived in the country, before Romesh was born.

The addition of Romesh’s mother, Shanthi Ranganathan, is a brilliant new perspective for the show to take. If we were to compare Asian Provocateur to An Idiot Abroad, and let’s face it there are many comparisons to be made, it would appear that Shanthi has taken on the role that was once occupied by the likes of Ricky Gervais and Stephen Merchant. The interesting thing about the scenes with Romesh’s mother, as opposed to with Karl Pilkington’s bullying friends, is obviously the presence of a genuine, unbreakable blood connection between them. It shines through in their conversations regarding Romesh’s trip to Sri Lanka, with chat that is clearly unscripted and made all the more unpredictable by Shanthi’s motherly instincts clashing with Romesh’s comedian persona (which will undoubtedly be slightly shifted from his usual son role): “Your mother would be sad if you died, but part of me would be thinking, what a stupid son I had”. Romesh has also recently stated: “I think for her, in an ideal world, series two would not involve me. It would be a spin-off show where mum’s like: ‘So we got rid of Romesh and now we can really get into the show.’”

Asian Provocateur is starchy and awkward in places and these are the moments that allow Ranganathan’s brilliant comic timing to come through. The cultural and language barrier, despite Romesh himself being Sri Lankan, provides many of the laughs per episode, with the comedian being made to spend time doing some very unconventional activities, to say the least. Despite what Romesh has spent his entire career as a comedian trying to get us to believe, he is clearly a person who finds it easy to get on well with others. The relationships he is able to build with various uncles, cousins and tour guides are surprisingly strong, and these bonds enable the show to feel all the more homely and substantial.

Perhaps it is not the most original of television formats, but Asian Provocateur certainly feels like it has more of a point to it than other similar programmes, due to the cultural family connection as well as Romesh’s booming comedy profile.

ROMESH RANGANATHAN: ASIAN PROVOCATEUR IS AVAILABLE ON BBC IPLAYER

TV Review: Taskmaster, Series 1

September 8, 2015 by Becca Moody Leave a Comment

Taskmaster is the brainchild of comedy heavyweight Alex Horne, recognisable to many as the front man of the Horne Section and occasional appearances on Friday night television on shows such Cats Does Countdown. Alex Horne is a comedian who knows how to make the Edinburgh Festival exciting; for fifteen years he has been delighting crowds with whacky conceptual shows and experimental games, with an admirably positive attitude when it comes to testing these extravagant possibilities. He is not afraid to push the boundaries and this gives Horne a fantastic creative advantage.

Taskmaster began as a year-long competition with comedians (and sometimes critics) being pitted against each other in a set of bizarre challenges, with Horne hosting and Mike Wozniak as his trusty assistant in recent times. Now the game has been given a new medium, a risk for a television channel (though perhaps not for Dave, which is already renowned for its experimental nature) and no doubt a delight for countless comedy fans. The television adaptation of the game is hosted by Greg Davies and Alex Horne and has a regular group of contestants, which binds the show together well and allows a sense of camaraderie to build as the episodes progress and the responses to tasks to become slightly more competent and imaginative. The comedians are diverse in their background, audiences and generations, making the whole programme feel accessible to a larger audience, with the five contestants being Frank Skinner, Josh Widdicombe, Roisin Conaty, Romesh Ranganathan and Tim Key.

It is fascinating to watch the contestants figure out the best way to approach obstacles, particularly in group tasks where the thought processes are made vocal, but this perhaps makes them less constructive as opposed to when certain individuals are allowed to work on their own. As the series develops it becomes clear that the comics excel in varying areas. Take Roisin Conaty as an example: hopelessly slow at carving up a watermelon but a high-flyer in any rounds that require social skills, such as the task involving high-fiving a 55 year old member of the public. If you want canny solutions to problems that bend the rules, sometimes to the point of breaking them completely, Tim Key is your man. Time and time again on Taskmaster Key proves himself to be a devious, quick-thinking non-conformist, shaking up the system so carefully crafted by Davies and Horne, with hilarious effects.

Greg Davies is fantastic; he’s harsh, loud and ridiculous, completely giddy with power, and the relationship between Davies and Horne is clearly a long-lived one. They find each other, and themselves, utterly hilarious and it’s not self-indulgent because they are absolutely right. The whole group act like children and it’s refreshing to see it contrast against a genuinely sharp wit from all players. It helps dramatically that the tasks are so varied, often absolutely mental and incredibly funny to see carried out. A highlight has to be poor Josh Widdicombe’s attempts at counting the number of beans in a can, of spaghetti hoops in a can, of grains of rice in a bag… All in vain, however, because nobody else was even set that task. Poor soul. But anyone would be hard pushed to pick a favourite moment when the likes of Romesh’s backwards film Tree Wizard and Roisin’s demands that Alex Horne eat a toothpaste pie are involved.

CATCH UP WITH SERIES ONE OF TASKMASTER ON DAVE NOW

SEVEN QUESTIONS WITH ROISIN CONATY

Review: Bramall Comedy Night, Andrew Ryan, Ben Norris & Romesh Ranganathan

February 17, 2015 by Becca Moody 1 Comment

Last week saw the fourth instalment of the University of Birmingham’s ever-growing comedy night with a stellar line up consisting of Andrew Ryan, Ben Norris and Romesh Ranganathan. This month undoubtedly saw the biggest crowd so far which was very nice to see.

Irish comic Andrew Ryan compèred the evening and he was one of the best I’d ever seen fill this difficult role, with unwavering energy and and effortless charm. In a way that reminded me of Jason Byrne (no, not just because he’s Irish), Andrew is very skilled at developing a unique set based on the audience on the night, from what I saw. A fifteen year old on the front row received most of the comedian’s conversation as he was so young, which was a near miss for me, being seventeen and on the front row myself!

Ben Norris was next, walking on with a stern face and surprising us all with his lighthearted style of comedy; I don’t think many people were expecting him to be so lovely, but he really was. With hilarious personal anecdotes broken up by a few fantastic one-liners, Norris presented a perfect blend of the topical and silly, with the dark and twisted. I laughed all the way through his set, particularly because his observations of aspects of politics and religion were spot on, and would definitely pay to see him again soon.

The last act of the night was one of my favourite stand up comedians, Romesh Ranganathan, and I was delighted to finally be able to see him live. Talking about his kids, one of whom is an “unacceptable human being”, Romesh’s comedy has something for people of all ages (he’d probably be horrified to hear that I am one of five girls, when he thinks three boys is ridiculous). His material is very specific to him, covering the things he has experience of such as parenthood, teaching, veganism and dealing with racism, all tied together with his trademark passive aggression and sarcasm.

It was a pleasure to finally see Rom in person and I will definitely be following what Andrew and Ben are up to from now on (and of course attending next month’s comedy night at the Bramall).

BRAMALL COMEDY NIGHT: JANUARY 2015

iPlayer Preview: Funny Valentines

February 13, 2015 by Becca Moody 1 Comment

If you watched the BBC iPlayer shorts from June 2014, you’ll have seen for yourself how these miniature comedy installations really do open up a new style of viewing. Last year’s six hilarious bitesize programmes allowed us to sample a whole range of funny creations from the likes of Matt Berry, Reece Shearsmith, Micky Flanagan and Meera Syal, and it’s no surprise that the news of a brand new set this month was more than welcome.

Rom Com is the increasingly popular Romesh Ranganathan’s Valentine’s-related short, starring Aisling Bea. Together they make up the world’s seemingly most awkward first date ever. The episode follows Romesh as he is rigorously prepared for his evening with this quite mysterious young woman by his very own verbally abusive relationship guru, who also happens to be a figment of his own imagination. Rom Com is a dark and oppressive comedy, and is made bitterly funny thanks to both of its stars.

Katy Wix’s Dear Jean Pierre is a silly story of a quaint French romance, as it reaches its emotional final moments. In this remarkable tale, Wix relives the moments where the relationship began to decline, and brings her wonderfully childish humour along for the ride. With her trademark hopeful and innocent nature, and a knack for surprising us with various twists and turns along the way, Dear Jean Pierre is a complete comedy delight.

Matt Berry’s Wild Love is certainly wild, shockingly funny and crude. In the sequel to last year’s Lone Wolf, Berry narrates the mating antics of various creatures ranging from golden frogs to “colonial hopping dogs”. This undiscovered world is absolutely crazy, and even our beloved narrator himself seems to get carried away by the absurdity of it all, which makes for hilarious listening. Writer, Bob Mortimer, and Berry have come together yet again, to create something fantastic, and it’s not too difficult to visualise this becoming a series one day. Watch out David Attenborough!

Bill Bailey brings his brilliant song-writing skills to present a parody of the romantic-rock music industry by remaking one of his own songs, Love Song. It is bleak, harshly funny and typical of Bailey’s hilarious comedy. It also really made me want to watch his ’96 live show Cosmic Jam again as this man’s material is absolutely timeless. Music Lovers is Sara Pascoe’s surreal comedy short about a Norwegian band, Monozygotic, who are promoting their new album, but it turns out there is much more going on behind the scenes that are revealed throughout. I loved this because it’s completely different from anything I’ve seen Sara do before (and because I got to hear Elis James’ Norwegian accent.

Elephant, starring Nick Helm and Esther Smith, is the sweetest little comedy I’ve seen in a long time. It follows a very clumsy yet likeable pair of young almost-lovebirds as they embark on the world’s cheapest almost-date ever. The visuals of this one are absolutely beautiful, with bright natural lighting and smiles all round and the over all effect is a slow-burning, lovely episode that really warms the heart. The Lady and the Fly from Modern Toss is very different from the rest of the episodes due to its animated format. A fly has fallen in love with a human woman and her apparent rejection has made him feel like ending it all and becoming a “self-netter” by flinging himself into a spider’s web, ready to be eaten. Modern Toss have created something that is cleverer than most observational comedy, as the ideas are implied through the fly’s narrative, rather than in explicit statements.

These iPlayer shorts are such a great new development in online viewing and I look forward to a third batch at some point in the future.

Watch all of the fantastic comedy shorts on BBC iPlayer

TV Review: Mock The Week, Series 13

July 23, 2014 by Becca Moody 5 Comments

On the 9th of February this year, the BBC made an announcement that lead me to write this post because it made me feel so disheartened. The announcement concerned the number of female comedians that are present on panel shows broadcast by the BBC and proposed that all new episodes of programmes like Mock The Week, Have I Got News For You and QI will have at least one woman each. The statement given by Danny Cohen, Director of Television at the BBC, that contained the proposal, was not taken well by comedians and the general public alike. As I explained in my post at the time, this was mainly because of the patronising nature of the new rule and I worried immensely about the effect this will have on female comedians and their audiences.

It is now five months later and the first half of Mock The Week series thirteen has been and gone. As promised, there has been one female comic on each of the six episodes so far and, as a result, I personally think it’s been one of the best series yet. This is because many wonderful comedians have been given the chance to appear on the show where they may not have been able to before, and many of them have been women. Now, I completely stand by the concerns I expressed in my previous post and still fear they are just as valid: I am very uncomfortable with the idea of a ‘token woman’ on such programmes and it’s always going to be an issue because of Cohen’s statement.

However, despite my worries, when I focus purely on the entertainment; when I pretend I don’t know why there are suddenly more women on Mock The Week, I thoroughly enjoyed the series. It made me incredibly happy to see some of my favourite female comedians make their Mock The Week debut, such as Angela Barnes and Sara Pascoe, and to see the wonderful Katherine Ryan make her fourth appearance on the show (an impressive achievement, looking at the statistics for such a programme). Not only were there many new female faces (also including Susan Calman and Tiff Stevenson), but I was also delighted to see one of my favourite male comedians appear on his second, third, fourth AND fifth episode: the hilarious Romesh Ranganathan.

So there have been six episodes in this half of the series and that means there have been six female comedians who got some screen time who may not have got it otherwise, and this has to be a good thing. I did some research and discovered that series eleven had five different female comedians throughout the whole of the twelve episodes: Jo Caulfield, Zoe Lyons, Ava Vidal, Andi Osho and Katherine Ryan. Likewise, series twelve only showed three on all eleven episodes and they were Ava Vidal, Katherine Ryan and Holly Walsh. Despite the humiliation of the extremely concentrated ‘positive discrimination’ that women (including the public as well as comedians) are being force-fed with, it is undeniable that Mock The Week is a better show because of it, I just wish it hadn’t been done so blatantly, before everyone’s eyes.

In February, I was made to feel embarrassed for being a girl. I felt like female comedians were being held up under a spotlight and examined; pitied. And it made me feel really helpless because if this is the only way for women to get an equal amount of time on panel shows, there is something very wrong with the world. But the effects seem to be wearing off and hopefully many people haven’t even noticed the change, which shows how unnatural it was to have so little female comedians on Mock The Week in the past.

Anyway, I don’t want this to be a negative post because I think the nation’s memory of Danny Cohen’s statement has faded considerably since February and I’d like to hope it stays like that. In general, the changes that have been made to the running of Mock The Week seem to be extremely positive and I hope this signals the start of some kind of panel-show-revolution.

PS. Another thing I noticed was that the female comic was always in the middle chair on Andy Parson’s team and that has intrigued me as I can’t think of a reason for that being so. If anyone can enlighten me as to why, that would be much appreciated.