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BBC Sitcom Season: The Pilots

October 19, 2016 by Becca Moody Leave a Comment

Some of comedy’s hottest names have been busy working on new sitcom pilots for BBC iPlayer, airing in September, with the hope of these creative projects later being picked up for a television series.

First up is The Coopers Vs The Rest, a depiction of the turmoils of adopting within a modern day family, with its difficulties involving fitting in with other families, or getting along with other parents. This young family in particular has a very interesting dynamic, with mum Tess (played by Tanya Franks) and Frankie (Erin Kellyman) partaking in consistently sarcastic back and forth that has the warmness of love still beneath it. The dialogue is quick and often unexpected, with each character giving as good as they get, even little eleven-year-old Alisha.

Other pilots include Chris Fewtrell and Simon Crowther’s Home From Home, which follows the Hackett family as they move to their new lodge at Lake View Holiday Park. With Johnny Vegas playing the lead (father, Neil Hackett), supported by Joanna Page as wife, Fiona, this narrative is one of unspoken judgements and stupid faux pas, making for fraught and funny viewing. Next up is Julie Thacker Scully’s latest writing project, Our Ex Wife, which features Robert Webb’s trademark cutting and sarcastic narration throughout. Although a completely different concept to Peep Show, Webb’s idiosyncratic style of self-commentary still really works within the sitcom format, with the tensions between Jack (Webb), fiancé Sara (Melanie Lynskey) and Jack’s ex wife Hillary (Victoria Hamilton) providing relief from the gruesome slasher elements that punctuate the episode.

Motherland

Co-written by Helen Linehan, Graham Linehan, Sharon Horgan and Holly Walsh, Motherland is a sitcom that is arguably concerned with the politics of parenthood rather than the essence of childcare itself. Every now and then there is something undeniably funny to be found from shocking or unexpected self-centeredness in human beings, and this feeling is epitomised in this pilot episode about ego-fuelled mothers who, understandably, want to rid themselves of responsibility whenever possible (and this is, of course, hardly ever possible at all).

From the opening scenes it is very much like a disaster movie, with working mother Julia (Anna Maxwell-Martin) frantically rushing to get her young children to school on time, only to realise it is half term anyway and she will have to take the day, and potentially the week, off work. Motherland is an excitingly stressful and busy watch, but Diane Morgan provides important relief from the tension, with her acerbic nonchalance ironically providing much of the drama.

We The Jury

We The Jury is the standout piece for me from this recent batch of sitcom pilots; written by James Acaster, it is reminiscent of his 2015 show Represent, which sees the comic share the ludicrous tales of a recent jury he claims to have taken part in (fictional, undoubtedly). This gradual development of an idea gives the programme a homemade, organic feel, therefore giving an audience the impression of far more depth to the narrative and the characters within it. Acaster has smartly captured his own comic voice within the script, without the need to be physically present (all bar a few unexpected seconds anyway). Visually, We The Jury is bright and snappy, reflecting the excitable energy of the characters, which, somewhat surprisingly, doesn’t grate. There are many interesting characters that Acaster has not had time to establish within a pilot episode alone, from Sophie Thompson who plays Jen 1 to Diane Morgan’s laid back Olivia, proving that this concept could easily develop into a series without any particular risk of stagnancy.

MOTHERLAND HAS ALREADY BEEN COMMISSIONED FOR A SERIES FOR BBC2

Farewell BBC3

February 17, 2016 by Becca Moody Leave a Comment

The day that some of us never believed would come has finally arrived; it has sneaked up on us, leaving those who opposed the change, like myself, feeling powerless.

If you weren’t aware that BBC3 was set to move online, let me fill you in. It’s a little over two years ago now that the Director-General of the BBC announced that there were to be £100 million’s worth of cuts. This was followed a month later with the declaration that BBC3 was to leave our television screens to be replaced by an online-only service. The money saved from this format shift would be used to introduce a BBC1+1 service and extend the hours CBBC broadcasts for each evening. And now it has happened. Tuesday 16th February 2016 was the final day of television broadcasting for BBC3.

The Mighty Boosh © BBC

Although the move of BBC3 to an online platform is said to be a way of catering to an increasingly young audience, I continue having difficulty believing that. I am a young person and, believe it or not, I know quite a few other young people, and many of us share the same view. It will be harder to access the comedy we love and the comedy we are yet to discover if we have to access it online, regardless of what the media seem to be telling us. Tuesday night’s episode of The One Show may have told you in no uncertain terms that people simply prefer to watch television on their phones, tablets or computers these days, but is this really the case? The ignorant and blatant one-sidedness of this segment made me laugh (perhaps The One Show can replace the comedy I’ll be missing out on from this week onwards).

Is online content really easier to access than television? I have my doubts but I’m also beginning to think that maybe I am secretly afraid of a not-so-distant almost-Orwellian society where our lives are dictated by the internet. Yes, I’m burying my head in the sand. The fact is, it’s already happening. What I am wholly justified in objecting to, however, has got to be fact that the biggest source of comedy was first to go. What a disrespect to this aspect of the entertainment industry, to the countless creatives who dedicate their lives to producing innovative content.

But, complain all we like, the truth is at its most painfully clear today; BBC3’s fate is sealed. It seems that the only thing left to do is ensure that we do not let the channel die, through doing what we can to use the new online service provided by the BBC and spreading the word about new comedy projects as and when they come. I’d like to commend the work of Jono Read and all those who worked on the Save BBC3 campaign. It was a valiant effort to change a decision that was clearly set in stone a long time ago. I am interested to see the coverage of comedy on a new platform as the time has come to embrace the decision and continue to support Britain’s finest creative minds.

WATCH BBC3 ONLINE FROM TODAY

TV Review: Mock The Week, Series 13

July 23, 2014 by Becca Moody 4 Comments

On the 9th of February this year, the BBC made an announcement that lead me to write this post because it made me feel so disheartened. The announcement concerned the number of female comedians that are present on panel shows broadcast by the BBC and proposed that all new episodes of programmes like Mock The Week, Have I Got News For You and QI will have at least one woman each. The statement given by Danny Cohen, Director of Television at the BBC, that contained the proposal, was not taken well by comedians and the general public alike. As I explained in my post at the time, this was mainly because of the patronising nature of the new rule and I worried immensely about the effect this will have on female comedians and their audiences.

It is now five months later and the first half of Mock The Week series thirteen has been and gone. As promised, there has been one female comic on each of the six episodes so far and, as a result, I personally think it’s been one of the best series yet. This is because many wonderful comedians have been given the chance to appear on the show where they may not have been able to before, and many of them have been women. Now, I completely stand by the concerns I expressed in my previous post and still fear they are just as valid: I am very uncomfortable with the idea of a ‘token woman’ on such programmes and it’s always going to be an issue because of Cohen’s statement.

However, despite my worries, when I focus purely on the entertainment; when I pretend I don’t know why there are suddenly more women on Mock The Week, I thoroughly enjoyed the series. It made me incredibly happy to see some of my favourite female comedians make their Mock The Week debut, such as Angela Barnes and Sara Pascoe, and to see the wonderful Katherine Ryan make her fourth appearance on the show (an impressive achievement, looking at the statistics for such a programme). Not only were there many new female faces (also including Susan Calman and Tiff Stevenson), but I was also delighted to see one of my favourite male comedians appear on his second, third, fourth AND fifth episode: the hilarious Romesh Ranganathan.

So there have been six episodes in this half of the series and that means there have been six female comedians who got some screen time who may not have got it otherwise, and this has to be a good thing. I did some research and discovered that series eleven had five different female comedians throughout the whole of the twelve episodes: Jo Caulfield, Zoe Lyons, Ava Vidal, Andi Osho and Katherine Ryan. Likewise, series twelve only showed three on all eleven episodes and they were Ava Vidal, Katherine Ryan and Holly Walsh. Despite the humiliation of the extremely concentrated ‘positive discrimination’ that women (including the public as well as comedians) are being force-fed with, it is undeniable that Mock The Week is a better show because of it, I just wish it hadn’t been done so blatantly, before everyone’s eyes.

In February, I was made to feel embarrassed for being a girl. I felt like female comedians were being held up under a spotlight and examined; pitied. And it made me feel really helpless because if this is the only way for women to get an equal amount of time on panel shows, there is something very wrong with the world. But the effects seem to be wearing off and hopefully many people haven’t even noticed the change, which shows how unnatural it was to have so little female comedians on Mock The Week in the past.

Anyway, I don’t want this to be a negative post because I think the nation’s memory of Danny Cohen’s statement has faded considerably since February and I’d like to hope it stays like that. In general, the changes that have been made to the running of Mock The Week seem to be extremely positive and I hope this signals the start of some kind of panel-show-revolution.

PS. Another thing I noticed was that the female comic was always in the middle chair on Andy Parson’s team and that has intrigued me as I can’t think of a reason for that being so. If anyone can enlighten me as to why, that would be much appreciated.

Save BBC3

March 7, 2014 by Becca Moody 1 Comment

On Wednesday, a large part of the nation was swept up in fury when they heard the rumours that the BBC were planning to axe BBC3. It all developed extremely quickly and now there are people all across the country desperately trying to save the channel. This has been done through articles (like this but actually with an audience), petitions and Twitter trends (#SaveBBC3). We have been assured that all BBC3 shows will still be available online but this offers no comfort to me as there will be thousands of people without internet access who will now miss out altogether.

The reason this is so high-profile is because it is an insanely massive decision and will affect so many of us, including hundreds of well-known celebrities who’s work relies on broadcasts from BBC3. Some of the biggest names to speak out about it this week include Russell Kane, Jack Whitehall and Greg James.

This was the particular article that inspired me to write. It pointed out that the BBC plans to spend £30 million on Drama and also wants to create a BBC1+1 which seems pointless as we already have iPlayer. When I first heard of the plans, a small part of me thought fair enough, they are on financial difficulty. But they’re not! They just want the £100 million to put back into the other channels and the difference won’t even be that noticeable. What a huge sacrifice for a change that nobody wants. Not to mention that most of this money comes from the nation’s pocket: my parents’ money and one day, my own. So we are paying for something we don’t actually want?

The Mighty Boosh

BBC3 has brought us so many influential and brilliant programmes, from The Mighty Boosh in 2004 and Little Britain in 2003 to last summer’s Mental Health Season: It’s a Mad World. I admit that some other programmes have been less well-received but at least the channel is taking risks. It is the major platform for new comedy in the UK, for example, Uncle was broadcast earlier this year and was brilliant, in my opinion. Other SitComs that the nation loves have been produced by BBC3 like Gavin & Stacey and brought new, young people into the public eye.

If this decision goes ahead, I, as a young person who loves comedy, am going to lose out on so much. The majority of my school are going to be affected also and I know a lot of them are as outraged as I am. Ja’mie: Private School Girl was a massive hit with the older years of my school when BBC3 first broadcast it recently. Most of the people who watched it probably wouldn’t have if it hadn’t been on television as it is easier to access.

Talking in general terms, I feel as though the BBC are completely skipping out the younger generation. BBC1, 2 and 4 often focus on the more serious side of things such as the news and The One Show, history documentaries and programmes about antiques. If you axe the main source of our comedy and innovative documentaries- what do we have left?

I honestly don’t know if we can make a difference but we can’t just sit there and let them take away our favourite channel. Please sign this petition to show the BBC that actually, we will not let them disregard us so absentmindedly. Sharing this blogpost would also be a massive help, we need as much support as we can get- surely the BBC can’t ignore so many people?

No More All-Male Panel Shows

February 9, 2014 by Becca Moody 1 Comment

Today the BBC announced they were to make sure every episode of shows like QI and Mock the Week are to have at least one female guest. My first reaction was along the lines of: ‘sure, this is coming from a good place, women should be greater represented in comedy. The idea behind this is a sound one.’ However, I don’t think this is the correct way to go about it in the slightest. Speaking as a young female, I felt embarrassed to hear that women would get such special treatment. From now on, even if it is untrue, every comedienne that is asked to appear on such shows will feel that they are just there to fit the BBC’s new criteria. They are being completely undermined.

Females comics don’t get half the recognition they deserve and some of the funniest people in the industry I know of are women. For example Katherine Ryan, Sara Pascoe, Dolly Wells, Morgana Robinson, Roisin Conaty, Sarah Millican and Aisling Bea, are amongst some of my favourites. I think women add a valuable new dimension to such panel shows. They make it interesting. So seeing my favourite comediennes on television is always a highlight for me as like most people, they have earned their place on the panel. Years of hard work goes in before people come anywhere near to performing on programmes like Mock the Week.

It makes me sad to think that the women mentioned above may feel undervalued in the future when invited to appear on BBC panel shows because they deserve to be commended for their hard work. In many cases, they deserve additional recognition purely for the way they have surfaced above the hundreds of male comics in the UK while facing constant discrimination along the way. How many times have you heard the phrase: ‘she’s funny for a female comic’ or ‘no female comics are ever funny’. These make my blood boil- do they have no idea that humour is not purely in your genetic information? Have they not stopped to consider that intelligence, wit and life experiences might have some influence?