Previews

Edinburgh Review: Kai Samra – Brothers (WIP)

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© Kai Samra

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This year, Kai Samra brings his work in progress show, Brothers, to The Mash House. Relatively new to the stand up circuit, this Brummie comedian appears remarkably comfortable in front of his audience. His delivery is calm and self-assured, but certainly not an act.

Samra talks about his family with no qualms about letting his listeners in, and this makes for a deeply personal hour of comedy. There are no sob stories here, just honest anecdotes and clever observations. He’s a very likeable performer and his relaxed and confident nature allows his audience to settle into the show effortlessly.

Brothers is a show about family, along with all its frustrations and affections. And Samra makes 45 minutes feel like ten. The laughs come easily and frequently, making it starkly clear that this comic could warm up even the coldest of audiences. It’s not hard to imagine this comic cracking into the mainstream some time soon.

This show is not a skeleton of a piece, and neither is it an amalgamation of too many half-formed ideas. This show already feels polished. So, when Kai Samra returns to Edinburgh next August, prepare for a fantastic, brilliantly formed hour of proficient stand up.

Preview: Samuel Lloyd – Piñata

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Sam Lloyd is a new name to my ears. The 24-year-old from Newport has been performing stand up since he was in his teens, but it feels as if this is the start of something bigger as he starts to put together the beginnings of his next Edinburgh show, Piñata. He performs the first preview of this at The Little Man Coffee Company in Cardiff, with two supports (Calum Stewart and Emily Broad) and MC James Dunn.

The show is primarily PowerPoint-based, beginning with a fast-paced, laughter-filled rundown of the comedian’s early life, with embarrassing photos and all. But he soon proves that he isn’t over-reliant on the projector as a crutch; Lloyd is more than happy to face his crowd and deliver top quality, inventive material that the small room just laps up.

Structurally, this Piñata clearly has a great deal of promise, despite still being on its first draft. With a big tone shift towards the end of Sam’s stage time, the comic moves seamlessly from anecdotal trivialities to a much broader, more serious topic: that of mental health and depression.

He speaks openly about his experiences of feeling unworthy of help, or perhaps just not even needing it. Although he skirts past the details of his depression somewhat, as Lloyd’s audience we are still made to feel as though this is a genuine sharing of some pretty close to the heart stuff. His message, at this point in the development of the show at least, is that depression can happen to anyone; we all get it wrong sometimes and forget to take proper care of ourselves and talk to other people about how we are feeling.

And this strange notion of presuming that we might not deserve to feel this way, as though we don’t have the right to be depressed, is absurd. I think it’s important that audiences hear this message, and comedy is becoming an increasingly popular means of getting such ideas across. And Sam does it with a seemingly effortless ease. He clearly belongs on that stage.

And with original call backs and a clear narrative arc, Piñata is surely almost Edinburgh-ready even at this early stage, eight months before the festival begins. I hadn’t heard of his name before seeing this preview, but I’m certain that we’ll be hearing a great deal more about Sam Lloyd in the next few years, and not just in Wales, but nationwide.

Edinburgh Preview: Elf Lyons – Swan

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Elf Lyons

Fresh out of Gaulier, Elf Lyons is embarking on an experimental new hour of stand up, inspired by her fascination with ballet.

Lyons is critical of various ballet productions, including Tchaikovsky’s Swan Lake and The Nutcracker, and this leads her to attempt to recreate Swan Lake as a one-woman production, in French. These extravagant intentions are realised within a small theatre room above the Old Joint Stock pub in Birmingham. It’s the first outing of Elf’s new material but the confidence of her delivery doesn’t give the audience this impression.

Timeless in a way that is reminiscent Noel Fielding’s performance in The Mighty Boosh, Elf is a wide-eyed, theatrical whirlwind of a performer. She is uncompromising but likeable, with a cheeky glint in her eye like that of a naughty school girl. And I’m sure that’s what she must have been, underneath the shy, awkward exterior of her youth that she describes.

In her efforts to create ‘something out of nothing’, Lyons gets swept up in the fantasy of ballet narratives whilst remaining astutely self-aware. Her comedy is obscure, often relying on visuals, utilising costume, dance and mime, and she teeters on the border between long-limbed elegance and charming clumsiness. Elf is an endless cultivator of energy on stage. And with a style of comedy that is predominantly child-friendly due to its clownish nature, alongside an abundance of fresh ideas that will be refined through further stage time, Lyons’ comedy is generally accessible if you are willing to leave your inhibitions at the door.

Whereas this performance had Elf detail her plans for her new rendition of Swan Lake, it also jumped around to explore lots of other areas including her time spent in France over the past year with a 45 year old lover, her relationship with her mother growing up and time spent at the Priory as a child. It will be interesting to see which elements make it to the final show, or whether the ambition of a full production of Swan Lake performed in under an hour will come to fruition.

Either way, it was a nice change to sit down with a ‘double wine’ and enjoy an hour of escapism. Keep an eye out for Elf Lyons as she puts together this new show, as no doubt it will develop a great deal over the coming months.

Crackanory Series 4 Preview

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The latest series of the ever-popular, dark anthology series Crackanory is looming. Here is quick preview of the latest set of episodes, to give you an idea of what sinister gems this new series has to offer, in time for January 30th, when the series begins on Dave.

The first episode in the series, entitled A Close Slave, is written by Tony Way. Dara O’Briain narrates the story of a playwright in ancient Rome, who is aided by his helpful slave when suffering from a particularly troublesome bout of writer’s block. Way presents viewers with an interesting blend of uneasy politics and delightful silliness, with the addition of various pieces of historical trivia on top. The drama levels are high as there is certainly a lot for our young protagonist to lose here. But as long as he writes the perfect ending, everything should go smoothly, right?

Living With A Lie, written by Nico Tatarowicz and performed by Sheridan Smith, follows the turbulent experiences of office worker Russell as he struggles to write his first novel. This story is one of lies and false impressions, with Russell’s fictional and genuinely disturbing ‘Aunt Janet’ making an unwelcome appearance across all aspects of his personal and professional life. The writing in this episode is particularly beautiful, with Tatarowicz’s use of metaphor making for poetic storytelling; the kind of writing that inspires others to write. And not only this, Steve Oram stars as Russell’s unsupportive manager Phil. This is definitely a highlight of the new series.

Crackanory S4 – Episode 3 – Bob Mortimer – The Despot of Tea

Bob Mortimer narrates the third episode in the series, Arnold Widdowson’s The Despot Of Tea, and his trademark matter-of-fact delivery shines through in this tale of Geoff, who becomes an unintentional propaganda icon when his acting career takes a surprise turn. This somewhat uneasy tale follows Geoff as he travels to a former Soviet state for of an acting job, only to find out that he has been recruited by the country’s president Alexei to get the nation’s people back on side. If this twisting thrill-ride of a story wasn’t enough for you, it’s worth watching just to hear Mortimer say Sir Slurpington-Boots.

The Frankenstein-esque The Survivor is a delightfully unsettling piece of television. Written by Alex Kirk and narrated by Anna Friel, this tale recounts the difficult discoveries made by Thomas, who awakes in a strange house in the middle of the countryside to the news that his parents have died. He is bed-bound and helpless, pined over more like a family pet than a patient. Nothing is as it seems in the warped, dystopian world Thomas finds himself in, and viewers are kept guessing right up to the very last scene.

Episode five, Proxy Lady, features Mel Giedroyc’s recognisable, playful delivery that is pleasingly blunt in parts. Mel introduces us to 27 year old Beth, a miserable hotel worker who’s life becomes infinitely more interesting when she receives an ominous email from a woman named Greta (House of Fool‘s Ellie White). There is certainly something sick and twisted about the behaviour of the characters from the offset, but an unusual development is that it appears to be Beth who is the heartless one, rather than the mysterious loner she has dealings with.

Crackanory S4 – Episode 5 – Mel Giedroyc – Proxy Lady

Devil’s Haircut is written by Sarah Morgan and narrated by the ‘cool kid’ of comedy Doc Brown. It is a tale of ‘four white men in waistcoats singing stolen slave songs.’ Well, that’s what the sultry and mysterious Lil (Sophia Di Martino) claims a barbershop quartet is, and our protagonist, Spencer, happens to be a part of said barbershop quartet. Seduced by Lil’s red lipstick and intense gaze, the singer finds himself implicated in a pact that he had not intended to get involved in, with the love of his life suddenly becoming a source of great fear.

The Office‘s Mackenzie Crook narrates The Disappearance, written by Toby Davies. This is a story of misdirection, one that explores the border between magic and madness, pushing it to its absolute boundaries until, inevitably, something has to break. This episode is pacy and impactful, with an air of The Prestige about it. It features Dominic Coleman as Solomon the successful magician whose love for the craft, family relations and sanity begin to crumble around him.

And finally comes the final episode in the series: Pickled, written by Kevin Eldon and narrated by Miriam Margolyes. This tale begins with a close look at Benedict, a man who goes from riches to rags as his extravagant lifestyle catches up with him. Benedict’s life is in tatters around him, entirely of his own doing. Add a haunted house to the mix and it looks likes things aren’t going to be looking up anytime soon for our poor protagonist. Margolyes’ storytelling is fantastic and dramatic here; perfect for portraying the tense relationship that develops between Benedict and the ghostly old man he meets in the abandoned house.

This latest series of Crackanory perfectly epitomises what the art of entertaining storytelling is all about. The narrators are well-chosen and each story is innovative and unpredictable; definitely worth a watch. Crackanory series 4 begins on Monday 30th January at 10pm on Dave.

Edinburgh Preview: Peter Brush, Dreams With Advert Breaks

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peter brush

© John Devine

Peter Brush walks onto the stage at MAC in Birmingham to perform a preview of his new show Dreams With Advert Breaks with an air of apology about him. Confident in himself but self-critical, constantly editing, analysing and evaluating. This show is just his second solo hour, but Peter progresses through his material efficiently and chronologically, with a quiet confidence in the content of his show, if not quite the timings at this stage.

Aware of the impression an audience may have of him based on his appearance, as a young-looking, moderately long-haired, spectacle-wearing man, Brush openly shuns the label of ‘nerd’ or ‘geek’, stating that he actually has little interest in things that one might associate with such a trope. The comic explains the premise of his new show, which one could describe as a nostalgic look at childhood, including his past dreams (those that occur whilst asleep and those upon waking).

Brush’s guilty pleasure, it seems, is incorporating the kind of jokes into his sets that induce groans or tuts from an audience. What is refreshing is that he doesn’t care, because he enjoys these quips, and often so do we, or rather we enjoy the satisfaction of a small, rounded-off joke, as a change from longer-form narratives. Peter is aware that silly throwaway remarks are not sufficient to build an entire show and he knows that this is, in turn, not what an audience wants to hear, and in this way the comic shows a proficiency for reading his audience.

The narrative of the hour itself shows promise of being satisfyingly complex, with pleasing callbacks towards the end of the hour that bridge the gaps, from early childhood memories to the present day, although there were gaps within this performance as Peter expressed a wish to perform the latter part of the show, and therefore missed out sections from the middle. A shame for us, perhaps, but surely audiences in Edinburgh will have the loose ends sufficiently tied up.

The most impressive aspect of Brush’s writing is arguably a remarkable ability to conjure up surreal imagery within everyday mundanity. These whimsical reconstructions of childhood memories and dreams earn him many satisfied nods of heads, as opposed to laughs, and epitomise his comedic style; quiet, subtle, understated.

Peter Brush will be performing his show Dreams With Advert Breaks at the Edinburgh Festival.

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Edinburgh Preview: Lloyd Langford – Rascal

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© Andy Hollingworth

Known by many as Rhod Gilbert’s trusty sidekick, both on the 2010 television panel show Ask Rhod Gilbert (as well as other projects including Gilbert’s pilot sitcom Back To Llanbobl, which is expected to air this Autumn), and in recent years as tour support, Lloyd Langford is a comic of extensive television and stand up experience, and this shines through consistently in a preview of his latest show Rascal, performed at MAC in Birmingham.

Langford takes to the stage with his trademark droll delivery and slouched posture. His new show primarily considers the perils of relationships in the 21st century society, with the comic self-proclaiming it to potentially be his rudest hour of stand up thus far. Lloyd takes delight in saying what everyone else is thinking; not afraid to push an idea slightly too far or make his listeners feel slightly uncomfortable, particularly regarding latecomers. Here we have a comedian who clearly appreciates what an audience want from a live comedy experience. Lloyd’s off-the-cuff remarks are pleasingly quick and he segways between audience interaction and material smoothly, despite the fact he is performing an unpolished show.

Developing ideas based on life experiences over the past year, with topical references scattered throughout, it is somewhat difficult to tell whether this comic is being truly open with his audience or not. Langford’s material makes him appear quite solitary at times; yes, there are mentions of past girlfriends here and there, and talk of a cruise with his parents and brother, but the majority of the show centres around Lloyd’s own private musings, triggered by his experiences while travelling with work (perhaps fitting with the view that stand up comedy is one of the loneliest careers).

Lloyd Langford epitomises a no-messing-about, does-what-it-says-on-the-tin kind of comedy. He conveys an attitude that is both underwhelmed and apathetic, yet also irritated by the many obstacles that modern life presents, from hotels, to the weather, to terrorism (those “proper ne’er-do-wells, scamps, bad eggs”). But beneath the silliness, an anger certainly bubbles under the surface of Langford’s comedy, reminiscent of fellow Welshman Rhod Gilbert. This new show, however, does not see any of that frustration overflow; Langford remains in control. Instead, he is gleefully childish, sometimes bordering on pedantic, happy to play devil’s advocate through his cynicism and judgements, bringing out the naughty child that hides within each of us.

Lloyd Langford will be performing his show Rascal at the Edinburgh Festival.

SEVEN QUESTIONS WITH… LLOYD LANGFORD

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The Quest For Wonder Series Preview

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The Quest For Wonder is a new web series written by Trent Burton and stand up comedian Robin Ince and directed by Trent and Melinda Burton, pitched at all ages, with the core audience perhaps being parents and primary-school-age children. The star of the show, alongside Ince himself, is physicist and presenter Brian Cox; the pair having blossomed throughout thirteen series of the Radio 4 programme, The Infinite Monkey Cage, which began in 2009. This mini-series of six bitesize episodes makes for satisfyingly easy viewing, as a result of a sharp script and artistically pleasing puppetry production.

Cox and Ince present us with a declaration of knowledge in the most sincere of forms. The Quest For Wonder seems to fill the space left where every one of those rare, genuinely passionate teachers once stood. This is for those teachers that leave their egos at the door and make it their mission to instil some form of passion in their students. All that said, and much like with some teachers I’ve encountered, I found myself willing one them, one of the puppets that is, to swear. Though perhaps that has something to do with the fact a stand up comedian is part of the cast.

© Trunkman Productions

© Trunkman Productions

The self-mockery is in abundance, Brian and Robin voice their own puppets, but there isn’t a sense of caricature about the humour. The writing shows an astute awareness of audience perceptions of Brian Cox’s quirky presenting style, whilst adding surreal elements to his character, stemming from the fact that the physicist has lost the physical manifestation of his ‘Wonder’; a strange, blue, hamster-like creature, no doubt much appreciated by younger viewers. The characters themselves are bickering and knowledge-obsessed but successfully skirt the borders of irritating. And while the laughs are plenty, there is also room for a transaction of knowledge to take place with both characters frequently bringing relevant and interesting scientific concepts into the discussion.

The Quest For Wonder is a fantastic new initiative to support the work of the Science Museum and help encourage people of all ages to take an interest in all realms of science.

WATCH ‘THE QUEST FOR WONDER’ FOR FREE ONLINE FROM THE 7TH APRIL

Edinburgh Preview: Patrick Monahan – The Disco Years

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patrickmonaghanPatrick Monahan has an energy that could wake the dead. In a last minute preview before the Edinburgh Festival (which was, at the time, imminent), the Irish-Iranian-Geordie comic was adding the final flourishes to his latest stand up hour, working on cementing the overall structure of the show, yet he bounded on stage with the confidence of a man that new the next sixty minutes were to go swimmingly, regardless of how far progressed his material was in that moment.

A show that begins with several minutes of vigorous seventies style dancing from the older members of our Birmingham audience is not the way I expected Patrick to get the ball rolling, but comedy is all about new experiences, and we were clearly there to learn. The hour (and the rest) itself is a personal and honest account of the comedian’s experiences as a young boy growing up in Iran in the 1970s, with heavy influences from the world of dance, of course, as this appears to be Patrick’s speciality.

I was born in the late 1990s and it’s fair to say that I know very little of what went on in the 70s (or even the 80s and 90s for that matter) other than the obvious pop culture stereotypes and a brief understanding of international tensions at the time. Diverse, to say the least. But not only were us younger audience members (or “the children” as we were referred to) able to learn a little more about what living in the 1970s was like for many, we were also invited to be a part of the discussion, which resulted in many laughs and a unified feel in the room. Forgetting, possibly, that the house lights were up for the entirety of the show, Monahan nurtured and maintained a friendly, sociable atmosphere. Even if that meant unknowingly encroaching on regional banter with innocent questions like “which is nicer, Worcester or Wolverhampton?”.

Patrick Monahan is a truly charming comic who exhibits great care for his audiences as well as for the quality of his craft, making his show one of the most enjoyable and uplifting experiences to be had at the Fringe.

Patrick Monahan is currently performing his show The Disco Years at the Edinburgh Festival.

SEVEN QUESTIONS WITH… PATRICK MONAHAN

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Jonny Awsum: Everything Is Awsum, Edinburgh Preview

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Jonny AwsumThere’s something inspiring about attending a comedy show, which you have no prior information about other than a name, and discovering something quite remarkable. Witnessing a preview of Jonny Awsum’s second musical stand up show (at the MAC in Birmingham, of course) was certainly a unique experience, with the comic bringing boxes of mysterious objects on stage which were to be used throughout the hour, starting with three audience members on the front row who were supplied with plastic silver trumpets.

It is really no surprise that a large portion of his comedy work is in the form of being the ‘warm-up guy,’ or Hype Man as it is apparently called, for the energy Jonny managed to summon from a mixed-aged Thursday night crowd in Birmingham was admirable. One reason for the sustained high-octane feel of the show was that the audience as a whole were called to action regularly, whether that be to cheer performers on in their harmonica solos, shout back obscenities, or simply hum along to songs. Just because some of us weren’t picked on, it doesn’t mean that we weren’t a crucial part of the show.

The most applaudable aspect of Jonny Awsum’s performance was that no audience member was ever the butt of the joke, which made for unexpectedly enjoyable audience participation. Jonny enabled us to create something fantastic as a group and it unified us all as one; I chatted to people I’d never have mixed with in my daily life due to age and general background and that is a testament to this comedian’s positive attitude and the uplifting nature of his show as a whole.

Jonny Awsum’s latest musical extravaganza is magnificent: exciting and skilfully crafted. It seemed as though he didn’t even need to be doing previews at this point in late July, but the crowd were certainly pleased that he was. Musical, interactive comedy is not my preferred style of entertainment, but this show made it felt like it could be.

Jonny Awsum is currently performing his show Everything Is Awsum at the Edinburgh Festival.

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Edinburgh Preview: Gavin Webster – The Sexist’s Sexist

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2015GAVINWE-SU-300Gavin Webster is a comedian I have very much looked forward to seeing in the flesh, having made him my Comedian Of The Month last August. I finally managed to catch a preview of this high-energy Geordie comic’s latest show The Sexist’s Sexist at the MAC in Birmingham.

Gavin begins with his tried and tested material; clearly the comic’s safety net of top-quality, trustworthy gags. From the early stages of the show, Webster showed an obvious competency, coming across as a man who gets the job done and gets it done well. He exudes natural charm and a genuine warmth, which came across progressively strongly as the hour passed by and references to friends and family were made, such as his late dad’s blunt life advice, which was a profound moment to say the least.

The Sexist’s Sexist is not what it may first appear from studying the poster or name alone: it is a well-crafted, personal hour which showcases Webster’s story-telling skills and admirable casual confidence. Talking of his delight at being crowned Comedian’s Comedian on Christmas Eve last year, Gavin demonstrated to us all why he received the award in the first place; not only is he a lovely guy but he also clearly understands his creative responsibilities as a stand up. He expertly toes the line between comfort and danger, teasing us with elements of the two.

Gavin Webster’s latest show is a satisfying blend of home comforts and absurdist anecdotes, making him one to watch at this year’s Edinburgh Festival.

Gavin Webster is currently performing his show The Sexist’s Sexist at the Edinburgh Festival.

SEVEN QUESTIONS WITH… GAVIN WEBSTER

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