Television Shows

TV Review: Mock The Week, Series 13

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On the 9th of February this year, the BBC made an announcement that lead me to write this post because it made me feel so disheartened. The announcement concerned the number of female comedians that are present on panel shows broadcast by the BBC and proposed that all new episodes of programmes like Mock The Week, Have I Got News For You and QI will have at least one woman each. The statement given by Danny Cohen, Director of Television at the BBC, that contained the proposal, was not taken well by comedians and the general public alike. As I explained in my post at the time, this was mainly because of the patronising nature of the new rule and I worried immensely about the effect this will have on female comedians and their audiences.

It is now five months later and the first half of Mock The Week series thirteen has been and gone. As promised, there has been one female comic on each of the six episodes so far and, as a result, I personally think it’s been one of the best series yet. This is because many wonderful comedians have been given the chance to appear on the show where they may not have been able to before, and many of them have been women. Now, I completely stand by the concerns I expressed in my previous post and still fear they are just as valid: I am very uncomfortable with the idea of a ‘token woman’ on such programmes and it’s always going to be an issue because of Cohen’s statement.

However, despite my worries, when I focus purely on the entertainment; when I pretend I don’t know why there are suddenly more women on Mock The Week, I thoroughly enjoyed the series. It made me incredibly happy to see some of my favourite female comedians make their Mock The Week debut, such as Angela Barnes and Sara Pascoe, and to see the wonderful Katherine Ryan make her fourth appearance on the show (an impressive achievement, looking at the statistics for such a programme). Not only were there many new female faces (also including Susan Calman and Tiff Stevenson), but I was also delighted to see one of my favourite male comedians appear on his second, third, fourth AND fifth episode: the hilarious Romesh Ranganathan.

So there have been six episodes in this half of the series and that means there have been six female comedians who got some screen time who may not have got it otherwise, and this has to be a good thing. I did some research and discovered that series eleven had five different female comedians throughout the whole of the twelve episodes: Jo Caulfield, Zoe Lyons, Ava Vidal, Andi Osho and Katherine Ryan. Likewise, series twelve only showed three on all eleven episodes and they were Ava Vidal, Katherine Ryan and Holly Walsh. Despite the humiliation of the extremely concentrated ‘positive discrimination’ that women (including the public as well as comedians) are being force-fed with, it is undeniable that Mock The Week is a better show because of it, I just wish it hadn’t been done so blatantly, before everyone’s eyes.

In February, I was made to feel embarrassed for being a girl. I felt like female comedians were being held up under a spotlight and examined; pitied. And it made me feel really helpless because if this is the only way for women to get an equal amount of time on panel shows, there is something very wrong with the world. But the effects seem to be wearing off and hopefully many people haven’t even noticed the change, which shows how unnatural it was to have so little female comedians on Mock The Week in the past.

Anyway, I don’t want this to be a negative post because I think the nation’s memory of Danny Cohen’s statement has faded considerably since February and I’d like to hope it stays like that. In general, the changes that have been made to the running of Mock The Week seem to be extremely positive and I hope this signals the start of some kind of panel-show-revolution.

PS. Another thing I noticed was that the female comic was always in the middle chair on Andy Parson’s team and that has intrigued me as I can’t think of a reason for that being so. If anyone can enlighten me as to why, that would be much appreciated.

TV Review: 24 Hours To Go Broke

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24 Hours To Go Broke is another exciting new show from the channel Dave, that I was gutted to only catch the last two episodes of (though I will be catching up with the others online). The concept of this show is interesting: a celebrity pairing are shipped off to a foreign country and given £10,000 (or that country’s equivalent) to spend in 24 hours (with the catch that all money must be spent on experiences so they can’t have anything to show for their money once the time is up and they can’t spend more than £1000 on one experience). If they fail to spend the entire sum of cash, they will be forced to do a humiliating forfeit. But they are not completely without help: each pair is given a few contacts who live nearby and who are willing to give advice on how to spend the money but also give suggestions of memorable ways there may be to get rid of the money.

Episode Four was a particularly strong episode as it followed a couple of television personalities that I really like: Countdown‘s Rachel Riley and comedian Joe Wilkinson. They regularly work together on 8 Out Of 10 Cats Does Countdown so I was intrigued to see how their friendship had formed and also knew that they were very funny together. I wasn’t disappointed. Rachel and Joe were sent to Thessaloniki in Greece to spend their money and I absolutely adored seeing the couple’s friendship develop even further as they shared these completely wacky experiences. Rachel and Joe had many quirky tasks that they had set themselves, such as Joe paying for pole-dancing lessons and the two of them running an electoral campaign so they can put on an annual vegetable festival (I said it was weird). There were moments in this episode that made me laugh out loud, for example when Joe Wilkinson was attempting to pole dance and he exclaimed: “I’m like a dainty horse!”.

https://www.youtube.com/watch?v=AriXb76TAoQ

Not only was what I saw of this series entertaining, it also taught a fair amount about the cultures of the people the celebrities met. For instance, in Greece it became apparent that they did not like to be overpaid for things as it was, in fact, rude in their culture: it was clear that the celebrities learned a lot. We also got to see many beautiful sights such as in Episode Five with Susan Calman and Phil Tufnell’s trek up a glacier in Reykjavik, Iceland (this was after a spot of elf therapy of course).

The money obviously came from the company at Dave but the concept still troubled me somewhat as it did seem terribly wasteful. However, when I thought about it further, it became clear to me that all television shows cost money to create, its just that the money had a different destination in this case. I personally don’t know how much the making of the series cost Dave but would expect it can’t have been too much more than that of your average show, especially as Dave isn’t as big as many other channels. This made me worry less about the ethics of the programme although I still wouldn’t say I was comfortable with it.

The nature of 24 Hours To Go Broke clearly allowed the contestants to create wonderful memories for themselves and have experiences that pretty much nobody else would ever have and for that, I think this programme is entirely unique. The bizarre events of the show actually really inspired me due to their surreal but achievable nature. At the end of Joe Wilkinson and Rachel Riley’s trip, Joe confirmed: “I’m definitely going to be less miserable for about forty five minutes”.

Catch up with this wonderful programme here and let me know what you think!

TV Review: Alan Davies As Yet Untitled

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A couple of weeks ago, the channel Dave broadcast five episodes of a wonderful new comedy chat show: As Yet Untitled. It was hosted by Alan Davies, ran over the course of one working week and featured four different comedians each episode. It has been said that this show was an attempt at recreating the feel of a comedy green room, with a relaxed atmosphere and a minimal agenda. Of course, I cannot truly know if it drew an accurate comparison as I haven’t been in such a situation myself, but I can say that a comfortable conversational feel was definitely present and I found the series incredibly enjoyable.

For a start, the physical set up was uniquely casual, with the four guests and Alan Davies (the host) sat around a circular table and the audience sat around them. The way the audience was situated had almost a Top Gear feel as you could always see them in shot, but they weren’t often involved in the proceedings. Each comic provided a strange fact about themselves to begin with which allowed the discussion to have some kind of initial direction but other than that, the show had a clean slate with the objective of deciding on a title for the episode at the end.

There was a danger with this loose format that conversation might not necessarily be free-flowing but this was expertly avoided by Davies who did an excellent job at steering clear of awkward pauses in discussion. In fact, the overall feel of the programme was very natural and chilled out which I thought was really nice. There was no pushing to have anyone’s voice heard over another person’s and everyone seemed very supportive of each other which is refreshing in comparison to the vibes you get from shows with more competitive, maybe harsher formats. An important impression I got from watching As Yet Untitled was that the attention was very much focussed on the stories and the people in the stories, and not so much on the comedians telling them. This meant that nobody appeared to be pushing particularly hard to be the funny one and in this way, I think the show definitely achieved its objective of seeming like a green room.

There were many funny anecdotes shared throughout the five episodes, including Bob Mortimer’s explanation of his and Vic Reeves’ comedy style, where in the early days, if the audience weren’t laughing, the double act would throw their shoes at them. We also heard the wonderful Katherine Ryan’s tale of the creepy inflatophiliac and Noel Fielding’s reason for disappearing from his own stand up tour (he ended up spending the day working in a vintage second-hand shop in Brighton, I mean, where else?). Bill Bailey’s account of his New Zealand airport kazoo confiscation was whimsical, as can be expected from Bailey and Phill Jupitus’ numerous celebrity impressions were spot on. Ross Noble’s tales about his accident-prone kids and Josie Long’s flawless diet plan were highlights of the final episode.

It was easy for the television audience to get carried away amongst all these hilarious anecdotes, which proves what an authentic mood there was, and every now and then I would remember how different the show actually is and feel really impressed at the smoothness of it all. At any point where a normal chat show may have become awkward, such as when they transition between topics or invite a special guest on, the conversation just continued on in the same fashion which shows integrity. The only flaw I could find, or perhaps the only stunted part of each episode, was trying to round it all off at the end. Of course, these would have been heavily edited to fit the time frame but the scramble to find a title could be done with more finesse in the future.

I adored this new show and the many guests on it; my favourites including Noel Fielding, Bob Mortimer, Katherine Ryan, Josie Long, Jason Byrne, Ross Noble, Bill Bailey and Marcus Brigstocke. I will be pretty annoyed if there aren’t more episodes made soon!

BBC iPlayer: Original Comedy Shorts

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A wonderful thing happened on BBC iPlayer on June the 1st: six comedy shorts were released exclusively online with input from many of the most brilliant people in comedy right now. This kind of thing is so vital for keeping comedy on television and online alive as we need to keep pushing the boundaries of comedy in order to keep it successful and influential.

Each comedy short is around five minutes long and they are all completely stand alone episodes (though it would be great if someone could pick them up for series in the future). My favourites were Micky Flanagan’s Foxageddon, Matt Berry in Lone Wolf and Bob Mortimer and Frankie Boyle’s Cookery Show mainly because of the comedians they involved, but I also thought Morgana Robinson’s impressions Channel M were wonderful, as always (her Amy Child impression is spot on).

I can imagine Micky Flanagan’s episode evolving into some kind of Lead Balloon–esque series in the near future as Flanagan’s comic delivery is very unique, which you’ll know if you’ve seen any of his stand up. His character here has the same comic voice as his stand up which I thought really aided the episode because there was less ground work that needed to be done to set the scene. The episode was funny because it is entirely stupid, which I guess is just refreshing for an audience who are used to satire etc. Also, the fact it featured Kerry Godliman (Derek) was a brilliant thing as I think she is very talented.

Frankie Boyle and Bob MortimerBob Mortimer is a hero of mine and I was very looking forward to seeing what he could produce in a five minute time frame. I wasn’t disappointed; it was a whimsical, nonsensical cookery world and it was a beauty to watch, as Mortimer always is. I also noted that Bob was involved in almost all of the other comedy shorts: sometimes as producer and sometimes as writer and this proves what a clever, hardworking genius he is. It was also interesting to see Frankie Boyle playing a slightly different role, as a television presenter who hates peas:

“What is it, Frankie, is it the peas, or the thought that the knife might be on the brink of extinction?”

I can picture Frankie working on some kind of childrens’ show in the future and before watching this, I would never have thought so (for obvious reasons). I think Boyle and Mortimer are both incredible comedic talents, with an interesting partnership on screen and really hope something comes from this comedy short, as with many of the other episodes, but especially the cookery show.

I also love every show Matt Berry is involved with as the man is undeniably a fabulous comedic actor. Lone Wolf is an extremely funny mini-documentary that follows a wolf pack as they hunt their next meal but the voiceover is Berry-style: foulmouthed and hilarious. Again, I can see this making a fantastic feature in a sketch show or even a show on its own.

You can watch all the comedy shorts on BBC iPlayer here and I definitely recommend you do!

TV Review: Jonah From Tonga

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Jonah From Tonga is the latest project from the wonderful comedic actor that is Chris Lilley (creator of Summer Heights High, Angry Boys and Ja’mie: Private School Girl). Jonah Takalua is one of the brilliant characters from Summer Heights High who, like Ja’mie, has earned his own spin-off series. He is a lovely but incredibly disruptive high school teenager who is more interested in break dancing and bullying ginger kids than learning anything most of the time.

The show is very heartfelt and endearing, and I found episode five in particular to actually be very emotional. Without giving to much away, Jonah and his gang wind up in prison for doing something really stupid and dangerous and Jonah, who has a criminal record, has to stay long after the other boys (including his little brother, Moses) are allowed to go home. Jonah, being the loveable kid that he is, quickly becomes very popular amongst the inmates and staff in the prison. He reads stories to the other kids at night before bed and tells them terrible jokes that always go down really well. The thing that upset me a bit about this episode is how evident it is that Jonah is a very vulnerable young man. He lost his mother at a young age and it is obvious he looks for a mother-figure everywhere he goes (he latches on to Therese, a woman working on duty at the prison within hours of his short stay there).

Lilley has received quite a few criticisms for this show: there have been accusations of the character of Jonah being an inaccurate display of Tongan people. Obviously, I do not understand the extent of offence as I am not on the receiving end of it but I don’t really think they are valid criticisms at all. Personally, after the initial impact of Jonah’s accent and family background (alluded to in episode one particularly), I don’t think Jonah’s Tongan heritage is actually relevant at all. There have been complaints that Jonah’s character portrays Tongans in a bad light, by implying all Tongan kids end up in prison (because Jonah and his friends do) but I didn’t see any malice throughout the programme. I feel that Jonah From Tonga is a programme about life values, about teenagers growing up and about family. After all, Jonah is a good kid. He is loving, charming and entertaining and I think only positive connotations about Tongan people can be deduced from that.

I recommend you watch Jonah From Tonga (available on iPlayer) and check out Chris Lilley’s other material if you haven’t already; he is a very talented man and I am excited to see what he has in store for us next.

TV Review: Derek, Series 2

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Due to Ricky Gervais having such a broad following, he inevitably gets a lot of unnecessary abuse from people who disapprove of his comedy but it’s obvious that this show puts him more at risk than ever. Derek (Gervais) is a man with learning difficulties who works in an old peoples home with his friend, Hannah (Kerry Godliman) who runs the establishment.

Derek has moments where it is incredibly funny, but I don’t think that was Gervais’ main aim. The messages this show leaves behind are way more important, though the laughs keep it ticking along nicely. There was no plateau in this series despite my fears because series one was so beautiful.

I was a bit upset that Karl Pilkington’s character, Dougie, left early in the first episode and didn’t come back but there was a guest appearance from Joe Wilkinson, as Kev’s brother, that kind of made up for it. Kev has been an interesting character for me because through know fault of David Earl himself, I didn’t really like the character of Kev, I didn’t think he really added anything to the show. However the last couple of episodes of series two completely turned that on its head for me as Derek taught us that everyone has good in them and everyone is worthy of your time. The arrival of sarcastic and arrogant Geoff (Colin Hoult) really showed Kev in a new light, especially the fight scene in episode six.

The whole feel of the old peoples home is wonderful, inclusive and warm. For example, in episode four, a deaf lady called Pat comes to visit the home in the hope staying there. The whole group already knew sign language and welcomed her with open arms; it made my heart melt. This is the episode where the group visit the zoo and the wonderful actress that is Holli Dempsey (Vicky) meets a man she fancies and it’s all she talks about all day. However, when something more serious pops up, Vicky drops all of her girl talk and is willing to help and I think that’s such an important lesson to teach. Kindness is scattered all over this show, even in the little joke about the man who lost his hair and it ‘grew back’ straight away, though it was clearly a wig. Everyone stuck up for him though, because that’s what good people do.

Kerry Godliman is an absolutely brilliant actress and I have thoroughly enjoyed watching her blossom in the role of Hannah. She is a beautifully stable character for the more erratic ones to bounce off and her importance shouldn’t be underestimated.

I can sum up Derek in these few lovely quotes from the show:

‘Everyone needs something to love, something to do and something to wish for.’

‘Animals always try their best, you never see a lazy ant.’

‘I don’t know if there is a heaven, I’m suspicious.’

Everyone should watch this show, and I think criticisms of it are lazy and unfounded, Gervais has truly created something wonderful.

TV Review: Inside No. 9

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I had the whole series of Reece Shearsmith and Steve Pemberton’s Inside No. 9 recorded to watch when my exams were out of the way and with three exams left and half a day at home I managed to watch all six episodes in the space of a few hours.

Inside No. 9 is my favourite kind of comedy: dark, twisted and thought-provoking. Each episode is an entirely different storyline with new characters and setting yet they are all set at ‘Number 9’, be that a house or a dressing room in one case. With this vague link connecting the stories, it enabled Shearsmith and Pemberton to explore many entirely different groups of people, which I found fascinating. Each episode is given half an hour so the situation always gets worse and worse until the end and they just cut off. Resolutions aren’t really important for Shearsmith and Pemberton which I think is very brave and very unnerving.

Two episodes stood out for me as the cleverest and creepiest (what’s not to love?) and these were episode one: Sardines and episode three: Tom and Gerri. I’m going to give a brief overview of these as my heart is fully invested in them.

EPISODE 1, SARDINES

This episode featured the beauty that is Katherine Parkinson and generally had a very quaint, slightly ‘off’ feel. That is something I think Shearsmith and Pemberton are very skilled at: creating an atmosphere and evoking a reaction without necessarily relying on laughs to do so. The story follows a well-to-do family who are playing their traditional party game: Sardines, which is like hide-and-seek except once you find the person, you must join them in their hiding place until everyone is there. A magnifying glass is held up to the group dynamics and many dark secrets are hinted at and eventually revealed at the very end. The plot of this episode is incredibly clever and a wonderful start to the series.

EPISODE 3, TOM AND GERRI

This episode freaked me out because it’s all about the stability of the human mind, which I personally find terrifying and I’m guessing the writers must do as well. The basis of the story is that Tom is a primary school teacher living in a comfy apartment with his wife, Gerri, and one day he lets a ‘tramp’ come into his home for a few hours in return for him bringing him his wallet that he somehow, conveniently, lost. This is the beginning of a drastic downward spiral for the stranger rapidly begins to take over his life and, in turn, Tom’s health and motivation for life decreases. It is a tragic tale and I’m still a little confused by it in all honesty as the audience are left questioning which parts are real and which are fabrications from Tom’s distressed mind, but that doesn’t detract from my emotional connection to it. I also like the way the names Tom and Gerri may have been a hint at the idea of a cat and mouse chase, like the cartoon, which made it particularly poignant.

The other episodes were all brilliant with many laughs, but also many shivers of absolute disgust. Many talented actors popped up throughout such as Tamsin Greig in episode four: The Last Gasp and Julia Davies in episode five: The Understudy. I think it’s hilarious that Julia always gets given the role of ‘the bitch’ (think, Dawn from Gavin and Stacey or Jill from Nighty Night). Of course I’m not suggesting that’s anything to do with her own personality, just that she is stupidly good at playing it!  One fabulous moment was in episode six: The Harrowing where Katie is asking about Tabitha’s disabled brother: “That’s Andras, milk and rusks, that’s all he can have.” “…the disability?” “That and the fact he doesn’t have a mouth.”

This series has been punchy, eery and absolutely fantastic and I am genuinely so excited for some more from Shearsmith and Pemberton (and am so annoyed that I can’t find anywhere to watch Psychoville online!).

A Week In The Life

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I thought I’d try something different today and post something I watched/listened to that was comedy-related for each working day of last week. Many of these items will probably evolve into a separate post in the coming months so this is a small taster for that I guess.

Monday: Henning Wehn: No Surrender!

There isn’t a lot on on Monday nights, apparently, so this week I start watching Henning Wehn’s 2013 stand-up show as I bought it months ago and he’s one of my favourite comedians. I only watched an hour or so on Monday because I have to fit all this in between my GCSE exams that take up so much time! But what I should say, even though I’ve said it before, is that Henning Wehn deserves a way bigger audience than he has- I think he is hilarious because he takes the German stereotype and gives us what many people secretly expect, then goes beyond that. For example, his first stand up DVD was called My Struggle and I don’t think it gets any more stereotypical than that: I love it.

Tuesday: Sweat The Small Stuff

I regularly watch popular panel shows as they are a great way of finding new comedy talent and are generally just nice, easy viewing and although I don’t make an effort to watch every episode of Sweat The Small Stuff like I do for other shows, I enjoy it here and there. Series three is currently showing on BBC Three and this week I caught up with episode five as my April Comedian of the Month, Bobby Mair, was a guest. This episode really made me laugh and Bobby definitely stole the show (though I may be biased). Every single week the challenge for Melvin and Rochelle gets more and more awkward and it’s brilliant: this one was brilliant; you should definitely check it out.

derek

Wednesday: Derek

Watching Derek is currently one of the comedy highlights of my week: it is an absolute beauty of a show and I recommend you all watch it (I’m going to write up a proper post when the series has finished). This week, Derek, along with residents of the old peoples home and manager Hannah, visited the zoo and it was genuinely such a lovely piece of television. Derek in no way ridicules anyone with learning difficulties, or old people. In fact, it doesn’t ridicule anyone the show is very inclusive. There are a few big laughs each episode, along with a few tears. I am always left feeling happy after watching Derek because it leaves us with life lessons and also makes me laugh, a lot.

Thursday: Jonah From Tonga

I’ve talked before about how wonderful I think Chris Lilley is, and yet again will probably talk about this programme more extensively in a separate post so will keep this brief. Lilley’s work feels timeless to me as although this is new programme, it has the same feel as Summer Heights High from 2008 yet doesn’t bore me in the slightest. This man can effortlessly switch from playing a teenage girl to a camp drama teacher to a Tongan school drop-out and it is remarkable. Jonah is also a character from Summer Heights High and has always been one of my favourites so I look forward to where this new show will take us.

fubar radio

Friday: Fubar Radio

Fubar Radio is a brand new radio station that I was lucky enough to grab a free year’s subscription to due to a code from Richard Herring (not personally don’t get excited though he did tweet me once). I first heard about Fubar through Joey Page on Twitter who I think is really funny so wanted to hear more from him etc and I have completely fallen in love with it. Joey could tell you himself that I am in regular contact with the show which is every Friday from 1pm until 4pm: I just can’t help myself. His show is so easy to listen to and the music choices are on top form (except for that time they kept playing Beck and I got really self-conscious). But yeah, I really enjoy listening to the Joey Page Show on Fubar and would recommend it to anyone, not just comedy fans. But seriously, if you are a comedy fan, you WILL faint when you see the rest of Fubar’s lineup.

As well as all of this, I make sure I listen to my favourite podcast, The Comedian’s Comedian every morning before school as it helps me forget that I am about to go to school (yet it’s a pretty intellectual podcast so I don’t need to feel too guilty).

So that was a little comedy-style week in the life of Becca and I hope I’ve brought some new shows to your attention or just entertained you for five minutes, who knows?

TV Review: Lead Balloon

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Although this show isn’t particularly new, I still feel it deserves some praise and I’d like to get some more people to check it out if they haven’t already. Not enough people talk about the SitCom Lead Balloon, that ran from 2007 to 2011 (running for four series) and was written by the brilliant Jack Dee and Pete Sinclair and also starred Dee as the down-beat and sarcastic Rick Spleen.

I would describe it as almost an anti-comedy as the plot revolves around Rick Spleen, a failed and world-weary comedian, going about his daily life and just upsetting people as he does so. Rick lives with his lovely wife, Mel, and teenage daughter, Sam. He spends his days with friend and writing partner, Marty, who is undeniably wittier than Rick himself, and they have lunch in the same café every day- the café belonging to Michael. Sam, her boyfriend, Ben, and the house cleaner, Magda, together manage to get under Rick’s feet and continuously irritate him as he grumpily goes about his daily business. As a result of his unaddressed anger, Rick manages to make all the wrong choices and simultaneously annoy everyone in his path. Every episode presents countless disasters for Rick that are actually caused by himself in the first place.

Lead Balloon

There are two characters that I absolutely adore: Michael (played by Tony Gardner), the loveable but almost certainly ‘unhinged’ cafe owner, and Magda (Anna Crilly), the house cleaner, who is grumpy and sarcastic and has a very strong, unspecified Eastern-European accent. One of my favourite episodes was S1E3, where Michael holds a sponsored skip to raise money for a mental health charity. To cut the story short (sorry, spoilers), Michael winds up being hit by a car (Rick’s) and the way the plot plays out is truly hilarious.

The format of the programme is simple, repetitive and homely. There are many recurring jokes throughout and I’ll outline them to give you more of an overview as to what each episode entails:

  • Marty is a lot funnier than Rick.
  • Sam’s boyfriend, Ben, never commits to anything properly.
  • Sam is always after her dad’s money.
  • Michael is creepy (unknown mental health issues).
  • Mel is always right.
  • Rick will always upset most people/dig himself a hole.

There are many parallels to be drawn between Larry David’s Curb Your Enthusiasm and Jack Dee’s Lead Balloon:

“Many people have compared Lead Balloon with a similarly excruciating comedy from the US, Larry David’s Curb Your Enthusiasm. Dee, however, says that Curb didn’t directly inspire his sitcom. ‘Lead Balloon was about me taking 20 years of stand-up and putting that kind of comedy into a dramatic situation. I would claim my right to that comedy because I’ve been doing it for a lot longer than Curb Your Enthusiasm has been around, much as I love it.’ “

I love Lead Balloon because it is simple, uncomfortable and warm. I’m a firm believer that it is also accessible to pretty much anyone and it has a fond place in my heart.

The Mighty Boosh, Revisited

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The 18th May 2014 marks the ten year anniversary of the first episode of The Mighty Boosh and as it is my favourite programme of all time, I thought I should do something a bit special to celebrate. I feel that the rush of everyday life can get in the way of appreciating the show in all its glory so have decided to revisit every episode from the very beginning. There will be an individual post each of the show’s 20 episodes, staggered over a few months, as I want to keep a variation of posts on the site. If you haven’t watched The Mighty Boosh before, this is your push to do so as it is honestly one of the loveliest, funniest and most original shows there has ever been.

© babycow

© babycow

But first, a little overview of the show for those of you who somehow haven’t seen it, or maybe just want a recap.

The Mighty Boosh is the birthplace of many of my favourite comedians and is a work of visual, as well as comedic art. The frontmen, of course, are Vince Noir (Noel Fielding) and Howard Moon (Julian Barratt), an unlikely pairing of two complete opposites. Howard, a sombre, mellow jazz maverick with a great interest in poetry and stationery, and Vince, doe-eyed bimbo sunshine man, obsessed with fashion and celebrity culture. Series One is set in the Zooniverse where the duo live with Naboo, the mystical shaman (Mike Fielding) and Bollo, the sarcastic gorilla (Dave Brown). The Zoo is run by foul-mouthed dancing queen Bob Fossil (Rich Fulcher). A well-rounded group I’d say. Throughout this series, the Zoo undergoes many difficulties as well as being visited by many questionable personalities such as Dixon Bainbridge (Matt Berry).

Series Two signalled a change for the Boosh Boys upon their move to the flat above the Nabootique, a gift shop. Bollo has been promoted to shopkeeper’s assistant and Bob Fossil has disappeared off the scene (although Fulcher reoccurs as various characters throughout). And finally, Series Three is where the boys are given reign over the shop, while Naboo goes out on various errands. In most episodes, Naboo returns with Bollo to find his shop in disarray and it is up to him to fix whatever went wrong. Oh trusty Naboo.

babycow

© babycow

The programme features many familiar faces (that I will go into as they appear during the episode guides) but most of the characters are played by Noel, Julian, Dave, Mike and Rich. I’m sure you are aware of the variety of characters involved, ranging from Tommy Nooka with his head of cheese to sexual predator of the sea, Old Gregg. The episodes are also broken up with the most wonderful little songs, called Crimps, that can lighten the mood no matter how desperate the situation.

Stay tuned for part one of The Mighty Boosh, Revisited!

THE REVISITED SERIES