Joseph Lynn is a photographer and filmmaker, perhaps most widely known for his work on Noel Fielding’s recent tour, An Evening With Noel Fielding, where he created a behind the scenes documentary following Noel, fellow cast members Tom Meeten and Mike Fielding and the rest of the crew as they embarked on their nationwide tour. He also produced a photography series entitled All Work No Play to document the tour and is currently working on a documentary entitled Soho George.
Ivo Graham
The latest comedy night at the Bramall at the University of Birmingham sees two returning acts to the stage, compèred Australian stand up Wayne Deakin. Deakin’s enthusiastic demeanour allows him to win over a crowd within the first couple of minutes, even a particularly quiet, low-energy gathering it seems. He flits around the room, asking surprisingly interesting off-the-mark questions to audience members about their jobs and relationships. Deakin is able to effortlessly create an atmosphere of familiarity and goodwill, summoning an energy from apparently nowhere which enables him to break through any starchy feeling that a compère may be faced with.
Next, Ivo Graham ambles on stage, announcing that there is a “nervous energy in the room,” of which he seems to feed off. Graham is apologetically middle class, appearing rather defeatist in his outlook at times, perhaps due to an apparent concern for the way others might perceive him. Immediately adopting a ‘loser’ status, it seems that this comic wishes to be likeable but also slightly enjoys the alienation that comes with playing up to his Eton College upbringing. Ivo proves himself to be a very capable and efficient storyteller, incorporating a sinister element to his delivery that may be caused, in part, by the inevitable tension caused by confiding in an audience about his schooling.
The final performer of the evening is Andrew Ryan. Charming and bright-eyed; eager to entertain and unafraid of sharing more intimate details about his life in front of a live audience. His anecdotes are confident and consistent, his delivery assured, and even relatively untested material seems to have legs. It appears that this gig provides particular benefits for the structuring of Ryan’s narratives, with the comic feeding off his own energy to propel him in all sorts of directions, providing plenty of room to develop these for his latest Edinburgh show.
