Aisling Bea Archives - MoodyComedy

Podcast Picks: Cuddle Club

October 23, 2020 by Becca Moody Leave a Comment

Podcasting has taken on a life of its own in recent years, with vast swathes of comedians coming forward with new interview, anecdotal and improv show formats. As this medium has grown, it has become saturated with assorted comedic content. Podcast Picks is a place for MoodyComedy’s comedy podcast recommendations.

Podcast Picks is back and it’s back with good reason; to recommend Cuddle Club with Lou Sanders. Beginning in February this year, Cuddle Club is a podcast that is still in its infancy. Despite this, Lou has bagged a number of high profile comedy guests, including Katherine Ryan, Richard Herring and Aisling Bea.

With a premise that centres around the weird and wonderful world of cuddles, snuggles and hugs, Lou Sanders has understandably had to reconsider her approach during the Covid-19 pandemic. Switching to a video call interview format, Lou marches on undeterred, demanding her guests share their most intimate cuddle moments, regardless of how uncomfortable they may feel.

Rather Freudian in her approach, Sanders’ adopted pseudo-psychiatrist character serves to highlight the ridiculous nature of many of the conversation topics. The episodes vary massively depending on whether our host is close friends with the guest or not. Often the conversation borders on awkward, and this is something that Sanders relishes, seemingly enjoying making her interviewees squirm with her hyper-sexualised chat.

That is not to say, however, that this podcast is all fluff. Each conversation goes in depth into topics such as relationships, family, childhood and romance, all accessed through the lens of cuddles, past and present. Lou’s candidness encourages immediate openness from her guests. Aisling Bea and Pope Lonergan’s conversations are particularly thought-provoking, with Lou’s close friendship with both comics allowing her to ask direct questions whilst remaining empathetic, yet always cheeky.

Cuddle Club is a collection of laid back chats with comedians that presents humanity realistically, with no polish or filters. Lou Sanders celebrates the real human condition, with all our ugly parts, guilty secrets and messy histories.

SERIES TWO OF CUDDLE CLUB HAS JUST BEGUN. CATCH UP ON ALL EPISODES HERE.

A Guide To Edinburgh 2015

August 7, 2015 by Becca Moody Leave a Comment

That time of year is upon us once more; thousands of performers, reviewers and audience members are preparing to visit the holy grail of comedy that is the Edinburgh Festival. Here is a quick run through of everything MoodyComedy would be attending if only I could get there this year. Do get in touch if you attend any of these shows, or see something else that you think should be featured. You can also catch up with the past week’s exclusive MoodyComedy interviews.

Stuff That’s Gold

Katherine Ryan

Katherine Ryan is performing her latest show, Kathbum, currently riding high on her phenomenal rise to fame in recent years and showing no signs of stopping any time soon. With every new show, Katherine only increases in her wisdom, experience and cutting sass, similar to that of Irish charmer Aisling Bea who brings her second show, Plan Bea, to the festival. Another name to watch out for is that of Luisa Omielan, who will perform a very limited run of her second show Am I Right Ladies?!. Omielan is a performer that cares about her audience to an extent I don’t think I’ve ever witnessed before: her show is empowering, lively and not to be missed.

James Acaster presents another whacky hour of surreal yet surprisingly dramatic story-telling stand up in his show Represent and Joe Lycett returns, with possibly the best show title of the year: That’s The Way, A-Ha A-Ha, Joe Lycett. And it would frankly be a mistake to miss out on seeing Bridget Christie‘s latest show, A Book For Her, which sees the launch of her debut novel, and showcases her trademark blend of feminism and spectacular comedy.

Stuff That’s Odd

Tony Law, the king of surreal comedy, is performing his new show Frillemorphesis where he explores ideas such as shouting, moving and talking, absolutely standard. A live show from the Tone Zone is an opportunity not to be missed, or forgotten in a hurry, and his being in this category is by no means a suggestion that this show will not also be Gold.

Shouty extraordinaire Bobby Mair brings another dark and bitterly funny show off the back of his recent television successes, entitled Filthy Immigrant; Tom Allen performs Both Worlds with his signature sinister calm and endearing flamboyance and Harriet Kemsley, who spent the first part of this year supporting Katherine Ryan on tour, also performs her debut hour, Puppy Fat, which has got the critics excited. If you like a bit of audience interaction, Jonny Awsum’s show Everything Is Awsum will be another unforgettable experience, as will Patrick Monahan’s seventies-inspired show The Disco Years.

Stuff That’s Free

Now any Edinburgh Festival-goer will be able to tell you that ticket price does not necessarily dictate quality; free shows are on the rise as they are a great way of ensuring the trip is more affordable for comedians and fans alike. There are some real gems performing shows this year that rely on kind donations alone.

Lou Sanders

Rob Auton has prepared another delightfully off-kilter, poetical concept show entitled The Water Show where he considers everything surrounding the theme of water, much like his previous shows which have centred around themes such as Yellow, Sky and Face. Elf Lyons‘ Being Barbarella is a high-octane adventure, discussing science fiction, liberation and sharks. This lady is a true one-off, who’s surreal form of comedy is often likened to The Mighty Boosh. And Lou Sanders, being the wonderful shambles of a performer that she is, brings her insane show about her efforts to get accepted into Eton College For Boys, of course entitled: Excuse Me, You’re Sitting On My Penis Again.

Stuart Goldsmith will also be recording episodes of The Comedian’s Comedian Podcast where he interviews everyone that is anyone in the world of comedy, delving deep into the psyche of the performer and having many laughs in the process. The line up for this year is stellar and although the recordings are free to attend and non-ticketed, the venue will undoubtedly fill up quickly on the night so plan ahead.

You can purchase tickets for all shows mentioned on the Edinburgh Festival website.

READ EDINBURGH PREVIEWS HERE

Seven Questions With… Aisling Bea

June 26, 2015 by Becca Moody 2 Comments

Aisling Bea is a popular face on the comedy scene these days, with her most notable recent television appearances including her role in The Delivery Man and performing stand up at last month’s Channel Four Comedy Gala. With gorgeous Irish charm and a sharp wit, Aisling is fast becoming one of one of the nation’s (and my own) most loved comics, both on television and the live comedy circuit.

I asked Aisling these seven questions to find out more about her…

1) What stops you from being bored?

Having a nap in the middle of the day and not having to hang out with myself. I find being with myself an utter bore sometimes. Naps are one of the purest joys I know.

2) Are comedians cool?

Only the ones who don’t think about being cool. Being cool is like not thinking, once you start thinking about not thinking, you are not not thinking. (Cool answer by me there).

3) Do you have any phobias?

Pigeons, or “sky rats” as I call them and also rats, or “land pigeons” as I call them. They serve no purpose but sadness and destruction and they are not afraid of us and I’m convinced I will die owing to an ambush from a gang of pigeon-rats.

4) What is your favourite Irish phrase?

“Well, you’re doing well for yourself, aren’t you?” (Said with the implication of shock).

5) Is there a comedian you wish you were more like?

Yes, Sara Pascoe. Watching her do stand up makes me feel, as an audience member, enlightened and full of laughter, but as a comic, wishing that I had what she had and could say what she says in the way that she says it. She is so clever and such a good writer and is thoroughly respected by all and sundry in the comedy world.

6) Are you a pleasure to be around?

I am an utter delight when I’ve had a few drinks, but when I’m sober people wonder if I’m drunk or what exactly is happening here.

7) Do you think university is important?

I think education is and staying in it for as long as possible (well unless you are avoiding growing up by doing embroidery courses that your parents pay for until you’re 43). But if you can’t afford it, I would say try to do a half and half, do a course that you love and a job you don’t care about so you can keep your options open. Work experience will always stand to you rather than just keeping your nose in books for twenty years.

I studied French and Philosophy for four years and spent most of that time in the drama society acting and writing and not going to university much. What I learned during that time stands to me still, as do the relationships and friendships I made. I think getting out and going and seeing the world and meeting people is very important and then you can find new bits of yourself from new types of people who make you feel and become things you didn’t know.

So give yourself a chance to learn and work out who you are during that time. And if you get the chance later to go back and learn something and didn’t get it the first time round, do. There is always time to give something a go. I started stand up much later than some of my peers and some of my friends have had whole other careers before giving it a go. Not everyone knows what or who they want to be at 18, give yourself time to find it. And also stay away from drugs and all fizzy canned drinks.

AISLING BEA BRINGS HER LATEST SHOW ‘PLAN BEA’ TO THE EDINBURGH FESTIVAL IN AUGUST

SEVEN QUESTIONS WITH…

TV Review: The Delivery Man

May 23, 2015 by Becca Moody 1 Comment

The Delivery Man is a brand new sitcom set in a maternity ward and follows the endeavours of Matthew Bunting (played by Darren Boyd) as he swaps the life of a police officer for that of a midwife.

Would it be lazy to draw comparisons between The Delivery Man and Green Wing? They are both offbeat and fast-paced hospital sitcoms. They both utilise an upbeat soundtrack, a variety of camera shots and short, snappy scenes which give the episodes a strange, disjointed rhythm. Elements of both border on the surreal, with extroverted characters and painful social situations. The beginning of the series suggested to me that the new midwife was even to fill the role of Guy Secretan (played by Stephen Mangan) in the sense that he winds up in absurd circumstances due to his flawed communication skills. But this feeling definitely lost its intensity as the series progressed and the narrative began to fall in line with what I would consider a more regular situation comedy. It quickly found its feet.

It may be no surprise to hear that the programme was written by Robert Harley and James Henry, who also wrote Green Wing. This explains a lot for me, but also makes me feel considerably better about the similarities between the two, at least there is no foul play here. It is inevitable that writers will create programmes with similar themes, if they’ve found the area they are best at (and there is no denying that Green Wing is a fantastic sitcom). But if it does feel like Green Wing, it is certainly on a smaller scale, focussing on a small group of midwives and office workers, which allows the comedy to feel far more homely and processable. These two programmes are certainly not the same, and perhaps it is unfair of me to view The Delivery Man with these prejudices.

The onscreen character relationships are endearing as well as hilarious with the conversations between the ladies in the office being quick-witted and a little insane. Tash (Jennie Jacques) and Lisa (Aisling Bea) make a wonderful comic duo as they are both immensely likeable but arguably possess varying levels of common sense (note Tash’s near-hysteria at the arrival of a minor celebrity to the ward in episode four). This, when contrasted against the relative level-headedness of Lisa and Caitlin (Fay Ripley) is well on its way to creating a diverse and multi-layered character dynamic. A stand out performance came from of Alex Macqueen as he adopted the role of rather sinister consultant obstetrician, Luke Edwards. His delightfully odd mannerisms and twisted humour really add to the effects of the group of characters as a whole as well as adding that bit of surreal comic relief that Harley and Henry are so skilled at. Aisling Bea delights us as always with her sweet Irish charm and sharp tongue, making Lisa an integral character for the programme.

It is fair to say I was sceptical when the series of The Delivery Man began, but the excellence of both the cast and the writing has swayed me. This comedy is speedy, ludicrous in places and incredibly well scripted, making it a very enjoyable watch that really came into its own as the episodes progressed.

CATCH UP WITH SERIES ONE OF THE DELIVERY MAN ON ITV PLAYER.

iPlayer Preview: Funny Valentines

February 13, 2015 by Becca Moody 1 Comment

If you watched the BBC iPlayer shorts from June 2014, you’ll have seen for yourself how these miniature comedy installations really do open up a new style of viewing. Last year’s six hilarious bitesize programmes allowed us to sample a whole range of funny creations from the likes of Matt Berry, Reece Shearsmith, Micky Flanagan and Meera Syal, and it’s no surprise that the news of a brand new set this month was more than welcome.

Rom Com is the increasingly popular Romesh Ranganathan’s Valentine’s-related short, starring Aisling Bea. Together they make up the world’s seemingly most awkward first date ever. The episode follows Romesh as he is rigorously prepared for his evening with this quite mysterious young woman by his very own verbally abusive relationship guru, who also happens to be a figment of his own imagination. Rom Com is a dark and oppressive comedy, and is made bitterly funny thanks to both of its stars.

Katy Wix’s Dear Jean Pierre is a silly story of a quaint French romance, as it reaches its emotional final moments. In this remarkable tale, Wix relives the moments where the relationship began to decline, and brings her wonderfully childish humour along for the ride. With her trademark hopeful and innocent nature, and a knack for surprising us with various twists and turns along the way, Dear Jean Pierre is a complete comedy delight.

Matt Berry’s Wild Love is certainly wild, shockingly funny and crude. In the sequel to last year’s Lone Wolf, Berry narrates the mating antics of various creatures ranging from golden frogs to “colonial hopping dogs”. This undiscovered world is absolutely crazy, and even our beloved narrator himself seems to get carried away by the absurdity of it all, which makes for hilarious listening. Writer, Bob Mortimer, and Berry have come together yet again, to create something fantastic, and it’s not too difficult to visualise this becoming a series one day. Watch out David Attenborough!

Bill Bailey brings his brilliant song-writing skills to present a parody of the romantic-rock music industry by remaking one of his own songs, Love Song. It is bleak, harshly funny and typical of Bailey’s hilarious comedy. It also really made me want to watch his ’96 live show Cosmic Jam again as this man’s material is absolutely timeless. Music Lovers is Sara Pascoe’s surreal comedy short about a Norwegian band, Monozygotic, who are promoting their new album, but it turns out there is much more going on behind the scenes that are revealed throughout. I loved this because it’s completely different from anything I’ve seen Sara do before (and because I got to hear Elis James’ Norwegian accent.

Elephant, starring Nick Helm and Esther Smith, is the sweetest little comedy I’ve seen in a long time. It follows a very clumsy yet likeable pair of young almost-lovebirds as they embark on the world’s cheapest almost-date ever. The visuals of this one are absolutely beautiful, with bright natural lighting and smiles all round and the over all effect is a slow-burning, lovely episode that really warms the heart. The Lady and the Fly from Modern Toss is very different from the rest of the episodes due to its animated format. A fly has fallen in love with a human woman and her apparent rejection has made him feel like ending it all and becoming a “self-netter” by flinging himself into a spider’s web, ready to be eaten. Modern Toss have created something that is cleverer than most observational comedy, as the ideas are implied through the fly’s narrative, rather than in explicit statements.

These iPlayer shorts are such a great new development in online viewing and I look forward to a third batch at some point in the future.

Watch all of the fantastic comedy shorts on BBC iPlayer

The British Comedy Awards 2014

December 23, 2014 by Becca Moody Leave a Comment

2014 has been a fantastic year for British Comedy, and The British Comedy Awards exists to showcase a large proportion of that to the public.

Last year’s post about the British Comedy Awards ceremony was largely negative, as a result of the production rather than the comedy being nominated and awarded. The show was aired live, which meant that mistakes could not be hidden and the timing issues were obvious, with some speeches having to be cut short which seemed outrageous. This year, however, the programme aired on Channel 4 on December 17th, rather than live, on December 16th, which meant the whole affair appeared far more professional and respectable, if a little fake, to the television audience.

It was a delight to see the wonderful Harry Enfield receive three awards (individually for Best TV Comedy Actor and teamed with Paul Whitehouse (Harry & Paul) for Best Sketch Show and Best Comedy Moment). Katherine Parkinson (The IT Crowd) also won Best TV Comedy Actress, which I think is incredibly well-deserved and so endearing to see how shocked she was to be recognised. Matt Berry was nominated for a whopping six awards, though he lost to Nick Helm for Best Comedy Breakthrough Artist, which is just as it should be seeing as Berry has been a television comic for over a decade. I’m a big fan of Berry’s Toast of London; it was great to see such a strange style of sitcom win an award for once.

The person I was most pleased to see win an award was certainly Aisling Bea, who won Best Female TV Comic. Seeing this absolute ray of sunshine crawl onto stage in her dress and heels and inadvertently turn herself into a “hospital DJ,” made me laugh so much and just proved that Aisling is a funny woman through and through. I am unbelievably pleased for her and can’t wait to see what this award does for her career in the coming year. Another beautiful moment was hearing an emotional speech from Brendan O’Carroll (Mrs Brown’s Boys), who was rightly awarded with the Writers’ Guild of Great Britain Award.

It’s easy to be cynical whilst watching such a grandiose display of wealth and status, and there were times throughout the production where I did feel like the spirit of British Comedy was being exploited, but, unlike Stewart Lee, I chose to ignore that this year. From the position of a viewer rather than a performer, I can see that The British Comedy Awards gives comics a platform to boost their careers or give them recognition for their lifetime achievements, and that can only be a good thing in my opinion, however unfair you believe the results to be. Out of the nominees for King or Queen of Comedy, however, Greg Davies will always win in the end.

I think my favourite part of the whole affair was hearing Tulisa say “I’m a big comedy fan.” Yes, that part made me laugh the most.