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Julian Barratt

2018’s Contribution to TV Comedy

January 17, 2019 by Becca Moody Leave a Comment

2018 was a solid year for British comedy on television. We had a deluge of excellent new sitcom series, particularly those with teenage protagonists, from the Northern Irish school kids of Derry Girls to Conor and Jock of The Young Offenders and Gloucestershire cousins Kerry and Kurtan in This Country. Dark and surreal comedy has also been thriving, with the return of Inside No. 9 and Flowers, and also Vic and Bob’s Big Night Out. This article will explore 2018’s TV comedy highlights (let’s just forget about that The Inbetweeners reunion, shall we?)

The Young Offenders © BBC

The fourth series of Inside No. 9, which broadcast at the start of January, certainly lived up to past instalments. The anthology series (created by Reece Shearsmith and Steve Pemberton) dabbled in Shakespearean comedy, dark and twisted mystery and heart-breaking trips down memory lane. On Halloween, a special ‘live’ episode aired, which was a half hour of comedy that certainly divided its viewers (that is, those who didn’t accidentally tune out before the end…).

Inside No 9 © BBC

Another stand-out programme that no doubt every fan of dark comedy has watched this year is The End of the F****** World, which originally aired on Channel 4 in 2017 but was released on Netflix in January 2018. With short twenty-minute episodes, vibrant characters and unexpected plot developments, this series is a punchy rollercoaster unlike anything else. With a new series expected later this year, this is certainly not the last we will hear from murderous teens James and Alyssa.

This Country © BBC

February saw the return of This Country; one of the greatest new comedies of recent years. This mockumentary series about the lives of teenagers in rural areas has plenty unbearable moments of awkwardness that rival Ricky Gervais’ The Office. But the message is a rather sad one; these teenagers are limited in opportunity and experience. But Kerry and Kurtan (played by siblings, and writers of the show, Daisy May and Charlie Cooper) are, unsurprisingly, the stars of the show. Their childishness, pettiness and naivety is what makes This Country a stand out. The dialogue is always unexpected, which brings the hilarity, but all the while the message behind the humour really packs a punch.

Flowers © Channel 4/ Kudos Productions

Flowers is a truly beautiful tragic comedy. it picks up on family rifts, personal anxieties and implications brought about by mental health issues, alluding to them incredibly subtly in the characters’ actions and words. Series two, which aired in June, showed each character’s gradual demise to be looming ever nearer, often making for an uncomfortable watch (especially when our concern changes focus and hones in on Shun, who is struggling to come to terms with the loneliness he faces in this strange, foreign place). Flowers features stunning comic performances from Olivia Colman, Julian Barratt and Will Sharpe (who also writes and directs).

Gone Fishing © BBC

In July, Bob Mortimer and Paul Whitehouse brought us the hilarious and wholesome Gone Fishing; a documentary series for BBC2 about the beauty of natural wildlife and the importance of looking after our health. The two legendary comics (both now bordering on 60) have had their fair share of health scares in recent years, with both having experienced major heart problems that gave them a bit of a re-awakening. Mortimer and Whitehouse are clearly great friends and their shared humour makes this programme a thoroughly enjoyable watch.

Vic and Bob’s Big Night Out © BBC

And who could miss the return of Vic and Bob in Vic and Bob’s Big Night Out at Christmas? This revamp of Reeve’s old show format is exactly what we would expect from the absurd duo, with the addition of some up-to-date satirical references (featuring the likes of Piers Morgan and Donald Trump), as well as a visit from George Ezra. But some old favourites are back, including Graham Lister, The Man With The Stick and The Stotts.

So now that we’re comfortably into the flow of a new year, we can really start to look forward to what’s to come in terms of comedy on our TV sets (or laptops, or smartphones, or tablets, or microwaves). In 2019 we will be treated to new instalments of Inside No. 9, The End of the F****** World, This Country and Gone Fishing. Other returning programmes include a final series of Rob Delaney and Sharon Horgan’s Catastrophe as well as a TV series of vampire mockumentary film What We Do in the Shadows. But for now, perhaps a re-watch of some of the programmes above from 2018 will help fight the January blues.

THIS ARTICLE WAS ORIGINALLY PUBLISHED ON THE SPROUT

Posted in: Comedians, Television Shows Tagged: Bob Mortimer, British Comedy, Charlie Cooper, Comedy, Daisy May Cooper, Derry Girls, Flowers, Gone Fishing, Inside No 9, Julian Barratt, Mortimer and Whitehouse: Gone Fishing, Olivia Colman, Paul Whitehouse, Reece Shearsmith, Reeves and Mortimer, Steve Pemberton, The End of the Fucking World, The Young Offenders, This Country, Vic and Bob, Vic and Bob's Big Night Out, Vic Reeves, Will Sharpe

Film Review: Mindhorn

June 16, 2017 by Becca Moody Leave a Comment

A murder takes place on the Isle of Man, a place where serious crime is not a frequent occurrence. But what is most surprising is that MI5 Special Operative Bruce Mindhorn is called in to help. The catch? Mindhorn is a detective from a 1980s British TV show. Richard Thorncroft (Julian Barratt) used to play Mindhorn way back in his heyday. The world has since forgotten him, except maybe one vulnerable individual, played by Russell Tovey, going by the name of the Kestrel.

The plot is ridiculous, and so are the film’s protagonists. Barratt is expressive and physical in his portrayal of Thorncroft. A man with an apparently blasé approach to danger, he blurs the line between superhero and average Joe. Richard Thorncroft is a man who used to be something but no longer is, and it’s this foolishness and ludicrous self-denial that makes his character so appealing. There is a vulnerability to him that endears us. He is simultaneously self-conscious and unashamed.

Simon Farnaby, as well as co-writing the film with Barratt, plays Thorncroft’s Dutch ex-stunt double and rival. Now in a relationship with Thorncroft’s ex-wife, it is understandable that these two don’t get on. Barratt and Farnaby feed off each other’s energy; they have always worked well together on screen.

And the addition of Tovey is a wise decision. The childlike innocence of this Mindhorn-enthusiast combined with that trademark cheeky glint in Tovey’s eye makes for some brilliant moments of contrast between himself and our protagonist. He is the only character, it seems, who takes Thorncroft/Mindhorn seriously. His ex, Patricia (Essie Davis) and former Mindhorn sidekick Peter Eastman (Steve Coogan), definitely do not appear to attribute much credibility to Thorncroft, and rightly so. The Isle of Man has moved on without him, but maybe it is finally time for Mindhorn to return to the public eye.

Mindhorn is an incredibly quotable film, and one that groups of people seem to enjoy talking about a great deal. And most importantly, it is devilishly funny. This film is packed full of idiosyncrasies and though we may feel as though we have seen enough films about celebrity has-beens in recent years (think Alpha Papa, Absolutely Fabulous: The Movie), Mindhorn is certainly not a slave to stereotype.

Posted in: Comedians, Films Tagged: Essie Davis, Julian Barratt, Mindhorn, Russell Tovey, Simon Farnaby, Steve Coogan

TV Review: Flowers, Series 1

May 18, 2016 by Becca Moody Leave a Comment

flowers

© Channel 4

If there ever was a sitcom that could bring about feelings of discomfort and sorrow whilst also being oddly life-affirming, it is Flowers. Starring Julian Barratt and Olivia Colman as the leads, Flowers is a story of a disjointed and deeply unhappy family; each person within it acting and speaking with the best of intentions but possessing an inability to communicate their innermost thoughts and feelings.

Flowers is the artistic creation of 29-year-old Will Sharpe, who wrote and directed the series as well as playing the character of Shun, a young and enthusiastic Japanese artist who lives with the Flowers family and works for Maurice (Barratt). Deborah (Colman) and Maurice are a likeable but floundering pair, desperately trying to cling to each other as all manner of chaotic events and disruptive people threaten to reap havoc with their personal lives.

The subject matter of Flowers is morbid, the series begins with a suicide attempt, but the production is aesthetically dark also, along with a delightfully jarring score. With a rapidly developing narrative, yet still managing to capture a meandering, morose tone, as well as nurturing a fondness for each individual character as we learn more of their backgrounds and aspirations. Sophia Di Martino and Daniel Rigby (Big School, Undercover) effortlessly capture the mannerisms of, and tensions between, bickering twins Amy and Donald, who are 25 and still live at home. This dynamic is explored thoroughly but sensitively; yet another example of idiosyncrasy in the production, successfully avoiding lazy or over-generalised observations regarding how siblings interact with one another, and how the ‘children’ fit within the wider family. Maurice’s narrated excerpts from his Mr Grubb children’s novels add further sinister element to the overall production, with these readings from the struggling children’s writer giving Flowers a hint of The Babadook about it.

flowers2

© Channel 4

It seems to be rather wasteful for the entire series to have been broadcast over the course of one week, though this is perhaps an indicator of the changing habits of British television-viewers. This does, however, make it easier for eager viewers to binge-watch the series in one sitting and then step outside three hours later, blinking into the light and exhaling that breath they’d been holding since episode two.

It’s quite some feat, considering the magnitude of this cast, that the stand-out performance for me is that of Sharpe himself, particularly as his role develops from that of a jester to an emotional reconciler as events dramatically unfold. In an interview with The British Comedy Guide, Sharpe sums up his artistic aims with the project: “The show is about melancholy and family, and it’s about people feeling trapped or alone. It’s also about how your own state of mind can affect those around you.” Here is a prime example of a case where a distinct creative vision has been successfully defined and then translated into a stunning piece that seems to encapsulate everything it intended to, whilst also alluding to more. This melancholic masterpiece is hands down the most spectacular piece of television I have ever seen. Flowers broke my heart and then fixed it again.

FLOWERS SERIES 1 IS AVAILABLE ON ALL4 

Posted in: Comedians, Television Shows Tagged: British Comedy, Comedy, Daniel Rigby, Flowers, Julian Barratt, Olivia Colman, Sophia Di Martino, Will Sharpe

Garth Marenghi’s Darkplace, Revisited: S1E6, The Creeping Moss From The Shores Of Shuggoth

September 8, 2014 by Becca Moody Leave a Comment

Episode: The Creeping Moss From The Shores Of Shuggoth

Air Date: 3 March 2004

Summary: Another mist has appeared over Darkplace but this time, it’s green! On this occasion, it gets through the air vents and the result is a young woman named Linda getting infected and turning into cosmic broccoli (of course). Unfortunately for Sanchez, he falls in love with Linda, who is now terminally ill, and this even results in him contracting the broccoli disease (much like an STD) and has to have emergency surgery. This episode is not only a commentary on the issues of AIDs in the world, but is also a story of love and loss.

broccoli

What Else? More new music is played in this episode such as Matt Berry’s song: One Track Lover which features some wonderful rapping from Thornton Reed. Somehow, the tapes that contained a part of the programme have been destroyed (under mysterious circumstances) which means that these must be explained through the use of photos of the events and a commentary from Dagless. There is also a brilliant and entirely not un-realistic fight scene between Dag and Sanchez.

Quote of the Episode:

Thornton Reed: “When I heard my wife died, I could barely finish my lunch.”

Familiar Faces: Julian Barratt appears for a third and final time as the priest. We also see Graham Linehan as a member of hospital staff and Kim Noble as a barman (as well as his usual role of Doctor Jim).

THE END:

So, that is the end of my revisit to Garth Marenghi’s Darkplace. I hope you enjoyed reading about them and maybe hearing about them for the first time (or just remembering how much you loved the show in the first place!).

THE REVISITED SERIES

Posted in: Revisited Tagged: Alice Lowe, British Comedy, Comedy, Garth Marenghi's Darkplace, Graham Linehan, Julian Barratt, Kim Noble, Matt Berry, Matthew Holness, Richard Ayoade, Sitcom

Garth Marenghi’s Darkplace, Revisited: S1E4, The Apes Of Wrath

August 25, 2014 by Becca Moody Leave a Comment

Episode: The Apes of Wrath

Air Date: 19 February 2004

Summary: There is something mysterious in the water at Darkplace yet nobody has realised it yet. Despite the fact that Sanchez transformed into a horrific ape-man within seconds of having a sip of his drink. Despite the second fact that eventually everyone in the hospital is infected except the only two who prefer to drink coffee: Rick Dagless and Thornton Reed. Finally Dagless discovers what is causing people to change and pays a visit to the water store room, and is surprised by what he finds there…

The Apes of Wrath

What Else? In this episode we get insight into Dagless’ presence in the hospital, and let’s just say, you can definitely tell that Garth Marenghi wrote the episodes because everyone on the ward seems to think Dagless is the best doctor that ever walked the Earth. The fact that nobody could work out what was causing the ape transformations highlights the stupidity of the characters at Darkplace, and makes the experience all the more hilarious for the audience. The secret also comes out that since filming Darkplace, Madeleine Wool, who plays Liz Asher, has disappeared and is presumed dead.

Quote of the Episode:

Lucien Sanchez: “Not my fault, monkey bastard hands.”

Familiar Faces: Julian Barratt returns as the (slightly evil) priest and we see Noel Fielding as a criminal ape.

THE REVISITED SERIES

Posted in: Revisited Tagged: Alice Lowe, British Comedy, Comedy, Garth Marenghi's Darkplace, Julian Barratt, Matt Berry, Matthew Holness, Noel Fielding, Richard Ayoade

Garth Marenghi’s Darkplace, Revisited: S1E1, Once Upon A Beginning

August 4, 2014 by Becca Moody Leave a Comment

Episode: S1E1, Once Upon A Beginning

Air Date: 29 January 2004

Summary: Rick Dagless M.D. is reminiscing about his old friend Larry, with whom Dagless accidentally opened the gates to Hell many years ago. There is something wrong at Darkplace Hospital, Dagless can feel it. Plus, new doctor Liz Asher (“You’re a woman,” “Yes, I hope that’s not going to be a problem.”) has had a psychic vision and it becomes apparent that Larry Renwick is at the hospital once more, as a patient. And when Larry explodes, everything gets a little bit worse…

What Else? It’s hard to express how hilarious this episode is in words because the true skill is in the performance. The combination of the deliberately terrible acting and pathetically poor props (such as fake cars) makes for very funny viewing. There is frequent use of extreme gore that is not for the faint-hearted but is obviously not real, along with absolutely ridiculous plot devices, such as an exploded man being buried with his body intact and a controversial amount of sexism (yet again, not designed to be taken seriously).

Quote of the Episode:

Thornton Reed: “If that’s how you treat your friends, imagine how you treat your enemies! Worse, I expect!”

Familiar Faces: Julian Barratt plays the very Howard Moon-like priest and Kim Noble appears as doctor Jim.

THE REVISITED SERIES

Posted in: Revisited Tagged: Alice Lowe, British Comedy, Comedy, Garth Marenghi's Darkplace, Julian Barratt, Kim Noble, Matt Berry, Matthew Holness, Richard Ayoade

The Mighty Boosh Revisited: S1E8, Hitcher

July 6, 2014 by Becca Moody Leave a Comment

Episode: S1E8, Hitcher

Air Date: 6 July 2004

Summary: This episode has elements of the Boosh stage show from many years before the television series was made, with the iconic scene where Howard and the Hitcher are in the car being recreated. Ivan the bear has got too violent as a result of constant bullying from Fossil and it’s time for him to be sent to Animal Prison. Vince and Howard are sent on a road trip to get rid of the angry bear but they are soon arguing and Vince decides to “vacate the vehicle”. This leads to Vince having a wonderful time meeting the adoptive parent from his childhood, Brian Ferry, in the forest while Howard is in a spot of trouble with a strange hitch hiker with a large thumb.

The Hitcher © Baby Cow

The Hitcher © Baby Cow

 

What Else? We get a big insight into Vince’s Gary Numan obsession and yet further insight into Howard’s love of Jazz Funk, which Ivan the bear hates, that sounds very similar to Old Gregg’s song from series two. There is another animation sequence where Vince explains his childhood that was spent in the forest being raised by Brian Ferry. The storyline of this animation is very much like a warped and twisted Jungle Book. Vince’s excellent turtle impression comes in handy when passing the hours on the road with Howard and the brilliant song from the Hitcher and the Piper Twins is sung, before the hitch hiker manages to do his back in again.

Quote of the Episode:

Bob Fossil [to Naboo]:  “Technically, you’re not a Peeping Tom if it’s one of your relatives.”

Familiar Faces: Noel Fielding as the Hitcher and Rich Fulcher and Dave Brown as Jim and Jackie Piper, the Piper Twins. Julian Barratt has the role of Brian Ferry.

THE END:

So, we have reached the end of The Mighty Boosh series one and I have thoroughly enjoyed revisiting every episode with you. MoodyComedy will soon be revisiting one of the most criminally underrated British comedies ever: Garth Marenghi’s Darkplace. The first, and only series, of the programme aired January-March 2004.

THE REVISITED SERIES

Posted in: Revisited Tagged: British Comedy, Comedy, Dave Brown, Julian Barratt, Mike Fielding, Noel Fielding, Rich Fulcher, Sitcom, The Mighty Boosh, The Mighty Boosh Revisited

The Mighty Boosh Revisited: S1E7, Electro

June 29, 2014 by Becca Moody 1 Comment

Episode: S1E7, Electro

Air Date: 29 June 2004

Summary: Bad memories are stirred up for Howard when Vince is asked to join a band called Kraftwork Orange. Vince upsets one of the members of his new band, Johnny Two-Hats, who storms off when Vince criticises his fashion sense and this means the band are one person down for their important show that night. Vince asks the only person he can, Howard, but jazz-loving Howard Moon cannot play any instrument any more as a result of a meeting with the Spirit of Jazz many years ago. He was tricked into signing his soul away ‘in blood?’ no, ‘biro’s fine’. The concert has to go ahead with the Spirit of Jazz on the loose inside a vacuum cleaner and this causes chaos.

What Else? The conversation between a young Howard Moon and the Spirit of Jazz is obviously an iconic part of this episode, with the brilliant snippet of: “Yorkshire? What is Yorkshire?” “Yorkshire is a place. Yorkshire is a state of mind”. We get to see the Spirit of Jazz’s hat go up in flames, because apparently it wasn’t part of his “look”, but also a mini crisis when Vince gets angry about the Zoo and there is a lot of out-of-place bleeped out swearing as well as: “Vince, I thought you said you wanted to help the animals?” “I do, I want to help them all to die”.

Quote of the Episode:

Vince [to Howard]: “Science teachers and the mentally ill, that’s what Jazz is for.”

Familiar Faces: Sue Denim and Dee Plume (Robots in Disguise) play the parts of the girls in the band Kraftwork Orange. Fielding has the role of the Spirit of Jazz and Simon Farnaby pops up as NOT the manager of PieFace Records. Johnny Two-Hats is played by Dan Clark.

THE REVISITED SERIES

Posted in: Revisited Tagged: British Comedy, Comedy, Dave Brown, Julian Barratt, Mike Fielding, Noel Fielding, Rich Fulcher, Simon Farnaby, Sitcom, The Mighty Boosh, The Mighty Boosh Revisited

The Mighty Boosh Revisited: S1E6, Charlie

June 22, 2014 by Becca Moody Leave a Comment

Episode: S1E6, Charlie

Air Date: 22 June 2004

Summary: Howard decides he is going to become a writer in order to impress Mrs Gideon and the famous Hamilton Cork but is horrified to learn that Vince is already doing just that. Vince explains the basis of his Charlie books which receives dismissal from Howard: “That’s not a novel, that’s the scribblings of a retard”. Meanwhile, Bob Fossil has noticed a brilliant new way to make money from the Zoo: he is going to breed the ‘black-eyed Chinese people that eat sticks’ as this will attract visitors. Vince is bullied into dressing up as a panda and flirting with the female panda to get the male jealous. That evening, Dixon Bainbridge organises a writer’s party and Vince is invited but not Howard. Chaos quickly arises as Charlie decides to pay a personal visit to the gathering…

What Else? This episode made me learn that I want to be everything that Vince is; he’s the happiest kid at the Zoo. Naboo introduces the photograph of the kitten, Phillip, who helps calm Howard down in times of frustration and Vince shows off his poncho that makes him happy no matter what. The infamous “you know the black bits in bananas, are they tarantulas’ eggs?” scene is in this episode as well as the ‘Swear on Jagger’ joke. The brilliant Charlie song is played towards the end where the giant Hubba Bubba nightmare causes a scene. This episode is artistically very inspiring with heavy use of animation and great attention to detail (Dave Brown can be thanked for a lot of that, I expect).

Quote of the Episode:

Howard [to Vince]: “You’re always happy aren’t you. Everything’s fun. You see a peanut, the day’s off to a good start. You witness some soil, it’s a jamboree for Vince Noir. I need something more.”

Familiar Faces: Simon Farnaby as Simon McFarnaby (before the show) and Hamilton Cork (McFarnaby’s character in the show).

THE REVISITED SERIES

Posted in: Revisited Tagged: British Comedy, Comedy, Dave Brown, Julian Barratt, Matt Berry, Mike Fielding, Noel Fielding, Rich Fulcher, Simon Farnaby, Sitcom, The Mighty Boosh, The Mighty Boosh Revisited

The Mighty Boosh Revisited: S1E5, Jungle

June 15, 2014 by Becca Moody Leave a Comment

Episode: S1E5, Jungle

Air Date: 15 June 2004

Summary: Ten years ago (well, technically twenty now) Tommy Nookah, previous owner of the Zoo, allegedly fell in the ocelot pit and died. Howard refuses to believe it and when Dixon Bainbridge, as the current owner, threatens to close the Zoo, it is clear that Howard must solve the mystery of Tommy’s disappearance once and for all. Vince and Howard work out that Tommy must be in the Jungle Room and set off in the hope of finding the calcium-faced midget. After hours of searching, Howard manages to find Tommy but he is old and his cheese eating habits are out of control (this bit always freaks me out as I have a stupid phobia of cheese). It is decided that they must grate Tommy’s head in order to save the Zoo: Tommy can help them, even in death.

What Else? This episode contains the brilliant: “We dream, but do we really dream?” sequence and also a mini instalment of: “Gather round, come closer, not you Fire!”. The Mod Wolves make a splendid appearance and delight us with the wonderful Mod Wolf Dance and we also hear one of my favourite crimps: Calm a Llama Down. The incredibly well-known Cheese song is in this episode. I love this little song but it gets so overplayed by people who haven’t ever seen the show so that irks me somewhat, so it’s nice to hear it in its natural habitat. We get to meet Rudy, the man who goes by many names and holds many tests, such as the Pipe Test (“many men would have taken the pipe…”).

Tommy Nookah © Baby Cow

Tommy Nookah © Baby Cow

Quote of the Episode:

Tommy Nookah: “I have survived only by eating cheese, and as the saying goes: you are what you eat. And I’m freaking cheese!”

Familiar Faces: Rich Fulcher as Tommy Nookah and Dave Brown briefly as Fire. We also get to see Martin Trenaman as the locksmith.

THE REVISITED SERIES

Posted in: Revisited Tagged: British Comedy, Comedy, Dave Brown, Julian Barratt, Matt Berry, Mike Fielding, Noel Fielding, Rich Fulcher, Sitcom, The Mighty Boosh, The Mighty Boosh Revisited
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