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Review: Richard Herring – The Best

April 4, 2017 by Becca Moody Leave a Comment

Richard Herring is showcasing the best of his material from the last twelve shows, after revisiting them all for one-off performances in 2015. The aim is to represent each of the various aspects of his comedy style equally: a summary of the past sixteen years for the comic; a smorgasbord of Richard Herring, if you will.

The show is at Cardiff’s St David’s Hall, and I attend on behalf of Quench Magazine. Herring is undeniably on top form. Cheeky as ever and ironic to the point of almost dangerous territory offence-wise, it is clear that here we have a comedian who knows how to kindle some form of response from his audience. But Herring fans know his game. We know that there is no spite. Intellectual frustration, yes, paired with an inclination towards causing mischief, but this comedian is certainly a safe pair of (outrageously small) hands.

Richard Herring: The Best

For those of us who are only aware of Richard’s work through his Leicester Square Theatre Podcast or the As It Occurs To Me podcast (perhaps those who weren’t watching all that much comedy in late 1990s, due to being a toddler, so didn’t witness Lee and Herring in their peak of double-act acclaim), it may be true that our discernment of Herring’s stand up style is relatively limited.

Now, I’ve heard the ridiculously imaginative and crude ‘emergency questions’ that feature on RHLSTP, and yet still find myself a little surprised to hear how conceptual and whimsical Richard’s material can become. The comedian takes a concept grounded in his own reality (such as the first Valentines’ day he shared with his wife) before teasing the idea until it balloons up into something of its own entirely. And there’s such an energy pushing these ideas forward that audiences find it impossible not to be swept up in the ludicrous nature of it all.

Herring is also an extremely experienced constructor of comedy narratives, which is no doubt the result of those countless years spent assembling shows for the Edinburgh Festival and touring them nationwide. The message is one of development, whether that refers to within Herring himself over the past sixteen years, or the stability he has found in getting married and starting a family. The most notable aspect for me is the realisation that this show really has heart.

A great deal of Herring’s projects are crowd-funded, so, charitable as ever, each audience member is treated to a free tour show programme. There is a real communal effort driving this comedy forward, which is something I’ve seen nothing quite like before. Herring warns us that ‘the best doesn’t mean it’s good, it just means it’s the least worst’, but I can confirm that Herring is in fact quite close to the best (maybe ranking just after Stewart Lee).

DVD copies of Richard Herring’s latest solo shows, as well as copies of the first series of Fist of Fun are available at Go Faster Stripe.

Posted in: Comedians, Live Comedy, Reviews Tagged: Richard Herring, The Best

Review: Stuart Goldsmith – Compared to What

March 22, 2017 by Becca Moody Leave a Comment

Stu Goldsmith is currently touring his second stand up hour, and due partly to his recent appearance as Jack Whitehall’s tour support for his Wembley Arena shows, Stu’s audience in the studio room at Birmingham Glee Club has more than doubled since last year.

With the birth of his first child a little over a year ago, Stuart has made a ‘compromise’ and moved to the countryside, to live with his partner. Now, he is nostalgic for the passive-aggressive nature and fast pace of the city, and is keen to demonstrate why. His observations are accurate and take a refreshingly new stance on the life of a city-dweller, which is a well-trodden terrain in the world of stand up. It seems as though Goldsmith’s life, both personally and professionally, is hurtling at 100 miles per hour, and this is something that is truly exciting to see. The comic is energised, and yet he comes across as more centred, calm and comfortable than I have ever seen or heard him before.

© Nick Gast

Goldsmith’s comedy becomes more skilled and efficient as each year passes. He’s a true grafter, clued up on the ins and outs of performers from all over the world yet dedicated to the nurturing of his own amiable, lively storyteller style. But this year he’s got an extra sense of ‘edginess’ about him. Stuart is cheekier, seeming to enjoy being on stage more. He plays around with ideas with the freedom of someone previously limited in some respect, and I think these previous obstacles must have been behind the scenes because his material has always been the epitome of well-established comedy. Knowing Stu, we can be sure that there is a great amount of detailed analysis going on beneath the surface. We only see his best stuff. And that’s what makes this latest hour such a great feat.

Stu treats his audience to an extra half hour or so of preview material after the initial hour show. This seems to be a sensible model, as audiences get more for our money and the comic gets to run through some new concepts in front of a crowd. And the post-show informal podcast chat proves insightful, as always, with an extra buzz to discussion stemming from the exciting prospect of a recently recorded interview with Stewart Lee.

Not only is this latest show heart-warming and humble and very funny, Compared to What is entertainment from start to finish. Stuart Goldsmith has a passion for comedy that is infectious. He’s in his prime, each year getting stronger and more self-assured, becoming more and more of a genuinely expert writer with each new show.

SEVEN QUESTIONS WITH STUART GOLDSMITH

Posted in: Comedians, Live Comedy, Reviews Tagged: British Comedy, Comedy, Compared to What, Stuart Goldsmith, The Comedian's Comedian Podcast

Review: Ricky Gervais – Humanity

March 13, 2017 by Becca Moody Leave a Comment

Ricky Gervais embarks on his first live tour in seven years, and with David Brent: Life On The Road being released in cinemas last summer, fans have been more eager than ever to hear more from the brain behind one of Britain’s most iconic sitcoms.

But first, audiences are treated to another familiar face from Life On The Road: Doc Brown. In the film, Doc plays rapper Dom Johnson who joins Brent on tour, and he also starred alongside the sales rep in the Comic Relief single Equality Street back in 2013. On stage however, Doc Brown is far more outspoken than his film counterpart. He has an air of refreshing calm in front of a crowd, yet is easily agitated and eager to justify his reasoning for having various hangups about his life.

Doc Brown gives off the impression of being a young spirit forced to live the life of a middle-aged man. Although presenting himself as a ‘nice guy’, a caring and socially involved person, there is humour in the resentment he feels regarding modern day responsibilities, particularly since he became a family man. Later, we are even treated to a rap, which, quite frankly, is what most of us had been most looking forward to.

When Ricky Gervais walks onto stage, he brings a buzz with him. He’s a 55 year old man in a black t shirt and jeans, sipping from a can of beer, but something about his demeanour makes him magnetising. The theme of the show is, unsurprisingly, humankind, and within this Gervais is able to explore topics such as evolution and speciesism. More specifically too, Ricky directs his fiery critical analysis onto particular aspects of celebrity culture and, later on, his concerns regarding bringing a child into the world given the current social climate.

As writer E. B. White famously said, ‘Analysing humour is like dissecting a frog…’. The long and short of it is that the frog inevitably dies. Gervais, on some scale, sets about to prove that this is not the case. Ricky uses his platform to explain the reasoning behind aspects of his comedy that have previously been met with heavy criticism and heated debate, but certainly not in an apologist sense.

Ricky Gervais: Humanity

Gervais is well aware that his close-to-the-mark quips have been incredibly divisive in the past, from his Mel Gibson remark at the Golden Globes in 2010, to recent comments about Caitlyn Jenner’s realignment surgery and car crash in 2015 which resulted in the death of a woman. The latter incident, and Ricky’s bulletproof defence of his joke, features heavily in the show.

While admitting to his own faults and explaining where he has gone wrong in the past by causing genuine offence that he had not intended, Ricky proposes that often those who are offended by his material have merely misunderstood his point, or the issue he is discussing. He, like many of us, often despairs at 21st century society, as we are stifled by political correctness. Ricky criticises ineffective, emotive debate about things that only offend us because they’re about something we care about, as opposed to all the other offensive things that are happening in our world today, through exploring complex social issues like ‘dead naming’ and its links to transphobia.

But what I find most value in within Gervais’ comedy, despite the ingenuity of his reasoning and hilarity in the way he points the finger and laughs at himself, is that this comedian talks about the things that he loves and the people that mean most to him, as though his audience is being invited to a family get-together. There is something so endearingly pure about Ricky Gervais’ comedy. It shines through most in his material about his love for animals. It is with this topic that he starts the show and also how he ends it. His pleas with the audience to educate themselves on worldwide instances of animal cruelty (such as the Yulin Dog Festival) and charities that are working to bring these practices to an end is particularly poignant. Ricky has even chosen to donate all extra profit from the premium tickets sold for the Cardiff leg of the tour to Macmillan Cancer Support and The RSPCA.

Ricky Gervais is so humble, and yet he is a classic. Make sure to check your local tour venue for remaining tickets for the Humanity tour, as Gervais is back in full force.

DAVID BRENT: LIFE ON THE ROAD

Posted in: Comedians, Live Comedy, Reviews Tagged: British Comedy, Comedy, Doc Brown, Humanity, Ricky Gervais

Edinburgh Preview: Elf Lyons – Swan

March 9, 2017 by Becca Moody Leave a Comment

Elf Lyons

Fresh out of Gaulier, Elf Lyons is embarking on an experimental new hour of stand up, inspired by her fascination with ballet.

Lyons is critical of various ballet productions, including Tchaikovsky’s Swan Lake and The Nutcracker, and this leads her to attempt to recreate Swan Lake as a one-woman production, in French. These extravagant intentions are realised within a small theatre room above the Old Joint Stock pub in Birmingham. It’s the first outing of Elf’s new material but the confidence of her delivery doesn’t give the audience this impression.

Timeless in a way that is reminiscent Noel Fielding’s performance in The Mighty Boosh, Elf is a wide-eyed, theatrical whirlwind of a performer. She is uncompromising but likeable, with a cheeky glint in her eye like that of a naughty school girl. And I’m sure that’s what she must have been, underneath the shy, awkward exterior of her youth that she describes.

In her efforts to create ‘something out of nothing’, Lyons gets swept up in the fantasy of ballet narratives whilst remaining astutely self-aware. Her comedy is obscure, often relying on visuals, utilising costume, dance and mime, and she teeters on the border between long-limbed elegance and charming clumsiness. Elf is an endless cultivator of energy on stage. And with a style of comedy that is predominantly child-friendly due to its clownish nature, alongside an abundance of fresh ideas that will be refined through further stage time, Lyons’ comedy is generally accessible if you are willing to leave your inhibitions at the door.

Whereas this performance had Elf detail her plans for her new rendition of Swan Lake, it also jumped around to explore lots of other areas including her time spent in France over the past year with a 45 year old lover, her relationship with her mother growing up and time spent at the Priory as a child. It will be interesting to see which elements make it to the final show, or whether the ambition of a full production of Swan Lake performed in under an hour will come to fruition.

Either way, it was a nice change to sit down with a ‘double wine’ and enjoy an hour of escapism. Keep an eye out for Elf Lyons as she puts together this new show, as no doubt it will develop a great deal over the coming months.
ELF LYONS INTERVIEW
Posted in: Comedians, Live Comedy, Previews, Reviews Tagged: British Comedy, Comedy, Elf Lyons

Review: Tony Law – A Law Undo His-elf What Welcome

December 24, 2016 by Becca Moody Leave a Comment

My first visit to Chapter Arts Cardiff is a memorable one. I am attending the Go Faster Stripe DVD recording of Tony Law’s latest stand up hour: A Law Undo His-elf What Welcome and am unsure what to expect from the zany Canadian comic this time around. I’ve heard he’s changed a lot in the past few months.

Tony Law arrives with his usual energetic vigour. He boasts a pair of Waitrose gardening gloves and has gaffer-taped his torso tightly, stating that he is ‘newly fat’, and is clutching on to two gymnastics ribbons. He opens the show with some interpretive dance. So far, so Tony Law.

But the performer has another string to his bow this year. It seems that he has become wise in his recently found sobriety. This latest show is far more self-reflective than previous years; Law has slowed the pace down ever so slightly and allowed a glint of vulnerability to shine through. He declares that he’s developed stage fright since giving up the drink, as well as a fear of crowds.

© Tony Law

A big change in Tony’s life comes from the purchasing of a ‘therapy dog’, a beautiful black German Shepherd. The comedian spends much of his time walking his new dog in the woods near his home. Of course, followers of Tony Law on social media will already be aware of this addition to Tony’s family, as he has a regular Instagram series entitled ‘Calling My Dog Back in the Woods’. His dog, as well as his family, are clearly this comedian’s world, and it’s truly a delight to see.

But Law’s comedy hasn’t changed as much as his general presence has; the contents of this latest show is similar to past years, full to the brim with off-the-wall concepts and ideas. He’s an auditory as well as visual performer, and the inclusion of music and various sound effects (note his series of aeroplane impressions and infamous microphone-foghorn) are interesting ways of breaking up the material and ensuring that the energy in the room remains at dizzy heights throughout the show.

Tony Law is somewhat of an enigma to me. No audience member can comprehend the journey Tony has taken, but his openness is refreshing. For a deeper insight into his transition from ‘off the rails’ Tony to the zen character we now see before us, listen to ‘Tony Law Returns’ on Stu Goldsmith’s Comedian’s Comedian Podcast. For those who listened to the initial interview back in 2014, you will notice a drastic different in his persona.

This comedian may have settled down considerably but he is still excitingly energetic. And the best thing about this whole debacle is that Tony Law seems to be enjoying performing so much more.

VISIT GO FASTER STRIPE FOR PHYSICAL AND DOWNLOADABLE COPIES OF STAND UP FROM AN IMPRESSIVE RANGE OF ACTS.

Posted in: Comedians, Live Comedy, Reviews Tagged: A Law Undo His-elf What Welcome, Comedy, Live Comedy, Tony Law

Review: Rhys James – Forgives and Adam Hess – Feathers

November 26, 2016 by Becca Moody Leave a Comment

Rhys James and Adam Hess have been touring the country with their latest Edinburgh shows, bringing them eventually to the studio room at Birmingham’s Glee Club. The audience gathered is small but the atmosphere is good; improved certainly by the obvious strong friendship between the two comics performing. They live together, enjoy annoying each other and frequently refer to each other in their sets. Adam can even be seen sat on the floor in the corner of the room during Rhys’s performance.

Rhys James’s comedy is sillier than I anticipated it being. The impression I have always had of him is a rather cutting, almost condescending one, and his presence on stage comes as a surprise. With strange idiosyncrasies like the abbreviation of “high presh sitch,” as well as the flippant “soz”, James’s comedy is energetic, playful and enthusiastic. Amongst the impression of careful craft in terms of joke and narrative structure, Rhys has charming elements of impulsivity, referring to the four empty seats on the front row: “They come to all my gigs.”

An indicator of Rhys’s understanding of the craft is his own comment on his comedy. He seems to be very self aware and reflective, casting opinions on his actions within the narratives as well as the reactions his jokes receive in the room. This comedian is able to develop a believable narrative that encompasses detailed and obscure observations he has made without leaving the show disjointed; in fact, it is rather seamless. Rhys James’s latest hour is excellently written. He is cynical and analytical, whilst remaining endearing, with the show even getting quite emotional towards the end as the comic considers his next fifteen years of life.

adam-h-and-rhys-j-940x470

Now, it’s not difficult to believe that Adam Hess was the naughty kid at school. Hess seems to have retained this strange blend of pride and shame, paired with an innate sense of mischief that makes him a really likeable performer. The comic tumbles onto stage with a somewhat frantic energy that builds as the show progresses, his material getting stranger and stranger as he delves further into rather odd experiences from both his childhood and adulthood.

It seems as though Hess has had a tough year. His extravagant tale of recent efforts to make a banana split alone on Valentine’s Day at 2am is rather depressing. But his flailing desperation isn’t dampening of the mood, but rather bordering on hysterical. Adam knows he’s an object of pity according to this narrative, and plays it to his advantage. And if you let your mind wander for as little as one minute, you will jolt back to attention having missed a multitude of ideas that fly at his audience with impressive pace. His joke economy reflects his attention span, perhaps, and watching Adam perform has moments that are exhilarating.

It is interesting to consider the effect of social media presence on the stand up style of these two performers. Both shows are well-formed, with space for spur-of-the-moment audience interaction and callbacks where each comic rebounded off the enthusiasm the audience were already reflecting back. There are concise jokes and multi-layered scenarios, perfect for the Twitter generation and incredibly handy for keeping the energy up within live performance.

FOR MORE INFORMATION VISIT RHYS JAMES AND ADAM HESS’S WEBSITES

Posted in: Comedians, Live Comedy, Reviews Tagged: Adam Hess, British Comedy, Comedy, Feathers, Forgives, Glee Club Birmingham, Live Comedy, Rhys James

Edinburgh Preview: Peter Brush, Dreams With Advert Breaks

July 27, 2016 by Becca Moody Leave a Comment
peter brush

© John Devine

Peter Brush walks onto the stage at MAC in Birmingham to perform a preview of his new show Dreams With Advert Breaks with an air of apology about him. Confident in himself but self-critical, constantly editing, analysing and evaluating. This show is just his second solo hour, but Peter progresses through his material efficiently and chronologically, with a quiet confidence in the content of his show, if not quite the timings at this stage.

Aware of the impression an audience may have of him based on his appearance, as a young-looking, moderately long-haired, spectacle-wearing man, Brush openly shuns the label of ‘nerd’ or ‘geek’, stating that he actually has little interest in things that one might associate with such a trope. The comic explains the premise of his new show, which one could describe as a nostalgic look at childhood, including his past dreams (those that occur whilst asleep and those upon waking).

Brush’s guilty pleasure, it seems, is incorporating the kind of jokes into his sets that induce groans or tuts from an audience. What is refreshing is that he doesn’t care, because he enjoys these quips, and often so do we, or rather we enjoy the satisfaction of a small, rounded-off joke, as a change from longer-form narratives. Peter is aware that silly throwaway remarks are not sufficient to build an entire show and he knows that this is, in turn, not what an audience wants to hear, and in this way the comic shows a proficiency for reading his audience.

The narrative of the hour itself shows promise of being satisfyingly complex, with pleasing callbacks towards the end of the hour that bridge the gaps, from early childhood memories to the present day, although there were gaps within this performance as Peter expressed a wish to perform the latter part of the show, and therefore missed out sections from the middle. A shame for us, perhaps, but surely audiences in Edinburgh will have the loose ends sufficiently tied up.

The most impressive aspect of Brush’s writing is arguably a remarkable ability to conjure up surreal imagery within everyday mundanity. These whimsical reconstructions of childhood memories and dreams earn him many satisfied nods of heads, as opposed to laughs, and epitomise his comedic style; quiet, subtle, understated.

Peter Brush will be performing his show Dreams With Advert Breaks at the Edinburgh Festival.

MORE EDINBURGH PREVIEWS

Posted in: Comedians, Edinburgh, Live Comedy, Previews, Reviews Tagged: British Comedy, Comedy, Edinburgh Festival, Edinburgh Preview, Peter Brush

Edinburgh Preview: Lloyd Langford – Rascal

July 20, 2016 by Becca Moody Leave a Comment
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© Andy Hollingworth

Known by many as Rhod Gilbert’s trusty sidekick, both on the 2010 television panel show Ask Rhod Gilbert (as well as other projects including Gilbert’s pilot sitcom Back To Llanbobl, which is expected to air this Autumn), and in recent years as tour support, Lloyd Langford is a comic of extensive television and stand up experience, and this shines through consistently in a preview of his latest show Rascal, performed at MAC in Birmingham.

Langford takes to the stage with his trademark droll delivery and slouched posture. His new show primarily considers the perils of relationships in the 21st century society, with the comic self-proclaiming it to potentially be his rudest hour of stand up thus far. Lloyd takes delight in saying what everyone else is thinking; not afraid to push an idea slightly too far or make his listeners feel slightly uncomfortable, particularly regarding latecomers. Here we have a comedian who clearly appreciates what an audience want from a live comedy experience. Lloyd’s off-the-cuff remarks are pleasingly quick and he segways between audience interaction and material smoothly, despite the fact he is performing an unpolished show.

Developing ideas based on life experiences over the past year, with topical references scattered throughout, it is somewhat difficult to tell whether this comic is being truly open with his audience or not. Langford’s material makes him appear quite solitary at times; yes, there are mentions of past girlfriends here and there, and talk of a cruise with his parents and brother, but the majority of the show centres around Lloyd’s own private musings, triggered by his experiences while travelling with work (perhaps fitting with the view that stand up comedy is one of the loneliest careers).

Lloyd Langford epitomises a no-messing-about, does-what-it-says-on-the-tin kind of comedy. He conveys an attitude that is both underwhelmed and apathetic, yet also irritated by the many obstacles that modern life presents, from hotels, to the weather, to terrorism (those “proper ne’er-do-wells, scamps, bad eggs”). But beneath the silliness, an anger certainly bubbles under the surface of Langford’s comedy, reminiscent of fellow Welshman Rhod Gilbert. This new show, however, does not see any of that frustration overflow; Langford remains in control. Instead, he is gleefully childish, sometimes bordering on pedantic, happy to play devil’s advocate through his cynicism and judgements, bringing out the naughty child that hides within each of us.

Lloyd Langford will be performing his show Rascal at the Edinburgh Festival.

SEVEN QUESTIONS WITH… LLOYD LANGFORD

MORE EDINBURGH PREVIEWS

Posted in: Comedians, Edinburgh, Live Comedy, Previews, Reviews Tagged: British Comedy, Comedy, Edinburgh Festival, Edinburgh Preview, Lloyd Langford

Review: Katherine Ryan – Kathbum

June 8, 2016 by Becca Moody 1 Comment

Perhaps a bit late to the party, as her DVD record at the Eventim Apollo is due to take place the following night, hundreds of fans flock to Birmingham’s Town Hall to see Katherine Ryan’s critically acclaimed and Chortle Award-winning show, Kathbum.

Ryan varies her support acts throughout each tour, and tonight’s warm-up entertainment comes from Stephen Bailey, who, as Katherine rightfully states herself, better fits the criteria for a headline act than a support slot these days in terms of competence in performance. Stephen is a wise head on young shoulders; reassuringly secure in himself and his act in a way that enables him to take an audience under his wing. With an attitude of confidence and independence, blended with a humorous suggestion of neediness, Bailey’s material is slick, but not so slick that audiences have difficulty warming to him.

Katherine Ryan has blossomed over the past year and this is clear from the moment she walks on stage, greeted by bellowing cheers of excitement and endearment. She appears surprisingly relaxed, but humble, explaining her reasons for always bringing a support act with her on tour before progressing towards the heart of the show.

katherine-ryan-comedian-large

© Idil Sukan

This comic is constantly developing as a writer and performer, which is some feat considering how smart and cutting her comedy has been since her first UK tour in 2013. This latest show is about evolving as an individual as those we grew up with do the same, and the inevitable drift from those we used to relate to. Ryan uses this as a tool to discuss issues relating to overcoming the judgements of others and being assured enough in ourselves to make the decisions that are best for us. The somewhat-obsessive interest in celebrity culture is still apparent, serving as a metaphor for greater issues in society such as racism and misogyny.

Katherine’s comedy is self-aware in a triumphant sense, rather than a defeatist one. Her craft is admirable, with each narrative carried out to its conclusion and perfectly timed callbacks that fit into the performance, rather than shape it. She is professional, yet personal; brutally honest but not irrational in her cutting remarks with each issue being clinically dissected and evaluated before any ill-informed opinions are able to be expressed. And whilst she may introduce challenging concepts, Ryan always has her audience’s best interests in mind, assuming an almost-maternal role that shines through brightest when she talks directly to young female audience members; whom we might deduce to be her target demographic.

Katherine Ryan is not fazed by anything, it seems, whether that be hecklers or significant life events. The quality of her craft is creatively motivating; the content emotionally uplifting, whilst remaining delightfully unpredictable, accessible and genuine.

KATHERINE RYAN’S DVD RECORDING OF ‘KATHBUM’ WILL BE AVAILABLE SOON

Posted in: Comedians, Live Comedy, Reviews Tagged: British Comedy, Comedy, Kathbum, Katherine Ryan, Live Comedy, Stephen Bailey

Review: Bramall Comedy Night Wayne Deakin, Ivo Graham & Andrew Ryan

May 25, 2016 by Becca Moody Leave a Comment
ivo_graham_400

Ivo Graham

The latest comedy night at the Bramall at the University of Birmingham sees two returning acts to the stage, compèred Australian stand up Wayne Deakin. Deakin’s enthusiastic demeanour allows him to win over a crowd within the first couple of minutes, even a particularly quiet, low-energy gathering it seems. He flits around the room, asking surprisingly interesting off-the-mark questions to audience members about their jobs and relationships. Deakin is able to effortlessly create an atmosphere of familiarity and goodwill, summoning an energy from apparently nowhere which enables him to break through any starchy feeling that a compère may be faced with.

Next, Ivo Graham ambles on stage, announcing that there is a “nervous energy in the room,” of which he seems to feed off. Graham is apologetically middle class, appearing rather defeatist in his outlook at times, perhaps due to an apparent concern for the way others might perceive him. Immediately adopting a ‘loser’ status, it seems that this comic wishes to be likeable but also slightly enjoys the alienation that comes with playing up to his Eton College upbringing. Ivo proves himself to be a very capable and efficient storyteller, incorporating a sinister element to his delivery that may be caused, in part, by the inevitable tension caused by confiding in an audience about his schooling.

The final performer of the evening is Andrew Ryan. Charming and bright-eyed; eager to entertain and unafraid of sharing more intimate details about his life in front of a live audience. His anecdotes are confident and consistent, his delivery assured, and even relatively untested material seems to have legs. It appears that this gig provides particular benefits for the structuring of Ryan’s narratives, with the comic feeding off his own energy to propel him in all sorts of directions, providing plenty of room to develop these for his latest Edinburgh show.

BRAMALL COMEDY NIGHTS

Posted in: Comedians, Live Comedy, Reviews Tagged: Andrew Ryan, British Comedy, Comedy, Ivo Graham, Live Comedy, wayne deakin
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