Comedians

Seven Questions With… Harriet Kemsley

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Harriet Kemsley is a delightful stand up comedian with an undeniably sinister edge. With her endearing, almost-childlike delivery of material that expertly blends the silly with cutting, bitter and sarcastic elements, Harriet is rapidly crafting a distinctive comedy persona. She has recently been supporting the likes of Katherine Ryan and Stewart Francis on their UK tours as well as appearing on The One Show Edinburgh Showcase in August.
To learn more about Harriet, I asked her these seven questions…

1) Are you at all similar to your parents?

I have inherited the best of both worlds. I got my Mum’s overwhelming anxieties and my Dad’s massive head.

2) Do you write your material down?

Yes. Because otherwise I would forget. I have to write everything in my life down or I won’t remember. I write very basic things I have to do on my hand and then I wake up with them smeared to my forehead and I go about my day.

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3) What did you most enjoy about university?

I really really enjoyed the last day. I found Uni unnecessarily stressful, but I did enjoy having my rent paid for by my student loan.

4) What kind of people do you like making friends with?

I particularly like fun people. They are my absolute favourite. Big idiots that can laugh at themselves. If I was to go on friend Tinder I would swipe right for big fun honest idiots.

5) Do you pay much attention to detail?

Awlays. I am completely paranoid about everything so I have to read an email about 3000 times before I send it just to check I haven’t subconsciously written something like YOU’REABIGIDIOT in the middle. It’s the same with everything. It took me ages to wrap presents last Christmas as I became paranoid I was going to wrap dirty knickers up with them.

6) Which comedians inspire you most?

I am in love with Amy Schumer and Maria Bamford and Sarah Silverman and Katherine Ryan. They are all just perfect and I want to marry them.

7) Do you know what you want?

I think so. I really like doing comedy and I really want to get great at it. I would really like a proper home as I live in squalor with disgusting boys and one day I would really like to wake up to the sound of birds singing and not someone masturbating in the shower. And I would also like a little dog.

HARRIET KEMSLEY IS SOON TO BE PERFORMING HER DEBUT SHOW ‘PUPPY FAT’ AT VARIOUS VENUES ACROSS THE COUNTRY

SEVEN QUESTIONS WITH…

Comedy Circle #1 Who Watches Satire?

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It has been virtually impossible to miss the recent, yet of course not fully reported, news story regarding Lord Ashcroft’s account of David Cameron’s Bullingdon Club days and the antics he and his chums got up to. Waking up to the storm of excited social media was made all the more interesting given the fact this doesn’t seem to be a hoax, but I guess we can never know for sure. I doubt the Prime Minister will ever admit to it, if it does happen to be true. Since the news broke on September 20th Charlie Brooker has been inundated with comments that reference the parallels of Cameron’s pig plight with National Anthem, the first episode of Black Mirror, which aired in 2011 and it got me thinking about the role that satire plays in our society.

Satirical comedy is a genre that seems deeply ingrained in the British psyche. At its best it can be revolutionary, but at its worst attempts become lazy, stereotypical and therefore ineffective. Yet regardless of whether it hits the mark or not, it seems that we can’t express ourselves thoroughly without it. Satire is now an underpinning part of our media consumption, with the implications and effects of this being incredibly promising in terms of freedom of speech. It has been proven that comedy, and practically any form of communal laughter, is an immediate way of uniting a group of people in a positive, reinforcing manner. It may even be so that with some of the most popular and accessible satirical humour that is broadcast on television in the UK, this sense of togetherness is multiplied due to the age-old addition of human pride that comes about when discussing things that make us feel clever.

Intelligence is anyone’s game now. Education is now accessible to far more people than ever before, and increasingly so, meaning that satirical comedy is no longer an exclusive thing. It makes people like me, a seventeen year old female with a Midlands accent and very little in the way of a plan for the future, feel as though my opinion is valued and important. Regardless of whether I agree with the satirist or not, the crucial point of it is that the individual is permitted to broadcast an opinion. Though at times this branch of British comedy can feel very smug and male-dominated, it is encouraging to see it being opened up to more people as time progresses.

So if more of us are watching, absorbing and reflecting the satirical sense of humour, are those that are being criticised watching it too? Of course there are countless targets of countless jokes from all different backgrounds, and for all kinds of different reasons. Nobody is safe from mockery, or at least they shouldn’t be. I can state with relative certainty that each person reading this has been a part of a collective that has been criticised by a comedian on television or radio, whether that be the teenage generation, the middle classes, the working classes, the One Direction fans. You name it, it’s probably been ridiculed. But do we take note of the message behind the comments, when it is our own values that are being attacked, or is it in our nature to defend our position in order to deflect any criticism?

Is comedy still relevant if the people you are satirising are unaware of the irony? Does it matter if David Cameron never watched Black Mirror?

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Seven Questions With… Andy Hamilton

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© Steve Ullathorne

Andy Hamilton is an award winning comedy writer and stand up comedian, perhaps best known for co-creating and writing Outnumbered, who has recently been working on satirical television shows such as Ballot Monkeys and the comedy film What We Did On Our Holiday with fellow writer Guy Jenkin. Now he is back on the road with a new stand up show: Change Management.
To learn more about this fascinating comedian and writer, I asked Andy these seven questions…

1) Which piece of your satirical writing are you most proud of?

That’s a difficult ask. A lot of what I’ve written I’ve now forgotten. But I’m very proud of Drop the Dead Donkey, Old Harry’s Game, and a TV film called 11 Men against 11. And there is quite a lot of craftily-hidden satire in Outnumbered.

2) What frustrates you most?

I find frustration very frustrating, so I try to avoid it. Sadly, however, I have to use the tube every day. So I tend to bypass frustration and go straight to rage.

3) Do you like to plan ahead?

Not really. As a freelance writer, my life is dictated by the decisions of others, so I go with the flow and see where I wash up.

4) When was the last time your job got you in trouble?

When a van-driver greeted me in the street as “Satan”. It caused a bit of a stir. I got away in the end.

5) Where would you go if you could go anywhere?

Antarctica. My boyhood hero was Captain Oates. No, I’m kidding. I’ll go anywhere there’s room service.

6) What were you most afraid of as a child?

Mr Rayner. A teacher who thought kids were percussion instruments. I’m probably safe from him now.

7) Can comedians say anything?

Yes, unless they’re mimes. And provided that what they say is funny and not just saying stuff.

ANDY HAMILTON IS CURRENTLY TOURING HIS NEW SHOW ‘CHANGE MANAGEMENT’

SEVEN QUESTIONS WITH…

Seven Questions With… Fred MacAulay

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© Andrew Ogilvy

Fred MacAulay is a name known to many a Radio 4 listener having appeared on The News Quiz, Bridget Christie’s Mind The Gap and The Unbelievable Truth, to name just a few. The Scottish comic has also featured on episodes of QI , Have I Got News For You and Mock The Week and is currently touring his first stand up show since 2012 named Twenty Fifteen. MacAulay clearly has a great deal of experience working on the comedy circuit, having performed at the Edinburgh Festival 27 times in his career so far.
To learn more about Fred, I asked him these seven questions…

1) Are you glad that comedy wasn’t your first job?

Yes. And I’m equally delighted that it’s my last job. Can’t see me doing anything different ever. Maybe acting. Maybe singing. But they’d be sidelines. Comedy first.

2) Which time of year is your favourite?

Toss-up between summer and winter. I love the fresh crisp winter days when the hills are white with fresh snow, but I love the summer mornings when the sun is streaming in through our front door to greet me as I come downstairs to feed the dogs. If you could give me one such winters day with 16 hours of sunshine I’d be a happy man.

3) What motivates you in life?

I’ll be honest with you… I like earning, it’s not the sole motivation, but when I was a boy I was envious of the rich kids who had great skis and the best ski boots. I had wooden skis and lace-up boots, and I was determined that one day I’d be able to have the good gear. Having said that, I was doing very well in my previous occupation, so the REAL motivation is that in work terms… I get to do what I love to do. Simple as that. Ask anyone who does that and you’ll find a degree of satisfaction that is missing from people on jobs they ‘make do with’.

4) What attribute do you wish you had?

Wisdom.

5) What are you bored of?

TV shows like Cash in the Attic or Shit in the Loft or whatever it’s called. Surely there’s NOTHING left for the BBC to evaluate.

6) What is the most frightening thing about performing comedy, for you?

That I’ve no idea what the next routine is. Or even worse, the end of the current one. The former has happened, the latter thankfully, never.

7) Are you at peace with the world?

Most of it. I’m not as forgiving as I should be, so there are a few people I’ve got issues with. Given the chance to settle scores, I probably wouldn’t. I generally avoid hassle and direct encounters.

INFORMATION ABOUT FRED MACAULAY’S LATEST TOUR IS AVAILABLE FROM HIS WEBSITE

SEVEN QUESTIONS WITH…

TV Review: Doll & Em, Series 2

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Airing in June of this year, series 2 of Doll & Em has been a relatively long time coming, but it was worth the wait. The premise is simple enough: Dolly and Emily are best friends and have been since they were children. Both women are British, but Emily has since become a considerably successful Hollywood actress, as well as marrying an American and having two children. Dolly, on the other hand, currently has less going on in her life. The beginning of the first series saw her break up with her long-term boyfriend and move to LA to become Em’s personal assistant. Since then, Dolly has proven that she is not personal assistant material and now works with Emily, rather than for her: the pair are writing a play which is inspired by their long-lasting friendship.

© Sky Atlantic

© Sky Atlantic

An interesting aspect of Doll & Em is that it feels as though the writers (Mortimer, Wells and Azazel Jacobs) feel no particular need or desire to have their audience fall in love with the core characters. It seems that all viewers, women in particular, can identify elements of their own personalities, their friends, their sisters, their mothers, reflected in Dolly and Emily.

There is a great deal of skill present in the writing that has enabled Wells and Mortimer to tackle serious topics like marriage problems, friendship issues and creative disagreements whilst maintaining a definite bright and airy feel to the whole production, perhaps presenting a more natural representation of how people deal with struggles in their lives whilst getting on with whatever also needs to be done. Here we have a British sitcom that is entirely binge-watchable. It isn’t a psychological drain to watch too many episodes in one sitting,  unlike many other cringe-style comedy shows such as The Office, Peep Show or Lead Balloon, making Doll & Em feel almost of its own genre altogether.

Doll & Em is a comedy about what is important, to the writers yes, but also to people in general. It considers what it is that makes us continue to invest our energy into certain things, whether that be friendship, family or a creative process like the crafting of Doll and Em’s play. It shows life as a string of incidents, of positive and negative experiences that make up who we are. The laughs are not riotous, but they are certainly there. They are not forced, manufactured or pitiful; they are honest. This is a comedy that truly warms the heart.

SERIES TWO OF DOLL & EM IS AVAILABLE ON SKY.

TV Review: Comedy Feeds 2015

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A whole new batch of Comedy Feeds have recently been released on BBC iPlayer with an abundance of bright new comedy talent being given the chance to create short comedy pilots for the television and online. And with an elite list of writers including the likes of Dane Baptiste, Greg James and Fern Brady, this series was set to be as strong as previous years from the get go.

Every new series of Comedy Feeds proves itself to be accessible to plenty, with actors and comedy stars from every corner of the industry. There’s a recognisable face in every episode, whether that be Michael Smiley popping up as Uncle Les in Fishbowl or Jarred Christmas in Dead Air playing the role of an irritating radio DJ from New Zealand (or was it Australia?).

© BBC

Radges © BBC

Radges is a particularly strong episode; written by Fern Brady and starring an array of young and talented actresses who may not be familiar to most, including Lauren Lyle, Lois Chimimba and Samantha Foley. Set in a teenage referral unit, the premise is reasonably dark, perhaps, but the atmosphere is not a downbeat one. This is a direct result of Brady’s sharp writing, which deserves commending here as she successfully avoids dragging out narrative or relying on clichés for laughs, which is a hard feat for sitcom writers these days as the tropes of comedy plots often seem to lead in the same direction, reaching the same destination. There are brilliant character dynamics crafted, expertly cemented by the addition of the group’s session leader, Miranda‘s Sarah Hadland, who gets some of the best lines.

Another entertaining comedy short is Fishbowl, written by Boy Meets Girl co-writer Andrew Mettam and starring Katherine Rose Morely, Mark Benton and Sally Lindsay. This episode again borders on the sinister, with nineteen-year-old Hattie being brought back home by her suffocating parents after just two months at university, and there is certainly potential for this to develop into something brilliant if given the chance.

© Bwark Productions

Fishbowl © Bwark Productions

It is fantastic for television platforms to be able to give so many creative individuals a chance to experiment with their comedy pilots because the results are not only as unique as they are impressive, but they also have so much time and enthusiasm invested into making them forthcoming pieces of excellent comedy.

THE 2015 COMEDY FEEDS ARE AVAILABLE ON BBC IPLAYER

TV Review: Taskmaster, Series 1

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Taskmaster is the brainchild of comedy heavyweight Alex Horne, recognisable to many as the front man of the Horne Section and occasional appearances on Friday night television on shows such Cats Does Countdown. Alex Horne is a comedian who knows how to make the Edinburgh Festival exciting; for fifteen years he has been delighting crowds with whacky conceptual shows and experimental games, with an admirably positive attitude when it comes to testing these extravagant possibilities. He is not afraid to push the boundaries and this gives Horne a fantastic creative advantage.

Taskmaster began as a year-long competition with comedians (and sometimes critics) being pitted against each other in a set of bizarre challenges, with Horne hosting and Mike Wozniak as his trusty assistant in recent times. Now the game has been given a new medium, a risk for a television channel (though perhaps not for Dave, which is already renowned for its experimental nature) and no doubt a delight for countless comedy fans. The television adaptation of the game is hosted by Greg Davies and Alex Horne and has a regular group of contestants, which binds the show together well and allows a sense of camaraderie to build as the episodes progress and the responses to tasks to become slightly more competent and imaginative. The comedians are diverse in their background, audiences and generations, making the whole programme feel accessible to a larger audience, with the five contestants being Frank Skinner, Josh Widdicombe, Roisin Conaty, Romesh Ranganathan and Tim Key.

uktv-taskmasterIt is fascinating to watch the contestants figure out the best way to approach obstacles, particularly in group tasks where the thought processes are made vocal, but this perhaps makes them less constructive as opposed to when certain individuals are allowed to work on their own. As the series develops it becomes clear that the comics excel in varying areas. Take Roisin Conaty as an example: hopelessly slow at carving up a watermelon but a high-flyer in any rounds that require social skills, such as the task involving high-fiving a 55 year old member of the public. If you want canny solutions to problems that bend the rules, sometimes to the point of breaking them completely, Tim Key is your man. Time and time again on Taskmaster Key proves himself to be a devious, quick-thinking non-conformist, shaking up the system so carefully crafted by Davies and Horne, with hilarious effects.

Greg Davies is fantastic; he’s harsh, loud and ridiculous, completely giddy with power, and the relationship between Davies and Horne is clearly a long-lived one. They find each other, and themselves, utterly hilarious and it’s not self-indulgent because they are absolutely right. The whole group act like children and it’s refreshing to see it contrast against a genuinely sharp wit from all players. It helps dramatically that the tasks are so varied, often absolutely mental and incredibly funny to see carried out. A highlight has to be poor Josh Widdicombe’s attempts at counting the number of beans in a can, of spaghetti hoops in a can, of grains of rice in a bag… All in vain, however, because nobody else was even set that task. Poor soul. But anyone would be hard pushed to pick a favourite moment when the likes of Romesh’s backwards film Tree Wizard and Roisin’s demands that Alex Horne eat a toothpaste pie are involved.

CATCH UP WITH SERIES ONE OF TASKMASTER ON DAVE NOW

SEVEN QUESTIONS WITH ROISIN CONATY

Seven Questions With… Diane Morgan

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© Matt Crockett

Diane Morgan is a face many will recognise, having starred in countless sitcoms such as Phoenix Nights and Uncle, being half of comedy double act Two Episodes of Mash with Joe Wilkinson and also performing stand up. But Diane is perhaps most well known for her hilarious role as Philomena Cunk on Charlie Brooker’s Weekly Wipe, where she explores various ‘moments of wonder’, such as “what is clocks?” and “where does your lap go when you stand up?” which are valid questions, I’m sure you can agree.
To find out more about the comedian behind the character, I asked Diane these seven questions…

1) Clockwise or anti-clockwise?

Are you asking if I prefer things that go clockwise? Because most things do. I don’t know why. It’s none of my business. Hey, let’s try and get John Cleese to make Anti-Clockwise! (The sequel.)

2) How do you feel about the result of this year’s election?

I found it utterly unfathomable. The Tories are an absolute unmitigated disgrace of a party. An abomination. Deluded. Lacking in empathy and devoid of all humanity. Too much? I don’t think so. If I ever meet Cameron, Osborne or Ian Duncan Smith it will take all my strength not to kick them in the balls repeatedly.

3) Who would you most like to impress?

Peter Cook. Now sadly no longer with us of course but if he was I’d gladly iron his newspapers before he read them, do his shopping and learn to make his favourite dish. I’d basically become his servant. I don’t think I’d impress him. I’d be too eager to please. It would be revolting.

4) Do you waste a lot of time?

The whole of my 20’s were wasted. I sat around staring into space a lot. I had a string of dead-end jobs. I went to drama school so I’m not qualified to do anything useful.

Most people waste their 20’s, it’s tradition. I do wish I could go back in time and shake myself. I didn’t start doing stand up until I was 28, although there was no way I could’ve done it before. Now, I feel sick if I waste a day watching videos on YouTube instead of writing.

5) Would you visit Mars if given the opportunity?

I would not visit Mars. There’s nothing up there! You can see that from down here! I can’t even be bothered to look at pictures of it in a book. Also, it’s asking for trouble. You’d probably need jabs and everything. Holidays are generally quite stressful and disappointing. So no thanks.

6) What is your favourite thing about performing as a comedy character?

It’s like wearing a suit of armour. Not literally of course. I mean you feel protected. You can pretty much say anything you like and get away with it because it isn’t you. It’s very freeing.

7) What stops you from being bored?

I’m never bored. Not now we have the Internet. I also have lots of funny friends and admin, and writing and food. I’m good at doing nothing too! (see question 4.) I can very easily just sit down in an empty room and not be bored. I’d make an excellent prisoner. I’d keep everyone’s morale up.

FOR MORE INFORMATION ON SHOWS AND FUTURE PROJECTS, VISIT DIANE MORGAN’S WEBSITE

SEVEN QUESTIONS WITH…

August: Comedian Of The Month #19, Eleanor Tiernan

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Each Comedian of the Month on MoodyComedy is a comic who has never previously featured on the website. Reasons for selection can include various current projects the comedian is involved with, or perhaps recent appearances on television programmes or podcasts. There is no strict criteria however, as Comedian of the Month simply stands as a collection of recommendations, highlighting interesting and original aspects of certain comedians and their work.

This month’s Comedian Of The Month is the ever articulate and artistically mature Eleanor Tiernan, a comic who is particularly recognisable on the stand up circuit as a result of her time spent supporting acts such as Tommy Tiernan, Stewart Lee, Reginald D Hunter, Ardal O’Hanlon and Jason Byrne. Irish comedian Eleanor Tiernan first began performing stand up in 2004; she starred in a play at the Edinburgh Festival in 2007 as well as performing solo stand up shows in later years, beginning with Irish American where she performed on a bill alongside American comic John F. O’Donnell.

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Tiernan’s comedy is insightful and educational, and each performance has a rather sophisticated feel, reflected in the subject matter of the material: past shows have explored ideas such as feminism and national identity. Timing is clearly an important aspect of Eleanor Tiernan’s creative process and the swiftness of her material benefits as a result, with the comedian showing a successful balance of slightly awkward silences with a delightful, chatty demeanour.

Upon visiting her website I came across a very thoughtfully written FAQ page which is proof enough of this comedian’s refined writing skill and natural ability regarding the posing of insightful existential questions in relation to religion, comedy and general life-living, without appearing pretentious or presumptuous in her answers. Modesty is a virtue in this day and age, and it is refreshing to come across it in such an unassuming, endearing performer.

Eleanor has been performing her latest hour Don’t Cry For Me Eleanor Tiernan at the Edinburgh Festival and is continuing to travel around Ireland and the UK with her stand up.

For more information, visit Eleanor Tiernan’s website and follow her on Twitter.

The Foster’s Edinburgh Comedy Awards

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Sam Simmons

So the Edinburgh Festival draws to a close for another year. The final weekend saw a whole array of awards being presented and futures being temporarily flipped on their heads. The Edinburgh Comedy Awards are perhaps the most prolific of the entire arts festival and the effects of winning either the overall award for best show or the prize for best newcomer results in a great deal of publicity and ticket sales for the next year and beyond. Nominations for both titles this year, which were announced on Wednesday (26th August) with winner announced yesterday, were as strong as ever.

Those shortlisted for the award for Best Comedy Show were James Acaster, Joseph Morpurgo, Kieran Hodgson, Nish Kumar, Sam Simmons, Sarah Kendall, Seymour Mace and Trygve Wakenshaw. A diverse list, to say the least, with two of the comics above coming from Australia and another one being a mime act from New Zealand. Sam Simmons (who was MoodyComedy’s Comedian Of The Month this March) took the award along with the £10,000 prize, which was presented by last year’s winner John Kearns, for his bustling, surreal show Spaghetti For Breakfast. This was the third time the comic had been nominated for Best Show, much like James Acaster who’s show Represent saw him nominated for the fourth time, showing the high calibre of nominees.

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Sofie Hagen

The award for Best Newcomer is one that has proven itself time and time again to completely catapult the careers of the world’s brightest new talent. ‘New’ that is, at least, in terms of being newly recognised. A quick glance at the list of previous winners will demonstrate to any cynic that this award is not to be overlooked. Winners over the 35 years that the award has been running have included Sarah Millican, Harry Hill, Tim Minchin, The Mighty Boosh and Josie Long. This year saw Danish stand up Sofie Hagen claim the crown for Best Newcomer with her debut show Bubblewrap. Sofie’s show has been delighting audiences with her refreshing take on growing up into a proper adult and issues such as body image and the stigma around mental health. You can catch my interview with Sofie Hagen here.

And finally, the winner of the Panel Prize was Karen Koren who has worked as the founder and artistic director of the Gilded Balloon for the past 30 years. The Guilded Balloon also saw the launch of the So You Think You’re Funny? competition which has been running for 28 years.

A full list of past nominees and winners is available on the Foster’s Edinburgh Comedy Awards website.