British Comedy

James Acaster: Recognise (2014)

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Jack Barry

Jack Barry

Thursday night saw Artrix Arts in Bromsgrove welcome James Acaster and Jack Barry to the stage. It was a pleasure to see Jack, a comedian I was previously unaware of, supporting James on his tour, with relevant and relatable material that had a subtle hint of madness that could be detected only in his straight-faced delivery of subjects involving suicide and, strangely enough, super powers.

Despite a frosty start for Acaster, as a result of an adamant audience member on the front row refusing to move his drink off the stage (which I’m surprised isn’t picked up on more often by comics due to it’s disregard of any form of ‘fourth wall’ or downright respect for the performance), he comfortably dived straight into the confusing world of loopholes, demonstrating wonderfully complex and creative thinking from the outset.

This peculiar comedian has a remarkable ability to weave together the most absurd stories, such as his adventures as an undercover cop, through his use of well thought-out call backs, but was also able to fall back on instinct as a result of the audience not being very enthusiastic at all, which was certainly observed by James, to say the least. As a result of being a member of a disappointingly unsupportive, bordering on selfish, audience, the show took on a very different feel to what it would normally, with a great deal of tension (that ended up working in Acaster’s favour as he expertly turned the gig around).

James Acaster

James Acaster

Hidden within the whimsical story-telling, James is clearly an excellent observational comic as well, in a way similar to that of Noel Fielding. It has been said, and I too believe to be true, that Fielding would make an outstanding observational comedian due to his compelling way of noticing and conveying minor details within people and situations alike. The cleverest part, regarding both Fielding and Acaster, however, is that they don’t rely on their observational skills alone. These two comics evidently work very hard at developing a multi-layered aspect to their routines, and that is something to be appreciated and congratulated.

I thoroughly enjoyed seeing both Jack Barry and James Acaster perform their routines and look forward to seeing them again in the future, maybe with a more encouraging audience that can give this excellent comedy the platform it deserves.

Top 5 Moments… Shooting Stars

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Shooting Stars is without doubt the greatest panel show ever made, with it lasting for a healthy six series and spanning from 1993 to 2011. It remains a source of frustration for me that the programme was cancelled in 2011 as it definitely hadn’t exhausted itself in anyway. The best justification for this may very well be that the comedic style of Vic Reeves and Bob Mortimer was a tad too strange for a new and evolving audience, though there is still a gap in my life ever since its cancellation. I have very fond memories of being only nine or ten years old and absolutely crying with laughter at the madness that is Shooting Stars, from its Dove From Above round to Vic’s pub singing.

5) Jack Dee Finally Laughs

Every single week, Jack Dee was forced to listen to Vic talk disparagingly of his miserable face. Every single week, Jack Dee remained calm, if a little irritable throughout, until, finally on one fateful episode towards the end of the reign of Vic and Bob’s Shooting Stars, he snapped. The man with “a face like a neglected radish” actually cracked a smile.

4) The Arrival of Angelos Epithemiou

We were all pretty gutted to hear that Matt Lucas would not be returning as Man With The Scores: George Dawes in series 7, but the pain was dulled by the news that he was to be replaced by regular panellist and burger van owner Angelos Epithemiou (played by Dan Skinner). Angelos is a very complex character; an easily aggravated, no-nonsense loner, if you will, with his infamous carrier bag that contains a wild array of goods…

3) Larry Hagman

Poor Dallas star Larry Hagman was in for a big shock when he was booked to appear on the show when he clearly didn’t really understand what it was all about. In fairness, he was a good sport throughout the episode but it was an effort to hide the confusion he inevitably would feel when in the presence of the two madmen. A slightly bewildered Hagman responded to a question from Bob towards the end of the episode, “Are you beginning to think you may sack your agent?” with, “I’ve done some loony shows in my time but this is certainly the one”.

2) Baked Potato

Out of George Dawes’ wonderful back catalogue of ingenious songs, Baked Potato is the one that made me laugh the most. All of the giant baby’s tunes have proved to be very catchy and, of course, hysterically funny over the years but something about the addition of a talking potato really made this song special. This particular number taught its audience many moral lessons such as “do be happy, don’t be sad” and “do be early, don’t be late”. Once you’ve heard it a few times you will find yourself singing it all day everyday so “Thank you Baked Potato!”

1) Tiny Eyes

Not only is the song in this clip absolutely absurd, the visuals also aim to shock: with the eyes of all involved literally being of minute proportions. It is honestly quite difficult to find Tiny Eyes unfunny, especially for a person who ‘understands’ the comedy of Reeves and Mortimer, which appeals to both old and young. The sequel to Tiny Eyes is another must watch due to the faultless insanity and that is entitled Tiny Hands, I’ll leave you to guess the rest.

https://www.youtube.com/watch?v=w9UYWa0zZf0

It is important that we celebrate Shooting Stars for the treasure that it was and appreciate the sheer amount of comedic skill hidden beneath the surface, underneath the apparent madness. What is your favourite Shooting Stars moment of all time? Let me know in the comments, or by tweeting me at @moodycomedy.

Want to know what my top five IT Crowd moments are?

Brenda Monk Is Funny

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They say write about what you know, and that is certainly what comedian and writer Katy Brand has done in her debut novel Brenda Monk Is Funny.

brenda monkIt is refreshing to be told about the inner workings of the comedy industry in the form of something other than a stroppy article or bitter passing comment. In today’s world it seems like a large majority of people get their information from such sources, which is understandable, and don’t feel the need to find out what a different person on the inside might have to say due to the effort it might take to find the information. Katy Brand, however, has made it easy for us, so we really have no excuse for being ignorant.

Brenda Monk is the girlfriend of successful and entirely intolerable circuit comic, Jonathan Cape. She loves comedy, but Jonathan is the one with a career in the industry and she has always accepted that. However, this is a time of change for Brenda as she begins to question things she has never thought about before: could she cut it as a stand up comedian?

Brand has effortlessly cumulated her skilful storytelling with her in depth knowledge of the comedy industry to great effect. She has fairly and honestly represented the highs and lows of being a stand-up comic as far as I can understand, whilst also scratching the surface of more controversial topics such as the role of women in comedy and the different ‘classes’ (for want of a better word) within the industry.

“People who come here are grown ups. If they can’t handle it, they shouldn’t come. Or they should just go and see the big tours of the nice, safe stand-ups they know they already like and will never say anything that will challenge anything they already think and feel.”

On a personal level, I found this book to be very relatable and even reassuring as a result of Brand’s dealing with the nitty gritty aspects of what being a comedian entails. As well as being interesting, this story is also very endearing and the development of Brenda’s character has been dealt with fluently and sensitively, whilst being sufficiently informative and therefore a useful read.

And there is still benefit to be gained for those who don’t share my interest in stand up comedy. Brenda Monk is Funny gives a powerful message to its readership, one of striving to achieve an end goal.

“and thought, “I could say anything I want to. I could say anything I want to.” She was reeling from that one moment alone. The rest was just a matter of writing some jokes.”

PURCHASE ‘BRENDA MONK IS FUNNY’ ON AMAZON NOW

SEVEN QUESTIONS WITH KATY BRAND

TV Review: The League of Gentlemen

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The League of Gentlemen is a dark comedy classic, full of hideous characters and disturbing events. It is often a very difficult show to watch, if not only for the sheer number of times we must see Mark Gatiss die in the most brutal of ways. That would be pretty traumatic for anyone.

Royston Vasey is a place for misfits; a place for the flawed, the unsettled and the peculiar. It is obvious when there is an intruder in the village, and we all know what happens to intruders, to un-locals. From the iconic married couple: Tubbs and Edward, who insist that their shop is a “local shop for local people”, to the patronising head of the Job Centre: Pauline (who would have guessed that Steve Pemberton would make such a wonderful woman?), The League of Gentlemen covers a wide range of characters and sketches.

There is one advantage to being fifteen years late watching this programme and that is that I can clearly see how it has influenced, and shares similarities of, our British comedy culture today, especially shows like Little Britain and The Mighty Boosh. Another development that should be clear to today’s viewers is that of Inside No. 9: the most recent work from Shearsmith and Pemberton, and another dark and twisted comedy delight.

It is clear that a huge amount of care and general hard graft went into the making of this programme and this is evident in the fragments between sketches, such as posters for crazy things like missing fingers and downright disgusting things like an exploded tortoise stuck to the roof of a taxi. The camera work is wonderful at sweepingly through the village and showing some of the various absurd places and people.

The League of Gentlemen is a programme that no comedy-lover should miss, though I expect most people haven’t missed it at all; it was only I who was stupid enough to do that.

TV Review: Gadget Man, Series 3

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I know I talked last year about Gadget Man but I feel I can’t not write something new about its wonderful new series and the hilarity that is Richard Ayoade.

As always, Gadget Man is a programme that shows us, obviously, plenty of exciting and wacky gadgets but it is presented, with thanks to Ayoade, in a punchy, intriguing way that stands out against the handful of other gadget-related shows out there. Armed with a fluorescent orange suit with a knitted blue tie, Ayoade exudes confidence and sass. When this is teamed with his pessimistic comments and constant sarcasm, he really is a man not to be messed with.

Richard’s clear disgust at the prospect of public transport, during episode two, really resonates with me and to feel I am in some way similar to this genius should welcomed openly by us all. Richard’s general hatred of everything is summed up in one sentence uttered to fellow comic, Russell Howard: “being with you has reminded of how much I prefer being on my own”.

There are often two guests per episode in this series and these include Tim Vine, Marcus Brigstocke, Adam Buxton, Russell Howard, Phill Jupitus and Ade Edmondson amongst many others. It’s obvious that this show is at it’s best and I would watch a new episode everyday if that was possible.

The series so far is available, as usual, on 4OD and you can watch the next episode on Channel 4 at 8.30pm on Monday.

TV Review: Big School, Series 2

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Big School is a British Sitcom that began last year and was highly successful and incredibly popular. It has a common set up, being set in a regular secondary school, but the two main roles are filled by the nation’s sweethearts, and comedy legends, Catherine Tate and David Walliams. The double act is striking because it blends two of the biggest comic actors from when I was very young, and I wouldn’t necessarily have thought they could work so well together. But, God, do they.

We all know that Walliams is a brilliant character actor from his memorable performances in Little Britain, but here he plays a character I have never seen him attempt before. Socially inept and shockingly childish, Mr Church is a Chemistry teacher at Greybridge School. Upon the arrival of the new French teacher, Miss Postern (Tate), Church falls head over heels in love and makes it his mission to sweep her off her feet.

Tate and Walliams’ personalities bounce off each other fluently and with great ease. They compliment one another with their quick, abrasive dialogue and clearly find each other utterly hilarious. Their obvious compatibility makes this programme a very easy and enjoyable one to watch, with the help of Philip Glenister’s role of PE teacher, Mr Gunn. Trevor Gunn is painfully dense but also very likeable. He has a fantastic screen presence, and a certain vulnerability that makes him very endearing.

Another stand out performance is that of Frances de la Tour, who plays the role of Ms Baron, the abhorrent but hysterically funny headmistress of Greybridge. Her character is similar to that of Michelle Gomez’s Sue White in Green Wing but a little less insane, and significantly more hateful. Morgana Robinson pleasantly surprised us all with a guest appearance in one episode as Miss Postern’s school ‘friend’ turned novelist who seems somewhat more successful than the French teacher herself, much to Postern’s disgust.

The only criticism I have of this show regards a very minor detail, and that is the role of the school children at Greybridge. Individually they are all wonderful actors, of course, they wouldn’t be there otherwise, but the way the school acts as a collective seems abnormal to me- though this may be because I spend most of my life at school. And then again, Greybridge isn’t an entirely normal school, so maybe that’s just me being too rational: something that Big School definitely is not! You will have to make your own judgements in that case, and that can only be done by catching up with the whole series on BBC iPlayer.

Stand & Deliver

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In June 2014, a proposed magazine finally became a confirmed project as Stand & Deliver’s KickStarter campaign proved to be a huge success. Enough people (including myself) had pledged a donation towards the printing of the magazine’s first edition so the making and distributing of this beautiful product could get underway.

Stand & Deliver aims to fill the gap in the market for the comedy nerds of the world. It combines comedy, journalism, art and photography into one stunning package and I’m sure (well, I hope) that that is an exciting prospect for any reader of this site. One of the main reasons I supported this project was because the sheer amount of care, love and passion gone into it was painfully apparent. Seeing another person’s passion for what is most important to them in life will always, in turn, spark interest from me: I’m a big fan of hard work and effort.

stand & deliver

A page dedicated to all of Stand & Deliver’s supporters

As well as this, the magazine promises contributions from many of my favourite comedians and artists including Tony Law and Dave Brown in the first edition. I even spotted an article from last month’s Comedian Of The Month, Gavin Webster. That article in particular was of great interest to me, and really summed up what Stand & Deliver Magazine seems to be about: doing things for the love of doing them, namely: for the love of comedy.

Not only is the content of Stand & Deliver magazine made with care and innovation, the physicality of it is also of magnificent quality. The paper is strong and there’s so much of it that it’s more of a book than a magazine, and who doesn’t love a good book? Having read the first edition from cover to cover, I have already learned so much about obscure things like foreign comedy circuits, opinions on hecklers and my favourite: the Machynlleth Comedy Festival.

And finally, I would like to applaud the people at Stand & Deliver for their insanely hard work and can’t wait for next month’s copy to arrive! You can pick up your copy of the magazine here.

Top 5 Moments… The IT Crowd

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The IT Crowd ran between the years 2006 and 2010 for four series (with one special finale episode in September 2013). With it being such a well-known and loved British sitcom, jam-packed with such immense comedy talent, I thought it would be a nice idea to present to you my top five moments from all of the twenty five episodes.

5) A Suicide at Reynholm Industries (Series 2, Episode 2)

Denholm Reynholm, played by the infamous Chris Morris, was the original head of Reynholm industries until one fateful day during series two of the show. Everybody already knew that Denholm was prone to getting a bit hot under the collar, with frequent moody stares and bellowing fits, so we shouldn’t really have been too surprised to see his latest smart move. Upon being interrupted in a meeting to be told that the police want to look into some “financial irregularities” in the industry’s accounts, he promptly gets up and jumps out of the window, falling quickly to his death. The promptness and simplicity of this will always make this funny for me, and it was the perfect way for the talent that is Morris to leave the show (though it’s a shame he had to).

4) Roy and his Disabled Legs (Series 2, Episode 1)

During a work outing to the theatre with Moss, Jen and Jen’s new boyfriend, Roy and Moss encounter a dreaded toilet attendant so are forced to visit the disabled toilets instead. Roy quickly regrets this decision when he mistakingly pulls the emergency cord rather than the toilet chain and is bombarded with theatre staff thinking he is in a crisis. In typical IT Crowd style, of course Roy pretends he is disabled and has, in fact, had his wheelchair stolen. He informs the staff that he is disabled “in the legs” and the reason for this is “acid”, and of course, that makes perfect sense to them and they try to help him in every way they can…

3) That’s Right, We’re Looking at You (Series 3, Episode 6)

Roy is sent to do something that a man from IT is very rarely sent to do: go and fix something IT-related. While he is there, he notices a framed picture on a girl’s desk. The picture shows a young man looking “absolutely mental” in Roy’s opinion. This is because the man is boss-eyed. In a rapid string of strange events, Roy ends up directing a “geek” calendar in order to raise money for the charity and he rakes in all of his nerd friends in to help.

2) Goth 2 Boss (Series 4, Episode 6)

When Douglas Reynholm’s wife, Victoria, returns and demands a divorce, with significant monetary payouts, he realises that he is going to need a lawyer. And who better to represent Douglas than IT Relationship Manager, Jen? (She knows about relationships, right?). So Jen is stuck trying to form some kind of defence for Douglas and is rapidly running out of ideas; that is until Richmond, renowned socially-rejected goth at Reynholm Industries, steps up with his fantastic “Goth 2 Boss” related reason for why Victoria is a fraud. Unfortunately, and typically, Richmond turns out to be mistaken but we still get remarkable insight into his new business venture.

1) She’s Dead! (Series 1, Episode 5)

When Moss is left to tell a little white lie to Jen’s new boyfriend, Bill Crouse (Adam Buxton), regarding why Jen wasn’t at the office at that present time, he accidentally blurts out that she has, in fact, died. As the lies spiral out of control, Bill continues to see Jen walking around the building (because, believe it or not, she isn’t actually dead). The circumstances are painfully poised to convince the poor man that he is being haunted by the ghost of his past lover, and he becomes increasingly terrified throughout the episode:

https://www.youtube.com/watch?v=RZowBasLBFk

What is your favourite IT Crowd moment of all time? Let me know in the comments, or by tweeting me at @moodycomedy.

TV Review: Noel Fielding’s Luxury Comedy, Series 2

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I wrote a post towards the end of July reflecting on the first episode of Noel Fielding’s Luxury Comedy: Tales from Painted Hawaii (series two) but this series has been so dense with artistic talent and clear passion, that I couldn’t possibly not revisit it after all five episodes.

It’s no secret that I am a massive fan of Noel Fielding and his work, so was obviously hugely excited that the long-anticipated second series had finally arrived. These episodes have taken a long time to produce because they are one of a kind; the process of making them seems to be more rigorous than that of various other Sitcom style shows. Love Luxury Comedy or hate it, it is impossible to deny that the makers of this show have presented their audience with great innovation: with the bright and complex animation from Nigel Coan; an eccentric soundtrack from Fielding and Kasabian‘s Serge Pizzorno; along with brilliantly intricate set and costume design from James Dillon and Ameena Kara Callender.

As well as the obvious beauty and detail involved in the visuals of Luxury Comedy, the stories are also packed full of references to art and literary culture such as Andy Warhol (of course), George Orwell and Yoko Ono. This alone is proof for me that the makers of Luxury Comedy have not been lazy during the creative process: every scene is punchy, a little bit mad, but also intelligent.

Reality Man

© MoodyComedy

Watchers of series one who weren’t impressed may be pleased to know that this series is a lot more relatable for audiences, with occasional cynical statements that can catch you off guard.

Smooth: “What do you do to escape?”

Reality Man: “Panel shows. What’s funnier than five men in shiny shirts taking a side-ways look at the week’s news?”

In this way, I think this series is a lot more self-aware, in fact, one episode even focuses on the idea of the show only having one viewer (a Brummie named Terry, played by Steve Oram) and the fact that they must save him from certain death.

In addition to the lovely Noel, the show is full of immense comedic talents such as his Mighty Boosh co-stars (Dave Brown, Rich Fulcher, Richard Ayoade, Simon Farnaby and Tom Meeten) and of course, the delightful star of Doll & Em: Dolly Wells and Tom Meeten’s partner-in-crime: Steve Oram (Sightseers).

I would have to say that this programme is probably one of my favourites to ever appear on television, particularly this new series. It appeals to all of my interests: comedy, music and art (and Noel Fielding of course) but most importantly of all: Luxury Comedy is a source of inspiration to me. Every aspect screams quality and I sincerely hope the show and its creators flourish in the coming months as a result.

The whole of Noel Fielding’s Luxury Comedy: Tales From Painted Hawaii is available on 4OD.

Garth Marenghi’s Darkplace, Revisited: S1E6, The Creeping Moss From The Shores Of Shuggoth

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Episode: The Creeping Moss From The Shores Of Shuggoth

Air Date: 3 March 2004

Summary: Another mist has appeared over Darkplace but this time, it’s green! On this occasion, it gets through the air vents and the result is a young woman named Linda getting infected and turning into cosmic broccoli (of course). Unfortunately for Sanchez, he falls in love with Linda, who is now terminally ill, and this even results in him contracting the broccoli disease (much like an STD) and has to have emergency surgery. This episode is not only a commentary on the issues of AIDs in the world, but is also a story of love and loss.

broccoli

What Else? More new music is played in this episode such as Matt Berry’s song: One Track Lover which features some wonderful rapping from Thornton Reed. Somehow, the tapes that contained a part of the programme have been destroyed (under mysterious circumstances) which means that these must be explained through the use of photos of the events and a commentary from Dagless. There is also a brilliant and entirely not un-realistic fight scene between Dag and Sanchez.

Quote of the Episode:

Thornton Reed: “When I heard my wife died, I could barely finish my lunch.”

Familiar Faces: Julian Barratt appears for a third and final time as the priest. We also see Graham Linehan as a member of hospital staff and Kim Noble as a barman (as well as his usual role of Doctor Jim).

THE END:

So, that is the end of my revisit to Garth Marenghi’s Darkplace. I hope you enjoyed reading about them and maybe hearing about them for the first time (or just remembering how much you loved the show in the first place!).

THE REVISITED SERIES