Reviews

Review: Bramall Comedy Night, Scott Bennett, Angela Barnes & Gary Delaney

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Autumn 2015 signals a new season of comedy at the University of Birmingham’s Bramall Hall with the second event doing predictably well in terms of its line up, with Scott Bennett, Angela Barnes and Gary Delaney performing.

The night was compèred by likeable Yorshireman Scott Bennett, who recently performed his debut stand up hour at this year’s Edinburgh Festival, tickling audiences with anecdotes about his recently retired and slightly mental father. His stories are instantly easy to relate to, speaking of elements of family life that most of us can sift through and relate to at least parts of. Bennett clearly has had a lot of experience as a club host, with an ability to communicate effortlessly with multiple age groups within an audience.

gary-delaney-2014-october

Gary Delaney © Andy Hollingworth Archive

Angela Barnes has returned from August’s Edinburgh Festival with a confidence to her new material that is pleasing to see. Deeply personal and bordering on self-depreciating, Barnes is a comic who knows how to set her audience at ease, with a presence that does not overbear but lines that sometimes cut delightfully sharp. Angela is the voice in all of our heads and it is a relief to hear someone openly talk about hating things that everyone else claims to love. She’s sweet, friendly and endlessly relatable, but with an undeniably wicked streak.

Gary Delaney is the first comedian to return to the Bramall Hall comedy night, speaking of how much he enjoyed the venue and audience last year. Once again Delaney amazed with his impressive back catalogue of memorised material, which he effectively manipulated to suit the feel of the room. Though perhaps a bit impersonal at times due the nature of being a one-liner comic, Gary successfully incorporated technology into his set which made for a refreshing change. He clearly enjoyed the gig and this made the performance feel a little outside of the norm, with Delaney’s infectious positivity ensuring that his whole audience was on side.

SEVEN QUESTIONS WITH… ANGELA BARNES

BRAMALL COMEDY NIGHTS

Edinburgh Preview: Patrick Monahan – The Disco Years

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patrickmonaghanPatrick Monahan has an energy that could wake the dead. In a last minute preview before the Edinburgh Festival (which was, at the time, imminent), the Irish-Iranian-Geordie comic was adding the final flourishes to his latest stand up hour, working on cementing the overall structure of the show, yet he bounded on stage with the confidence of a man that new the next sixty minutes were to go swimmingly, regardless of how far progressed his material was in that moment.

A show that begins with several minutes of vigorous seventies style dancing from the older members of our Birmingham audience is not the way I expected Patrick to get the ball rolling, but comedy is all about new experiences, and we were clearly there to learn. The hour (and the rest) itself is a personal and honest account of the comedian’s experiences as a young boy growing up in Iran in the 1970s, with heavy influences from the world of dance, of course, as this appears to be Patrick’s speciality.

I was born in the late 1990s and it’s fair to say that I know very little of what went on in the 70s (or even the 80s and 90s for that matter) other than the obvious pop culture stereotypes and a brief understanding of international tensions at the time. Diverse, to say the least. But not only were us younger audience members (or “the children” as we were referred to) able to learn a little more about what living in the 1970s was like for many, we were also invited to be a part of the discussion, which resulted in many laughs and a unified feel in the room. Forgetting, possibly, that the house lights were up for the entirety of the show, Monahan nurtured and maintained a friendly, sociable atmosphere. Even if that meant unknowingly encroaching on regional banter with innocent questions like “which is nicer, Worcester or Wolverhampton?”.

Patrick Monahan is a truly charming comic who exhibits great care for his audiences as well as for the quality of his craft, making his show one of the most enjoyable and uplifting experiences to be had at the Fringe.

Patrick Monahan is currently performing his show The Disco Years at the Edinburgh Festival.

SEVEN QUESTIONS WITH… PATRICK MONAHAN

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Jonny Awsum: Everything Is Awsum, Edinburgh Preview

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Jonny AwsumThere’s something inspiring about attending a comedy show, which you have no prior information about other than a name, and discovering something quite remarkable. Witnessing a preview of Jonny Awsum’s second musical stand up show (at the MAC in Birmingham, of course) was certainly a unique experience, with the comic bringing boxes of mysterious objects on stage which were to be used throughout the hour, starting with three audience members on the front row who were supplied with plastic silver trumpets.

It is really no surprise that a large portion of his comedy work is in the form of being the ‘warm-up guy,’ or Hype Man as it is apparently called, for the energy Jonny managed to summon from a mixed-aged Thursday night crowd in Birmingham was admirable. One reason for the sustained high-octane feel of the show was that the audience as a whole were called to action regularly, whether that be to cheer performers on in their harmonica solos, shout back obscenities, or simply hum along to songs. Just because some of us weren’t picked on, it doesn’t mean that we weren’t a crucial part of the show.

The most applaudable aspect of Jonny Awsum’s performance was that no audience member was ever the butt of the joke, which made for unexpectedly enjoyable audience participation. Jonny enabled us to create something fantastic as a group and it unified us all as one; I chatted to people I’d never have mixed with in my daily life due to age and general background and that is a testament to this comedian’s positive attitude and the uplifting nature of his show as a whole.

Jonny Awsum’s latest musical extravaganza is magnificent: exciting and skilfully crafted. It seemed as though he didn’t even need to be doing previews at this point in late July, but the crowd were certainly pleased that he was. Musical, interactive comedy is not my preferred style of entertainment, but this show made it felt like it could be.

Jonny Awsum is currently performing his show Everything Is Awsum at the Edinburgh Festival.

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Edinburgh Preview: Gavin Webster – The Sexist’s Sexist

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2015GAVINWE-SU-300Gavin Webster is a comedian I have very much looked forward to seeing in the flesh, having made him my Comedian Of The Month last August. I finally managed to catch a preview of this high-energy Geordie comic’s latest show The Sexist’s Sexist at the MAC in Birmingham.

Gavin begins with his tried and tested material; clearly the comic’s safety net of top-quality, trustworthy gags. From the early stages of the show, Webster showed an obvious competency, coming across as a man who gets the job done and gets it done well. He exudes natural charm and a genuine warmth, which came across progressively strongly as the hour passed by and references to friends and family were made, such as his late dad’s blunt life advice, which was a profound moment to say the least.

The Sexist’s Sexist is not what it may first appear from studying the poster or name alone: it is a well-crafted, personal hour which showcases Webster’s story-telling skills and admirable casual confidence. Talking of his delight at being crowned Comedian’s Comedian on Christmas Eve last year, Gavin demonstrated to us all why he received the award in the first place; not only is he a lovely guy but he also clearly understands his creative responsibilities as a stand up. He expertly toes the line between comfort and danger, teasing us with elements of the two.

Gavin Webster’s latest show is a satisfying blend of home comforts and absurdist anecdotes, making him one to watch at this year’s Edinburgh Festival.

Gavin Webster is currently performing his show The Sexist’s Sexist at the Edinburgh Festival.

SEVEN QUESTIONS WITH… GAVIN WEBSTER

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Edinburgh Preview: Alfie Moore – A Fair Cop Stands Up

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Alfie Moore-Tony BriggsIf you like your comedy shows to also be an educational experience, then Alfie Moore’s latest stand up hour A Fair Cop Stands Up may just be the show for you. Drawing upon his many years of experience as a policeman in Scunthorpe, Moore embarks on an hour of insightful observations and hilarious hypothetical problem solving. I caught a preview of the show at Birmingham’s MAC.

Alfie Moore arrived onstage armed with an abundance of facts and statistics which he delivered throughout the hour, using them as a springboard for jokes and anecdotes. There were occasional breathtaking moments of bitter sarcasm that gave the whole show a darker edge, such as Moore’s interjection regarding minority groups in the force: “we don’t allow people who are colourblind into the police force as they wouldn’t know who to stop search”. Other elements, however, remained endearing with the comic’s obvious nice character shining through, which served as an intriguing contrast against the shocking ironies of some of his lines.

Here we have a stand up who undeniably cares for his craft a great deal and the hours of work behind the material showed in the pages of notes he flicked through between segments. It felt at times that he was perhaps a little too eager to generalise ‘the public’ and our likes and dislikes, maybe this is a policeman’s trait, with some observational assumptions sneaking in as Alfie tried to tie his material together into a definitive narrative. I’m sure this is something he can work on over the coming weeks as the final parts of the show come together; it’s just a case of fine-tuning now.

Alfie Moore is currently performing preview shows of A Fair Cop Stands Up across the UK and will be taking the completed show to Edinburgh in August.

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Edinburgh Preview: Rob Rouse

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Rob Rouse

© Andy Hollingworth

Rob Rouse is a name I knew, but a face I did not, so it was great to finally be able to put a face to the name of this rising star in stand up comedy, at one of the Edinbrum Preview nights at the MAC in Birmingham.

Rob’s energy is consistently intense for the duration of his time on stage, perhaps reflecting who he is as a person. The general enthusiasm he presents his show with is admirable and would probably have been enough to see him through even if his material was sub-standard. But, of course this wasn’t the case and Rob’s delivery merely served to enhance what is already a well crafted, and satisfyingly personal hour, with material about his ‘wife’ and two young children, as well as delving (perhaps a little too far) into the details of his own health and recent visits to the doctor.

Throughout the show, especially towards the end, it appeared that a lot of what was being said was entirely impulsive, with Rouse bouncing off the audience as well as exploring his own ideas within the written show a little further. He showed skill in his noticing of which parts got the best reaction and running further with them, persistently driving ideas through to, and often past, their apparent conclusions, in order to get the most out of his material. Not only does this show great artistic bravery as a performer, it also allowed Rouse to demonstrate what an able storyteller he is, often delivering hilarious anecdotes that didn’t necessarily need any punch lines as such. The look in his eyes told us he couldn’t quite believe this untested, spontaneous material was going so well, which only added to the enjoyable element of comedic danger present in the room.

This hyperactive evening of comedy was greatly enjoyed by Rob’s audience and certainly, it was clear, by the comedian himself. It will be interesting to compare the end product of this show to the inner workings we were able to see.

Rob Rouse will soon be performing his new show across the UK.

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Edinburgh Preview: Angela Barnes: Come As You Are

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Angela BarnesAngela Barnes is a name I have followed for quite a while now, and I’ve even interviewed her, but only recently found the opportunity to see her perform live at the MAC in Birmingham: a preview of her second stand up show, Come As You Are.

Things have been changing for Angela in recent times. She has found love, had various strange health hiccups and her friends have all started having children. And though she is keen to share all that she has learned with her audiences, it is clear that her adventures and successes career-wise have not gone to her head. Her general demeanour on stage is very approachable and friendly, which made the whole affair feel a little like a lovely, small village meeting rather than a stand up show, particularly as a result of the decision to abandon the microphone early on.

The show itself oozed competence and natural flair, despite it being a work-in-progress with infrequent pauses and note scribbling (which was of course to be expected). The content fitted together well and it felt as though we, as an audience, left feeling like more of a collective, such is the relatability of Angela’s material.

This new hour contains multiple incredibly dark elements (a sick reference to Nigella Lawson here, an anecdote about a lonely pensioner there) which seem to crop up out of nowhere and really lifted the whole experience to a new level. Often following up her delightfully grim comments with questions like “was that too dark?” as though that’s a bad thing makes me worry that Angela might actually remove them from the show, but I greatly hope that she keeps them in. I’d argue that there’s still room for her to add more.

Angela Barnes is currently performing preview shows of Come As You Are across the UK and will be taking the completed show to Edinburgh in August.

SEVEN QUESTIONS WITH ANGELA BARNES

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Edinburgh Preview: Paul Kerensa – Back To The Futon Part II

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In theming his show around the cult film Back To The Future and its two sequels, it was clear from the outset that Paul Kerensa’s performance at the MAC in Birmingham was going to be an interesting experience, particularly as someone with a limited recollection of the trilogy other than the obvious standout features (aka time travel and hoverboards).

This comedian has an openness which borders on vulnerability on stage, meaning that he appears to be very approachable and is immediately liked by his audiences. Kerensa used his interpersonal skills to ensure that this somewhat niche topic did not alienate any member of the audience. Over the hour, he managed to make the subject matter accessible by all, using Marty McFly’s adventures as a springboard for more relatable material.

Paul Kerensa

There was an unavoidable sense of nostalgia throughout the proceedings, with Paul clearly differentiating between his experiences at the Edinburgh Festival in 2006 performing Back To The Futon (part one) and where he finds himself now, having since married and had two children. The show itself is ambitious as Kerensa experiments with technology to create a homemade time machine, which seemed to still be in relatively early stages of production (understandable, of course, when you consider the difficulties of combining pre-recorded video with live stand up comedy).

The show was imperfect, but it was a preview after all and the flaws in the production helped maintain the friendly atmosphere that James Acaster had established an hour earlier. I have no doubt that the finished product will delight Back To The Future fans and general comedy enthusiasts in equal measures.

Paul Kerensa is currently performing preview shows across the UK and will be taking the completed show to Edinburgh in August.

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Edinburgh Preview: James Acaster – Represent

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James AcasterJames Acaster is quite undoubtedly one of the strangest stand up comedians currently working on the circuit in a way that truly delights any audience who is accustomed to seeing a more regular stand up style. Arriving on stage at the MAC in Birmingham to the sound of To Be a Pilgrim and remaining silent for an uncomfortably long period time, Acaster immediately proved his commanding presence.

What is most remarkable about this comic is his ability to craft a (presumably) entirely fictional story from a few disparate elements. He conceals his observations in make-believe anecdotes, such as eating fortune cookies in the cinema, which gave the show an otherworldly feel despite the events and people within the stories being regular, everyday and (predominantly) earth-based. The personalities in the stories are varied and detailed, and even the specific elements of “celebrity gossip” James includes are unusual to say the least.

He’s a very physical performer, often meaning that he doesn’t always need words at all, his gestures and facial expressions are enough to force laughter from everyone. The constant, erratic movements gave the show an unpredictable feel and James’ intentional jitteriness was reflected in his material as well; he was able to throw in spontaneous lines throughout so much so that some of the funniest moments were completely impulsive ones.

It is easy to see how well-rounded and effective this show will be when it reaches a stage nearer completion, but the amount of love in the room for James was clear and his preview was better than some completed shows I’ve seen in the past. The levels of self-depreciation were somewhat disappointing seeing as James is clearly such a capable performer, but this provided humour nonetheless.  And as an audience, of course, it was nice to be commended for being “useful”.

James Acaster is currently performing preview shows of Represent across the UK and will be taking the completed show to Edinburgh in August.

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Review: Bramall Comedy Night, David Morgan, James Dowdeswell & Adam Kay

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This week welcomed the sixth instalment of the University of Birmingham’s comedy night with David Morgan, James Dowdeswell and Adam Kay performing.

David MorganDavid Morgan was the night’s compère and also happens to come from Birmingham himself (if Solihull counts). He effortlessly cracked the formal atmosphere that such a beautiful music hall inevitably brings with his un-floundering energy and cheeky conversational style. Morgan expertly intertwined humorous personal stories into his interactions with the audience, which ensured his performance didn’t come across as forced which is an obvious obstacle for many MCs. His set was diverse but he tied all the threads together well, talking about his family, childhood and the prospect him and his boyfriend having children themselves one day.

Next was James Dowdeswell, who also showed that he is comfortable talking to an audience and incorporating those interactions into his comedy. With mannerisms that reminded me of Hugh Dennis, Dowdeswell reminisced of the time he met Stephen Fry, which gave him the opportunity to showcase his uncanny impersonation of him. As his set progressed it became clear that this comedian is rather accomplished at performing accents, which definitely enhanced his funny anecdotes about his hometown and experiences of mugging.

Adam KayAdam Kay, who co-wrote Crims, is not someone I had previously associated with stand up comedy, but I have since learned that he is quite a fantastic musical comic. His demeanour on stage is considerably sinister and, beginning with his darkest material, he certainly set the tone for some distasteful comedy that wicked people like me thrive on. Kay adapts many pop songs: adding new lyrics to develop wacky concepts with the chorus often becoming the ‘punchline’ to the core joke. In this sense, these musical interludes feel a little like stand-alone one-liners, but Adam’s clear aptitude for playing the piano was refreshing enough to avoid the occasional stale atmosphere that one-liners can build.

And so, another wonderful comedy night at the University of Birmingham drew to a close and I am already looking forward to the next event in May.

BRAMALL COMEDY NIGHT: MARCH 2015