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Review: Ricky Gervais – Humanity

March 13, 2017 by Becca Moody Leave a Comment

Ricky Gervais embarks on his first live tour in seven years, and with David Brent: Life On The Road being released in cinemas last summer, fans have been more eager than ever to hear more from the brain behind one of Britain’s most iconic sitcoms.

But first, audiences are treated to another familiar face from Life On The Road: Doc Brown. In the film, Doc plays rapper Dom Johnson who joins Brent on tour, and he also starred alongside the sales rep in the Comic Relief single Equality Street back in 2013. On stage however, Doc Brown is far more outspoken than his film counterpart. He has an air of refreshing calm in front of a crowd, yet is easily agitated and eager to justify his reasoning for having various hangups about his life.

Doc Brown gives off the impression of being a young spirit forced to live the life of a middle-aged man. Although presenting himself as a ‘nice guy’, a caring and socially involved person, there is humour in the resentment he feels regarding modern day responsibilities, particularly since he became a family man. Later, we are even treated to a rap, which, quite frankly, is what most of us had been most looking forward to.

When Ricky Gervais walks onto stage, he brings a buzz with him. He’s a 55 year old man in a black t shirt and jeans, sipping from a can of beer, but something about his demeanour makes him magnetising. The theme of the show is, unsurprisingly, humankind, and within this Gervais is able to explore topics such as evolution and speciesism. More specifically too, Ricky directs his fiery critical analysis onto particular aspects of celebrity culture and, later on, his concerns regarding bringing a child into the world given the current social climate.

As writer E. B. White famously said, ‘Analysing humour is like dissecting a frog…’. The long and short of it is that the frog inevitably dies. Gervais, on some scale, sets about to prove that this is not the case. Ricky uses his platform to explain the reasoning behind aspects of his comedy that have previously been met with heavy criticism and heated debate, but certainly not in an apologist sense.

Ricky Gervais: Humanity

Gervais is well aware that his close-to-the-mark quips have been incredibly divisive in the past, from his Mel Gibson remark at the Golden Globes in 2010, to recent comments about Caitlyn Jenner’s realignment surgery and car crash in 2015 which resulted in the death of a woman. The latter incident, and Ricky’s bulletproof defence of his joke, features heavily in the show.

While admitting to his own faults and explaining where he has gone wrong in the past by causing genuine offence that he had not intended, Ricky proposes that often those who are offended by his material have merely misunderstood his point, or the issue he is discussing. He, like many of us, often despairs at 21st century society, as we are stifled by political correctness. Ricky criticises ineffective, emotive debate about things that only offend us because they’re about something we care about, as opposed to all the other offensive things that are happening in our world today, through exploring complex social issues like ‘dead naming’ and its links to transphobia.

But what I find most value in within Gervais’ comedy, despite the ingenuity of his reasoning and hilarity in the way he points the finger and laughs at himself, is that this comedian talks about the things that he loves and the people that mean most to him, as though his audience is being invited to a family get-together. There is something so endearingly pure about Ricky Gervais’ comedy. It shines through most in his material about his love for animals. It is with this topic that he starts the show and also how he ends it. His pleas with the audience to educate themselves on worldwide instances of animal cruelty (such as the Yulin Dog Festival) and charities that are working to bring these practices to an end is particularly poignant. Ricky has even chosen to donate all extra profit from the premium tickets sold for the Cardiff leg of the tour to Macmillan Cancer Support and The RSPCA.

Ricky Gervais is so humble, and yet he is a classic. Make sure to check your local tour venue for remaining tickets for the Humanity tour, as Gervais is back in full force.

DAVID BRENT: LIFE ON THE ROAD

Posted in: Comedians, Live Comedy, Reviews Tagged: British Comedy, Comedy, Doc Brown, Humanity, Ricky Gervais

Crackanory Series 4 Preview

January 25, 2017 by Becca Moody Leave a Comment

The latest series of the ever-popular, dark anthology series Crackanory is looming. Here is quick preview of the latest set of episodes, to give you an idea of what sinister gems this new series has to offer, in time for January 30th, when the series begins on Dave.

The first episode in the series, entitled A Close Slave, is written by Tony Way. Dara O’Briain narrates the story of a playwright in ancient Rome, who is aided by his helpful slave when suffering from a particularly troublesome bout of writer’s block. Way presents viewers with an interesting blend of uneasy politics and delightful silliness, with the addition of various pieces of historical trivia on top. The drama levels are high as there is certainly a lot for our young protagonist to lose here. But as long as he writes the perfect ending, everything should go smoothly, right?

Living With A Lie, written by Nico Tatarowicz and performed by Sheridan Smith, follows the turbulent experiences of office worker Russell as he struggles to write his first novel. This story is one of lies and false impressions, with Russell’s fictional and genuinely disturbing ‘Aunt Janet’ making an unwelcome appearance across all aspects of his personal and professional life. The writing in this episode is particularly beautiful, with Tatarowicz’s use of metaphor making for poetic storytelling; the kind of writing that inspires others to write. And not only this, Steve Oram stars as Russell’s unsupportive manager Phil. This is definitely a highlight of the new series.

Crackanory S4 – Episode 3 – Bob Mortimer – The Despot of Tea

Bob Mortimer narrates the third episode in the series, Arnold Widdowson’s The Despot Of Tea, and his trademark matter-of-fact delivery shines through in this tale of Geoff, who becomes an unintentional propaganda icon when his acting career takes a surprise turn. This somewhat uneasy tale follows Geoff as he travels to a former Soviet state for of an acting job, only to find out that he has been recruited by the country’s president Alexei to get the nation’s people back on side. If this twisting thrill-ride of a story wasn’t enough for you, it’s worth watching just to hear Mortimer say Sir Slurpington-Boots.

The Frankenstein-esque The Survivor is a delightfully unsettling piece of television. Written by Alex Kirk and narrated by Anna Friel, this tale recounts the difficult discoveries made by Thomas, who awakes in a strange house in the middle of the countryside to the news that his parents have died. He is bed-bound and helpless, pined over more like a family pet than a patient. Nothing is as it seems in the warped, dystopian world Thomas finds himself in, and viewers are kept guessing right up to the very last scene.

Episode five, Proxy Lady, features Mel Giedroyc’s recognisable, playful delivery that is pleasingly blunt in parts. Mel introduces us to 27 year old Beth, a miserable hotel worker who’s life becomes infinitely more interesting when she receives an ominous email from a woman named Greta (House of Fool‘s Ellie White). There is certainly something sick and twisted about the behaviour of the characters from the offset, but an unusual development is that it appears to be Beth who is the heartless one, rather than the mysterious loner she has dealings with.

Crackanory S4 – Episode 5 – Mel Giedroyc – Proxy Lady

Devil’s Haircut is written by Sarah Morgan and narrated by the ‘cool kid’ of comedy Doc Brown. It is a tale of ‘four white men in waistcoats singing stolen slave songs.’ Well, that’s what the sultry and mysterious Lil (Sophia Di Martino) claims a barbershop quartet is, and our protagonist, Spencer, happens to be a part of said barbershop quartet. Seduced by Lil’s red lipstick and intense gaze, the singer finds himself implicated in a pact that he had not intended to get involved in, with the love of his life suddenly becoming a source of great fear.

The Office‘s Mackenzie Crook narrates The Disappearance, written by Toby Davies. This is a story of misdirection, one that explores the border between magic and madness, pushing it to its absolute boundaries until, inevitably, something has to break. This episode is pacy and impactful, with an air of The Prestige about it. It features Dominic Coleman as Solomon the successful magician whose love for the craft, family relations and sanity begin to crumble around him.

And finally comes the final episode in the series: Pickled, written by Kevin Eldon and narrated by Miriam Margolyes. This tale begins with a close look at Benedict, a man who goes from riches to rags as his extravagant lifestyle catches up with him. Benedict’s life is in tatters around him, entirely of his own doing. Add a haunted house to the mix and it looks likes things aren’t going to be looking up anytime soon for our poor protagonist. Margolyes’ storytelling is fantastic and dramatic here; perfect for portraying the tense relationship that develops between Benedict and the ghostly old man he meets in the abandoned house.

This latest series of Crackanory perfectly epitomises what the art of entertaining storytelling is all about. The narrators are well-chosen and each story is innovative and unpredictable; definitely worth a watch. Crackanory series 4 begins on Monday 30th January at 10pm on Dave.

Posted in: Comedians, Previews, Television Shows Tagged: Bob Mortimer, British Comedy, Comedy, Crackanory, Dara O'Briain, Doc Brown, Dominic Coleman, Ellie White, Kevin Eldon, Mackenzie Crook, Mel Giedroyc, Nico Tatarowicz, Sophia Di Martino, Tony Way
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