TV Review: Big School, Series 2

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Big School is a British Sitcom that began last year and was highly successful and incredibly popular. It has a common set up, being set in a regular secondary school, but the two main roles are filled by the nation’s sweethearts, and comedy legends, Catherine Tate and David Walliams. The double act is striking because it blends two of the biggest comic actors from when I was very young, and I wouldn’t necessarily have thought they could work so well together. But, God, do they.

We all know that Walliams is a brilliant character actor from his memorable performances in Little Britain, but here he plays a character I have never seen him attempt before. Socially inept and shockingly childish, Mr Church is a Chemistry teacher at Greybridge School. Upon the arrival of the new French teacher, Miss Postern (Tate), Church falls head over heels in love and makes it his mission to sweep her off her feet.

Tate and Walliams’ personalities bounce off each other fluently and with great ease. They compliment one another with their quick, abrasive dialogue and clearly find each other utterly hilarious. Their obvious compatibility makes this programme a very easy and enjoyable one to watch, with the help of Philip Glenister’s role of PE teacher, Mr Gunn. Trevor Gunn is painfully dense but also very likeable. He has a fantastic screen presence, and a certain vulnerability that makes him very endearing.

Another stand out performance is that of Frances de la Tour, who plays the role of Ms Baron, the abhorrent but hysterically funny headmistress of Greybridge. Her character is similar to that of Michelle Gomez’s Sue White in Green Wing but a little less insane, and significantly more hateful. Morgana Robinson pleasantly surprised us all with a guest appearance in one episode as Miss Postern’s school ‘friend’ turned novelist who seems somewhat more successful than the French teacher herself, much to Postern’s disgust.

The only criticism I have of this show regards a very minor detail, and that is the role of the school children at Greybridge. Individually they are all wonderful actors, of course, they wouldn’t be there otherwise, but the way the school acts as a collective seems abnormal to me- though this may be because I spend most of my life at school. And then again, Greybridge isn’t an entirely normal school, so maybe that’s just me being too rational: something that Big School definitely is not! You will have to make your own judgements in that case, and that can only be done by catching up with the whole series on BBC iPlayer.

Stand & Deliver

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In June 2014, a proposed magazine finally became a confirmed project as Stand & Deliver’s KickStarter campaign proved to be a huge success. Enough people (including myself) had pledged a donation towards the printing of the magazine’s first edition so the making and distributing of this beautiful product could get underway.

Stand & Deliver aims to fill the gap in the market for the comedy nerds of the world. It combines comedy, journalism, art and photography into one stunning package and I’m sure (well, I hope) that that is an exciting prospect for any reader of this site. One of the main reasons I supported this project was because the sheer amount of care, love and passion gone into it was painfully apparent. Seeing another person’s passion for what is most important to them in life will always, in turn, spark interest from me: I’m a big fan of hard work and effort.

stand & deliver

A page dedicated to all of Stand & Deliver’s supporters

As well as this, the magazine promises contributions from many of my favourite comedians and artists including Tony Law and Dave Brown in the first edition. I even spotted an article from last month’s Comedian Of The Month, Gavin Webster. That article in particular was of great interest to me, and really summed up what Stand & Deliver Magazine seems to be about: doing things for the love of doing them, namely: for the love of comedy.

Not only is the content of Stand & Deliver magazine made with care and innovation, the physicality of it is also of magnificent quality. The paper is strong and there’s so much of it that it’s more of a book than a magazine, and who doesn’t love a good book? Having read the first edition from cover to cover, I have already learned so much about obscure things like foreign comedy circuits, opinions on hecklers and my favourite: the Machynlleth Comedy Festival.

And finally, I would like to applaud the people at Stand & Deliver for their insanely hard work and can’t wait for next month’s copy to arrive! You can pick up your copy of the magazine here.

Top 5 Moments… The IT Crowd

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The IT Crowd ran between the years 2006 and 2010 for four series (with one special finale episode in September 2013). With it being such a well-known and loved British sitcom, jam-packed with such immense comedy talent, I thought it would be a nice idea to present to you my top five moments from all of the twenty five episodes.

5) A Suicide at Reynholm Industries (Series 2, Episode 2)

Denholm Reynholm, played by the infamous Chris Morris, was the original head of Reynholm industries until one fateful day during series two of the show. Everybody already knew that Denholm was prone to getting a bit hot under the collar, with frequent moody stares and bellowing fits, so we shouldn’t really have been too surprised to see his latest smart move. Upon being interrupted in a meeting to be told that the police want to look into some “financial irregularities” in the industry’s accounts, he promptly gets up and jumps out of the window, falling quickly to his death. The promptness and simplicity of this will always make this funny for me, and it was the perfect way for the talent that is Morris to leave the show (though it’s a shame he had to).

4) Roy and his Disabled Legs (Series 2, Episode 1)

During a work outing to the theatre with Moss, Jen and Jen’s new boyfriend, Roy and Moss encounter a dreaded toilet attendant so are forced to visit the disabled toilets instead. Roy quickly regrets this decision when he mistakingly pulls the emergency cord rather than the toilet chain and is bombarded with theatre staff thinking he is in a crisis. In typical IT Crowd style, of course Roy pretends he is disabled and has, in fact, had his wheelchair stolen. He informs the staff that he is disabled “in the legs” and the reason for this is “acid”, and of course, that makes perfect sense to them and they try to help him in every way they can…

3) That’s Right, We’re Looking at You (Series 3, Episode 6)

Roy is sent to do something that a man from IT is very rarely sent to do: go and fix something IT-related. While he is there, he notices a framed picture on a girl’s desk. The picture shows a young man looking “absolutely mental” in Roy’s opinion. This is because the man is boss-eyed. In a rapid string of strange events, Roy ends up directing a “geek” calendar in order to raise money for the charity and he rakes in all of his nerd friends in to help.

2) Goth 2 Boss (Series 4, Episode 6)

When Douglas Reynholm’s wife, Victoria, returns and demands a divorce, with significant monetary payouts, he realises that he is going to need a lawyer. And who better to represent Douglas than IT Relationship Manager, Jen? (She knows about relationships, right?). So Jen is stuck trying to form some kind of defence for Douglas and is rapidly running out of ideas; that is until Richmond, renowned socially-rejected goth at Reynholm Industries, steps up with his fantastic “Goth 2 Boss” related reason for why Victoria is a fraud. Unfortunately, and typically, Richmond turns out to be mistaken but we still get remarkable insight into his new business venture.

1) She’s Dead! (Series 1, Episode 5)

When Moss is left to tell a little white lie to Jen’s new boyfriend, Bill Crouse (Adam Buxton), regarding why Jen wasn’t at the office at that present time, he accidentally blurts out that she has, in fact, died. As the lies spiral out of control, Bill continues to see Jen walking around the building (because, believe it or not, she isn’t actually dead). The circumstances are painfully poised to convince the poor man that he is being haunted by the ghost of his past lover, and he becomes increasingly terrified throughout the episode:

https://www.youtube.com/watch?v=RZowBasLBFk

What is your favourite IT Crowd moment of all time? Let me know in the comments, or by tweeting me at @moodycomedy.

TV Review: Noel Fielding’s Luxury Comedy, Series 2

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I wrote a post towards the end of July reflecting on the first episode of Noel Fielding’s Luxury Comedy: Tales from Painted Hawaii (series two) but this series has been so dense with artistic talent and clear passion, that I couldn’t possibly not revisit it after all five episodes.

It’s no secret that I am a massive fan of Noel Fielding and his work, so was obviously hugely excited that the long-anticipated second series had finally arrived. These episodes have taken a long time to produce because they are one of a kind; the process of making them seems to be more rigorous than that of various other Sitcom style shows. Love Luxury Comedy or hate it, it is impossible to deny that the makers of this show have presented their audience with great innovation: with the bright and complex animation from Nigel Coan; an eccentric soundtrack from Fielding and Kasabian‘s Serge Pizzorno; along with brilliantly intricate set and costume design from James Dillon and Ameena Kara Callender.

As well as the obvious beauty and detail involved in the visuals of Luxury Comedy, the stories are also packed full of references to art and literary culture such as Andy Warhol (of course), George Orwell and Yoko Ono. This alone is proof for me that the makers of Luxury Comedy have not been lazy during the creative process: every scene is punchy, a little bit mad, but also intelligent.

Reality Man

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Watchers of series one who weren’t impressed may be pleased to know that this series is a lot more relatable for audiences, with occasional cynical statements that can catch you off guard.

Smooth: “What do you do to escape?”

Reality Man: “Panel shows. What’s funnier than five men in shiny shirts taking a side-ways look at the week’s news?”

In this way, I think this series is a lot more self-aware, in fact, one episode even focuses on the idea of the show only having one viewer (a Brummie named Terry, played by Steve Oram) and the fact that they must save him from certain death.

In addition to the lovely Noel, the show is full of immense comedic talents such as his Mighty Boosh co-stars (Dave Brown, Rich Fulcher, Richard Ayoade, Simon Farnaby and Tom Meeten) and of course, the delightful star of Doll & Em: Dolly Wells and Tom Meeten’s partner-in-crime: Steve Oram (Sightseers).

I would have to say that this programme is probably one of my favourites to ever appear on television, particularly this new series. It appeals to all of my interests: comedy, music and art (and Noel Fielding of course) but most importantly of all: Luxury Comedy is a source of inspiration to me. Every aspect screams quality and I sincerely hope the show and its creators flourish in the coming months as a result.

The whole of Noel Fielding’s Luxury Comedy: Tales From Painted Hawaii is available on 4OD.

Garth Marenghi’s Darkplace, Revisited: S1E6, The Creeping Moss From The Shores Of Shuggoth

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Episode: The Creeping Moss From The Shores Of Shuggoth

Air Date: 3 March 2004

Summary: Another mist has appeared over Darkplace but this time, it’s green! On this occasion, it gets through the air vents and the result is a young woman named Linda getting infected and turning into cosmic broccoli (of course). Unfortunately for Sanchez, he falls in love with Linda, who is now terminally ill, and this even results in him contracting the broccoli disease (much like an STD) and has to have emergency surgery. This episode is not only a commentary on the issues of AIDs in the world, but is also a story of love and loss.

broccoli

What Else? More new music is played in this episode such as Matt Berry’s song: One Track Lover which features some wonderful rapping from Thornton Reed. Somehow, the tapes that contained a part of the programme have been destroyed (under mysterious circumstances) which means that these must be explained through the use of photos of the events and a commentary from Dagless. There is also a brilliant and entirely not un-realistic fight scene between Dag and Sanchez.

Quote of the Episode:

Thornton Reed: “When I heard my wife died, I could barely finish my lunch.”

Familiar Faces: Julian Barratt appears for a third and final time as the priest. We also see Graham Linehan as a member of hospital staff and Kim Noble as a barman (as well as his usual role of Doctor Jim).

THE END:

So, that is the end of my revisit to Garth Marenghi’s Darkplace. I hope you enjoyed reading about them and maybe hearing about them for the first time (or just remembering how much you loved the show in the first place!).

THE REVISITED SERIES

Seven Questions With… Angela Barnes

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Angela Barnes is a brilliant comedian who takes usually unnoticed everyday situations and effortlessly turns them on their head; she is unique, quick-witted and most importantly: brave. With appearances on Russell Howard’s Good News and, more recently, Mock The Week, Angela has shown an array of strong and diverse material to fit any occasion (maybe not a funeral, but we can’t have it all). Her comedy is relatable, silly, and therefore, absolutely wonderful.
To learn a little more about the person behind the comedy, I asked Angela these seven questions…

1) What inanimate object best describes you?

I think a 4-colour biro best describes me. I always use a 4 colour-biro, so my writing will match my mood.  So, maybe I am a biro with just 4 colours: Red – happy, black – sad, blue – angry, green-mental.

Yep, that about covers it.

2) What is the first thing you notice about new people?

Whether they have a face. Or, at least, I reckon I’d definitely notice if they didn’t, so…

3) Is there a certain subject that you would never write material about?

At the moment, I won’t do any material about my previous working life. That’s mainly because I am a pessimist, and am certain that this comedy lark will almost certainly go tits up, and I will have to go back to doing what I used to do. I’m not going to risk my chances of getting a job by writing gags about it.

4) What’s the most recent thing you’ve done that was really stupid?

I was walking through town the other day, and a homeless gentleman was approaching me. I tried to work out how to get away from him, what excuse to give him for not giving him any money. I avoided eye contact and barged past him, but he followed me. I sped up, so did he, I was feeling uncomfortable. Then he caught up, tapped me on shoulder and said “sorry love, your flies are undone, thought you’d want to know”.  He was just being nice. i gave him a fiver and berated myself for being a self-important twat.

5) Which season of the year is your least favourite?

I think my least favourite season is whichever season I am currently in. I always think I love summer, but then I remember hay fever and sunburn. I burn stupidly easy. I was complaining to my Mum about having to plaster myself in F50, she said  “well you redheads do burn easily don’t you”.  Might surprise you, but this is not my natural hair colour. It is nobody’s natural hair colour. I said, “yes Mum, you’re right, when I got my hair dyed, it was a mistake getting the matching skin graft”.

My hay fever starts in February and lasts til October. My doctor gave me a new nasal spray, it works, but it genuinely smells of flowers. Thanks for that Doc, if I had a peanut allergy, I’d want my lifesaving adrenaline shot to smell of sun pat wouldn’t I?

Then I think I like winter, Christmas lights, mulled wine, woolly tights. Then I remember that being cold sucks, and that in my job, I often have to stand on train platforms at silly times of night in the middle of nowhere. I remember how much I miss light, how much I hate snow, and then winter loses its appeal too.

I used to think I had Seasonal Affective Disorder, but now I think I might just be a miserable arse. Yes that’s it.

6) What animal would you most like to be?

angela barnesI’d most like to be a donkey. There are not many people who don’t like donkeys. Apparently, so many old people leave money to donkey sanctuaries in their wills, that they don’t know how to spend it all. Spend my days grazing on a sweet pasture, with top of the range hay and a pimped up stable, thanks to some spinster who hated her family. That sounds like a good life to me.

Also, donkeys know what’s what. In Animal Farm (not that one, the Orwell), Benjamin the donkey gets what’s going on before any of the other animals.  Eeyore in Winnie The Pooh knows that life is essentially shit, and you have to make the best of it.

I guess I’m just a good old fashioned pessimist. I wouldn’t have it any other way, when you always expect the worst, you can’t be disappointed.

7) What is the best thing that has come out of being a comedian for you?

I’m going to try really hard not to sound wanky here, but no promises.  I wanted to be a comedian for as long as I remember, but I thought it was something that the cool, confident kids did. The realisation that comedy is a perfect creative outlet for those of us that have never felt like we belonged properly was an immense thing.

I can be me, albeit a sometimes exaggerated version of me, and it doesn’t matter that I’m not the prettiest girl, or the thinnest girl, or the coolest girl, people still want to hear what I say (sometimes). And finding that out was the best feeling in the world.

I can’t believe that someone like me is allowed to do this. And get paid for it.

For more information on Angela’s latest shows check out her website, or her Twitter at @AngelaBarnes.

SEVEN QUESTIONS WITH…

August: Comedian Of The Month #7, Gavin Webster

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Each Comedian of the Month on MoodyComedy is a comic who has never previously featured on the website. Reasons for selection can include various current projects the comedian is involved with, or perhaps recent appearances on television programmes or podcasts. There is no strict criteria however, as Comedian of the Month simply stands as a collection of recommendations, highlighting interesting and original aspects of certain comedians and their work.

With August being the month of the Edinburgh Festival, even those of us stuck at home have been introduced to many new comedians through various television and radio shows covering events there. This month’s favourite comedian discovery, Gavin Webster, was one of those who was lucky enough to be able to perform on the TV show, Edinburgh Nights with Sue Perkins, and he did a very good job of it too.

What I liked about watching Gavin Webster’s short set on this Edinburgh variety-style show was the way it had elements to suggest imminent derailment. Webster showed an interesting blend of comfort and mild danger, with a deceptively nonchalant delivery and carefree nature.

In this way, his style is similar to that of Tony Law: he gives the appearance of chaos whilst remaining entirely in control. The audience is lead to believe that he has run out of ideas or that the show hasn’t gone to plan. A mere few minutes into his Edinburgh Nights set, he announced: “I’m beginning to run out of material now,” which is the kind of thing that gets a big laugh but leaves an intriguing sense of anxiety in the air.

https://www.youtube.com/watch?v=QGEngpLiQ6g

Webster is automatically likeable; he is a Geordie man of the people. His accent is wonderful (his own, and his impersonations) and he seems like a genuinely nice guy on stage: relatable and approachable.

Coincidentally, upon deciding that Gavin Webster was to be this month’s Comedian of the Month, my copy of the first edition of Stand & Deliver Mag (a post about of that will be up in the coming weeks) arrived with an article written by him within it. He wrote a brilliant piece about the roles within stand up comedy in today’s society and talked with true passion about a subject close to many of our hearts: genuine, clever comedy. Here, in 2014, we are surrounded by countless comedians: on television, in pubs, at art centres. Some, we follow on Twitter and others we pass in the street. They are everywhere and that is a fantastic thing but it is important that the passion and care for comedy by performers and audiences alike is kept alive.

For more information, visit Gavin Webster’s website and follow him on Twitter.

JULY COMEDIAN OF THE MONTH

Garth Marenghi’s Darkplace, Revisited: S1E5, Scotch Mist

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Episode: Scotch Mist

Air Date: 26 February 2004

Summary: This episode really sums up what Garth Marenghi’s Darkplace is about. It is dark and mysterious, but most importantly: radical. A mysterious mist has been looming over Darkplace and claiming various victims who happen to be wondering around outside. Doctor Rick Dagless knows something about the mist: it is, in fact, Scotch Mist. Dag, Liz and Sanchez decide to go outside into the cold to try and find out more about why the Scotch Mist is there, armed with miniature handheld fans to keep the mist away. Meanwhile, someone has given out Thornton Reed’s number as a massage parlour and it is causing him considerable distress…

Scotch Mist

What Else? There is some new music in this episode which is interesting for us to hear but we also receive some life lessons. For example, we learn that you should never buy cheap batteries from a dodgy market stall because your handheld fan won’t work for very long at all. Another lesson we are taught is that you should never be racist (which apparently, not a lot of people know). This is because Rick Dagless has said many racist things about the Scots when he spent the night in Glasgow: he had to learn the hard way.

Quote of the Episode:

Rick Dagless: “I ran. Ran like my life depended on it. Which it did.”

Familiar Faces: Kim Noble is featured a lot in this episode as Doctor Jim as he is one of the first victims of the Scotch Mist.

THE REVISITED SERIES

TV Review: Green Wing

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I know I’m late to the party with this one, with Green Wing having first been broadcast in September 2004 (though you could say I’ve chosen the best time to watch it: on its ten year anniversary).

IMDB describes the show as a “funny hospital-based sketch-comedy-drama type show,” which I think is very accurate, but if I had to describe Green Wing in just one word, I would probably say it is ‘dense’. This is neither a negative nor positive judgement of the show, though I do like it very much. I think my feelings stems from a few core values it holds throughout: firstly, the episodes are physically very long (each around 50 minutes) and there are nine of them in the series. As well as this, however, I think this feeling of density comes from the vast amount of quality acting, writing and directing throughout.

The cast is thriving with young (therefore not so young and very well known now) British comedy talent, including Tamsin Greig, Mark Heap, Stephen Mangan, Michelle Gomez and Olivia Colman (a few of my favourites, though there are more than ten big roles). I admire the cast of this programme because they aren’t afraid to look foolish: the writers make it clear that this is not a serious drama from the offset by scripting in surreal situations along with extremely childish behaviour.

green wing

There is a great deal of slapstick comedy with an almost Mr Bean-like quality to add to the entirely strange experience of watching Green Wing. The use of camera and soundtrack will often accentuate this in cases where everything will speed up at times and then slow right down to less-than-natural levels.

A stand-out performance for me would have to be that of Michelle Gomez, who plays Sue White, an actress who recently appeared in a recent episode of Doctor Who: Deep Breath and is also recognised as Bad Education‘s Isobel Pickwell. She captures the insanity of Green Wing effortlessly with her deadpan delivery of lines like: “I could put a spell on you” in the middle of a mature conversation.

Although Gomez is a particular favourite of mine, it would be impossible to pick an overall ‘best’ performance because they are all incredible and devoted actors. The insanity of Pippa Haywood and Tamsin Greig’s characters teamed with the typical almost-character-tropes of Stephen Mangan, Olivia Colman and Karl Theobald’s roles makes for truly excellent viewing.

This is obviously a show for every comedy-lover out there and I regret being so late to the party.

Garth Marenghi’s Darkplace, Revisited: S1E4, The Apes Of Wrath

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Episode: The Apes of Wrath

Air Date: 19 February 2004

Summary: There is something mysterious in the water at Darkplace yet nobody has realised it yet. Despite the fact that Sanchez transformed into a horrific ape-man within seconds of having a sip of his drink. Despite the second fact that eventually everyone in the hospital is infected except the only two who prefer to drink coffee: Rick Dagless and Thornton Reed. Finally Dagless discovers what is causing people to change and pays a visit to the water store room, and is surprised by what he finds there…

The Apes of Wrath

What Else? In this episode we get insight into Dagless’ presence in the hospital, and let’s just say, you can definitely tell that Garth Marenghi wrote the episodes because everyone on the ward seems to think Dagless is the best doctor that ever walked the Earth. The fact that nobody could work out what was causing the ape transformations highlights the stupidity of the characters at Darkplace, and makes the experience all the more hilarious for the audience. The secret also comes out that since filming Darkplace, Madeleine Wool, who plays Liz Asher, has disappeared and is presumed dead.

Quote of the Episode:

Lucien Sanchez: “Not my fault, monkey bastard hands.”

Familiar Faces: Julian Barratt returns as the (slightly evil) priest and we see Noel Fielding as a criminal ape.

THE REVISITED SERIES