Edinburgh Festival

Double Denim: The Edinburgh Interviews 2019

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© Gianna Rizzo
Who? Double Denim
What? Adventure Show
Where? Underbelly Cowgate – Belly Dancer (Venue 61)
When? 20:40

What are your feelings as you enter into this year’s Edinburgh Fringe season?

I’m really excited to be coming back to the Fringe because I haven’t performed in the UK for a while and since then, I think the culture of being a female comedian has shifted slightly but significantly. In Australia it’s been a really exciting time so it’s going to be nice to see in Edinburgh.

What is the premise of your Edinburgh show this year?

It’s a safari party that starts on a cruise ship. The show explores female friendship in a non-traditional and absurd way.

What is the biggest obstacle you face(d) while putting this show together?

Re-imagining the show for an international audience without losing our Australian-ness.

Has your attitude towards the Fringe changed at all in recent years?

I’ve always loved the Fringe. It is pretty magical to be near a castle. We don’t have those in Aus. I think as the Fringe grows it obviously becomes harder to make ends meet for everyone but I’ve been pretty privileged and lucky in the past. Hopefully we can find a way to keep the Fringe accessible to younger artists. It made a huge difference for me when I was first starting out. I’d hate to see up and coming people priced out.

Do you have any other Edinburgh show recommendations?

I directed Demi Lardner’s Ditch Witch 800 so I’d love you to see that! I’m also really in love with Snort, an improv group from New Zealand. Zach and Viggo are always a treat, so is Stamptown and Late Night Lip Service.

Where would you like to be in a year’s time?

I’d love to keep working on the TV show i’m working on and maybe be able to bring my dog to set. That’s the dream.

GET YOUR TICKETS FOR DOUBLE DENIM: ‘ADVENTURE SHOW’ HERE

THE EDINBURGH INTERVIEWS 2019

Abbie Murphy: The Edinburgh Interviews 2019

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© Idil Sukan
Who? Abbie Murphy
What? Eat Sleep Shit Shag
Where? Gilded Balloon at Old Tolbooth Market – Top (Venue 98)
When? 13:00

What are your feelings as you enter into this year’s Edinburgh Fringe season?

Really looking forward to this year’s Festival. I always learn so much from doing Ed Fringe, that I am excited to see where another one under my belt can take me. There really is nothing like it, a comedy bootcamp if you will… I am taking two shows up this year; one stand up, one sketch, so I do need to remind myself of the fun that is to be had, because right now I am in the thick of gigging and previewing two shows, so it’s quite intense at the moment.

What is the premise of your Edinburgh show this year?

Eat Sleep Shit Shag is anecdotal of my ex career as a showgirl, working on cruise ships, and of my time working in India as a Bollywood dancer! I tell tales of my youth in Essex, and how it came about that I even became a professional dancer, and what made me leave that behind for a career in Comedy.

What is the biggest obstacle you face(d) while putting this show together?

My first couple of Fringes I was performing character comedy. Girl On Fire & Have A Word saw my love child Stephanie Vange hold court telling tales of her Essex failings. After a couple of years off, I came back with my first hour of straight stand up as ME. That was the biggest obstacle, getting out of my own way, and realising that I could just be up there with a mic and my stories and that would be enough. I just about believed it by the end of last year’s Fringe, so I am back this year to cement in what I learned, and build on that new confidence.

Has your attitude towards the Fringe changed at all in recent years?

In some ways yes, I used to think the Edinburgh Fringe was open to all, even if you didn’t have huge financial support behind you, if you were prepared to work hard – which I did, holding down a job 6 days a week to be able to afford to do the festival! I felt I had proved wherever there was a will there was a way. I am now on my 4th festival, still fully self funded, and tbh it is taking it’s toll! Now I realise in that way the festival is privileged, because without a tonne of gumption (and cash) you can take part, but you will struggle to be consistently do so – Hence the couple of years off I had in the middle. SO, yes the financial side of Ed Fringe I have now seen and experienced, is suffocating new and or developing talent.

Do you have any other Edinburgh show recommendations?

Can I say my own Sketch Show? (Just did) LOL Beg Borrow & Bitch Ridiculously silly, British camp, mixed with retro 80s nostalgia – Think Dynasty on steroids! We are on every night 22:30 at Old Tolbooth Market Bothy Bar! I am also looking forward to seeing Maddie Campion’s solo hour Truly Maddie Deeply, I have seen her gigging the London Circuit and think she is very good. Also I am a big fan of Olga Koch, looking forward to catching her show If/Then during the run! Ooo and Joz Norris, he’s up to something good and different this year! His show is at Heroes of the Hive Joz Norris Is Dead. Long Live Mr Fruit Salad – I mean, what is not to like about that title!

Where would you like to be in a year’s time?

This time next year? Shooting the sitcom I have penned – that would be nice… especially as it is set somewhere sunny! But honestly, as long as I am still dabbling and progressing as a stand up, actor and as a writer of all things comedy, I don’t mind, it’s what makes me happiest. Life! It’s a right laugh ain’t it…

GET YOUR TICKETS FOR ABBIE MURPHY: ‘EAT SLEEP SHIT SHAG’ HERE

THE EDINBURGH INTERVIEWS 2019

Edinburgh Review: Kai Samra – Brothers (WIP)

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© Kai Samra

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This year, Kai Samra brings his work in progress show, Brothers, to The Mash House. Relatively new to the stand up circuit, this Brummie comedian appears remarkably comfortable in front of his audience. His delivery is calm and self-assured, but certainly not an act.

Samra talks about his family with no qualms about letting his listeners in, and this makes for a deeply personal hour of comedy. There are no sob stories here, just honest anecdotes and clever observations. He’s a very likeable performer and his relaxed and confident nature allows his audience to settle into the show effortlessly.

Brothers is a show about family, along with all its frustrations and affections. And Samra makes 45 minutes feel like ten. The laughs come easily and frequently, making it starkly clear that this comic could warm up even the coldest of audiences. It’s not hard to imagine this comic cracking into the mainstream some time soon.

This show is not a skeleton of a piece, and neither is it an amalgamation of too many half-formed ideas. This show already feels polished. So, when Kai Samra returns to Edinburgh next August, prepare for a fantastic, brilliantly formed hour of proficient stand up.

Edinburgh Review: Abandoman (Rob Broderick) – Pirate Radio

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© Rob Broderick

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Irish improv hip hop artist Rob Broderick returns to Edinburgh with his solo show, Pirate Radio. Unlike previous Abandoman shows, Pirate Radio is a big-scale production. He’s ditched the powerpoint and electric keyboard for strobe lighting and ground-shuddering bass.

Rather than lots of small instances of audience participation (note Abandoman’s previous set-piece, ‘What’s In Your Pocket?’ where audience members hold up the most obscure item on their possession and Broderick improvises a rap about it), volunteer participants in this new show are a far bigger part of the proceedings. If you have something funny or strange to offer up, prepare to have a musical piece devised entirely in your honour.

Single audience members are brought up to stand in front of a packed Udderbelly, and yet there is never any hint of anxiety. Rob puts his participants at ease by spelling out what he requires of them and never failing to make it silly.

Being a much bigger, much more refined performance, it feels at times as though Abandoman has lost its personal touch. But where this show lacks in intimacy, Broderick makes up for in showmanship. From a heart-wrenching song about leaving a sleeping bag on a train, to a musical re-enactment of a childhood three-legged race, Broderick’s skill for snappy improvisation is as present as ever.

If you want your comedy upscaled, exciting and as loud as a music gig, Abandoman is no doubt the show for you.

Edinburgh Review: Simon Evans – Genius 2.0

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© Simon Evans

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Bringing a reworking of last year’s show Genius to this year’s Edinburgh Fringe, Simon Evans proclaims that he has no issue with ‘digging the same furrow’. Genius 2.0 asks what the future of our society is. Are we regressing in terms of intelligence and creativity?

This is a show of comparison through the ages, from drinking laws to the Guinness Book of World Records. It’s about how our lives have become more restricted as the years have passed. Though academic in his tone, this doesn’t feel like a lecture. Evans is surprisingly able to keep his large audience on the same page as him, despite his flowery language and analytic, black-and-white approach to assessing the problems he raises.

Evans’ point is glisteningly clear, but it’s hard to fully invest in the idea that our society is less intelligent (or less intelligence-orientated) than it was forty years ago. Yes, there is certainly more of a focus on mind-numbing reality television and a vacuous idea of what constitutes beauty (often consisting of botox injections and lip fillers), but aspects of our society are arguably thriving as strongly as ever, in areas including but not limited to science, philosophy and literature.

I’d feel a little uncomfortable, as a twenty-year-old university student, to be sat in this comic’s audience if I didn’t know he had teenage children himself. It is these anecdotes about his kids’ experiences, inspirations and education that allow us to ascertain that Evans isn’t simply having a go at the youth of today.

As the show goes on, Evans allows himself to exist at the same level as his audience, sharing his irksome experiences with ageing, from thinning hair to forgetfulness. But the set piece of the show is one that rings in the ear long after Evans has left the stage. The downfall of our society, as Evans see it, is the fact it is shrouded in apathy. Our country is lead by someone who studied at Oxford, yet graduated in a 2:2 in Geography. Someone who bends over backwards, surely almost to the point of snapping, at a slight gust of wind.

Simon Evans’ outlook on the state of society today is strangely motivating rather than depressing. The powers that be may be failing us, but we each have the opportunity to flourish however we want to, despite this unsettling prognosis.

Helen Duff: The Edinburgh Interviews 2018

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© Matthew Highton

Who? Helen Duff
What? How Deep Is Your Duff?
Where? Heroes @ The Hive (venue 313)
When? 21:00

Are you prepared for what this year’s Edinburgh Fringe has in store for you?

Yes totally prepared – if you take cutting myself off from too much social media scrolling and stocking up mejool dates as a sign of second to none self care!

What is the premise of your Edinburgh show this year?

It’s all about falling in love for the first time, performing for the kids in the Rohingya refugee camps and realising I can orgasm. Not necessarily in that order.

What was the biggest obstacle you face(d) while putting this show together?

I tried my very best to include the YouTube sensory sensation SLIME in the show and despite several previews where I ended up covered in the stuff, couldn’t bear to wash my clothes in coke every night of the Edinburgh run.

Who would most enjoy your show?

People who enjoy a well woven story about the ways a woman can become better connected with herself and her community, with several duff puns and dances thrown in for the fun.

Do you have any other Edinburgh show recommendations?

Yes! I saw Pat Cahill’s show on the top of Bob’s Blundabus and it was fantastic! He’s doing 110% with John Kearns in that slot now instead which is bound to be brilliant. Lucy Hopkins is making something very special happen in the SpiegelYurt at midnight every day. And I’m also in Adam Larter’s Boogie Knight’s at 2pm everyday at the Hive. It’s a medieval disco with all the best boogie tunes of the 70s/80s. All the Heroes shows are a certified hoot.

What is your favourite thing about Edinburgh as a city?

The variety of the landscape – I’m living in Stockbridge this year and the river running down to Leith is so peaceful it feels like you could be in the middle of nowhere.  

What are your plans for after the festival?

I’m making a wedding cake for 100 people for my boyfriend’s best friend’s wedding. Puts the pressure of Edinburgh in perspective!

GET YOUR TICKETS FOR HELEN DUFF: ‘HOW DEEP IS YOUR DUFF?’ HERE

THE EDINBURGH INTERVIEWS 2018

Dave Chawner: The Edinburgh Interviews 2018

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© CR2 Studios

Who? Dave Chawner
What? Mental
Where? The Laughing Horse @ The Counting House (venue 170)
When? 19:20

Are you prepared for what this year’s Edinburgh Fringe has in store for you? 

You can never be fully prepared for The Fringe. It’s a bit like taking a cat to the vets – you can do as much prep as possible, but in the end you’ll end up tearing your hair out, running round in circles and screaming while all the while telling yourself ‘it’s for the best’. 

What is the premise of your Edinburgh show this year?

This year’s show is all about mental health (rather than mental illness). The show uses comedy to normalise the conversation around mental health and make the topic fun. Because, let’s face it, whenever the topic of mental health comes up, it’s normally about mental illness. And, of course 1 in 4 of us has mental illness, but 4 in 4 of us has mental health, so why do we focus on illness rather than wellbeing?

What was the biggest obstacle you face(d) while putting this show together?

Myself! I find it hard to focus. Writing the show takes a lot of concentration and that’s something that I have very little of. I get distracted by the easiest of… oh look, there’s a squirrel!

Who would most enjoy your show?

Anyone that has an interest in mental health. That includes (but not limited to) mental health professionals, students, people with lived experience of mental illness, friends, family and relatives of those people as well.

Do you have any other Edinburgh show recommendations? 

John Robertson’s – Sweaty, Sexy, Party, Party

Russell Hicks – Love Song For The Visciously Ambitious

Adam Kay – This Is Going To Hurt

Robyn Perkins – 10, 000 Decisions

Daniel Kitson – Good For Glue

Richard Wright – Virgin

Aidan Taco Jones – 52 Weeks

Sarah Iles – Ghosted

What is your favourite thing about Edinburgh as a city? 

Let’s face it, Edinburgh is proper beautiful. Like, I mean, real lovely. It never fails to surprise me, when wandering through the streets, if you look up, how amazing it is. It’s no wonder J K Rowling based Harry Potter on this place. And that’s my favourite thing, that at least 10,000 cafes, coffee shops and restaurants claim to be ‘the birthplace of Harry Potter’

What are your plans for after the festival?

I’m going to be touring my new book (which has just been released). I’ve got some filming I’m doing for ‘Stylist’ Magazine and am going back to the radio show I present. It’s The Breakfast Show on Panda Radio – it’s amazing fun and boringly I’m really excited to be back and into the swing of it again.

GET YOUR TICKETS FOR DAVE CHAWNER: ‘MENTAL’ HERE

THE EDINBURGH INTERVIEWS 2018

Olivia Rhee: The Edinburgh Interviews 2018:

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© Olivia Rhee

Who? Olivia Rhee
What? Adventures of the Singing Acupuncturist, Big O Makes It in New York… or, Does She?
Where? Laughing Horse @ The Phoenix (venue 146)
When? 21:00

Are you prepared for what this year’s Edinburgh Fringe has in store for you?

I hope so! I have an open mind and so do not have any idea what it has in store for me, but I welcome it with open arms… Love conquers all…

What is the premise of your Edinburgh show this year?

I think the title of my show says a lot: Adventures of the Singing Acupuncturist. Big O makes it in New York… or does she? It is my comedy debut and so introduces me, a (Korean-American) lady, into the Comedy World. I talk about topics such as my culture, my food (kimchi, etc.), my relationships, my career, and my life this past year… a lot in an hour? Yes, but entertainingly so.

What was the biggest obstacle you face(d) while putting this show together?

Finding venues to host my preview shows and making my jokes funnier

Who would most enjoy your show?

Anyone who has a dream, has ever had a dream, and who enjoys learning about other cultures and getting free healthy tips and who enjoy laughing at me.

Do you have any other Edinburgh show recommendations?

Yes, 1) Baby Wants Candy; 2) One Woman Sex and the City; 3) Even more Naked: Lucy Frederick; 4) Dave Chawner: Mental; 5) Cow Café Cabaret Show at Midnight; 6) Croft and Pierce: Comedy Sketch Duo; 7) Falling with Style: David von Jones; 8) Kimono My Comedy Show: Martin Angolo.

What is your favourite thing about Edinburgh as a city?

How beautiful it is, with its hills and castle; and the people are friendly, I feel safe here, although I had a stalker the other night… (for the first time in the 9 years that I’ve been coming to the Fringe).

What are your plans for after the festival?

I will go back to work so that I can make enough money to do what I love, which is to perform on stage. If my show does well and is discovered by a wealthy billionaire producer, I hope to take my show on a World Tour!

GET YOUR TICKETS FOR OLIVIA RHEE HERE

THE EDINBURGH INTERVIEWS 2018

Edinburgh Review: Paul Foot – Image Conscious

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© Paul Foot

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Paul Foot’s shows are always absurd, with only a vague grasp on reality. But this year there is something far more tangible about his material. Image Conscious has more popular culture references scattered throughout than previous years; has the world worn this comic down? This new turn for Foot is definitely a step in the direction of mainstream, but the reliability of it is somewhat refreshing.

The core of the show, a winding narrative about how to host a decent orgy, has Foot’s trademark madness written all over it. He layers details of setting, character and circumstance until he works himself up into a shouting frenzy. This is what Paul Foot’s fans come for.

These moments where Foot’s material flirts with reality are very satisfying. A particular stint about his hatred for Greg Wallace is particularly entertaining. We’re used to seeing Foot screaming at the top of his lungs about shire horses and fire engines, not BBC cookery shows. Foot is an expert at introducing various celebrities and celebrity has-beens into his ridiculous narratives, and this show is no disappointment. The things he has us imagining the likes of Clare Balding and Ronny O’Sullivan doing should not be repeated.

Leaving Paul Foot’s show feels like waking up from a dream; reality becomes a bit of a haze. At one point Foot had thrown pickled gherkins at the audience. Classic Paul Foot with an edgy twist, Image Conscious is unlike anything else you will see at the Fringe.

Edinburgh Review: Werewolf Live

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[usr 4]

In Jon Gracey’s Werewolf, audience members are pitted against each other as they play the characters of werewolves and villagers. A fraction of the group of volunteers are given the role of werewolf, which means that they can choose one villager to be killed each night, under the cover of darkness (well, when we all have our eyes closed). The villagers must work out who the werewolves are and have them killed before it’s too late.

With only the werewolves being aware of who is innocent, this is a game of guesses and rash accusations. And watching people turn against their friends at the flick of a switch is always entertaining, especially when the reactions are spontaneous and unfiltered.

© Kate Rodden

Frontman Gracey is unsurprisingly the highlight of this show, and it’s a pity he doesn’t get more time to ad lib. He’s clearly comfortable on stage and his sarcastic comments and piss-taking is the glue that keeps the show from descending into chaos.

Werewolf is a an inventive concept. The rules are complicated enough, and the set up varied enough, so that the audience doesn’t get bored, and yet the game is sufficiently short to allow for three or so games during the show. A larger audience would undoubtedly make Werewolf more entertaining, as there could be an entirely new set of participants each round. This is why the comedian charity special on August 21st looks particularly promising.