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Edinburgh Review: Adam Hess – My Grandad Has a Fringe

August 11, 2019 by Becca Moody Leave a Comment

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© Matt Crockett

Adam Hess sprints around the stage with boundless energy. His observations are creative. It feels as though he is generating these ideas out of nowhere, with random ideas popping into his head, and somehow forming them into inventive, hilarious short-form jokes.

My Grandad Has a Fringe is a show that follows in a similar fashion to Hess’ previous shows, with the comic speaking of his family’s weird quirks (his audience are left wondering where he gets it from), as well as uncomfortable social situations his own awkwardness and anxieties have got him into. Topics covered are wide-ranging, from his mother’s knitting obsession to Hess’ own habit of enthusiastically waving at people he has met while waiting outside toilet cubicles.

Hess’ bright-eyed, genuine childlike glee personifies the homely feel of the entire show. It feels like going round to your friend’s house to play when you were little, Adam of course being the needy, attention-grabbing high-maintenance child (but this is somehow why we like him).

It’s refreshing to see a show that doesn’t drone on about one’s own privilege or the current socio-political climate. Hess presents an hour of true, hectic escapism.

Posted in: Comedians, Edinburgh, Live Comedy Tagged: Edinburgh Festival, Edinburgh Reviews, My Dad Has a Fringe, Reviews

Edinburgh Review: Werewolf Live

August 8, 2018 by Becca Moody Leave a Comment

[usr 4]

In Jon Gracey’s Werewolf, audience members are pitted against each other as they play the characters of werewolves and villagers. A fraction of the group of volunteers are given the role of werewolf, which means that they can choose one villager to be killed each night, under the cover of darkness (well, when we all have our eyes closed). The villagers must work out who the werewolves are and have them killed before it’s too late.

With only the werewolves being aware of who is innocent, this is a game of guesses and rash accusations. And watching people turn against their friends at the flick of a switch is always entertaining, especially when the reactions are spontaneous and unfiltered.

© Kate Rodden

Frontman Gracey is unsurprisingly the highlight of this show, and it’s a pity he doesn’t get more time to ad lib. He’s clearly comfortable on stage and his sarcastic comments and piss-taking is the glue that keeps the show from descending into chaos.

Werewolf is a an inventive concept. The rules are complicated enough, and the set up varied enough, so that the audience doesn’t get bored, and yet the game is sufficiently short to allow for three or so games during the show. A larger audience would undoubtedly make Werewolf more entertaining, as there could be an entirely new set of participants each round. This is why the comedian charity special on August 21st looks particularly promising.

Posted in: Comedians, Edinburgh, Live Comedy, Reviews Tagged: Edinburgh Festival, Edinburgh Reviews, Jon Gracey, Reviews, Werewolf: Live
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