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Comedy Circle

Comedy Circle #2 Why Do I Keep Laughing At Terrible Things?

December 19, 2015 by Becca Moody Leave a Comment

We live in a world where vile things have coexisted with, and been caused by, us for as long as humans have lived. Maybe horrific events are as frequent and as constant as they ever have been, but our exposure to them is arguably greater than ever before due to our heightened internet and media accessibility. It’s getting hard to avoid hearing about and seeing bloodshed on all corners of the globe, and rightly so. The suffering of others shouldn’t be something we are allowed to ignore. But with our ever-increasing knowledge of what really goes on in the world outside of our homes comes an overwhelming sense of hopelessness, fear and frustration at the inevitability of more depravity to come. So how is it that we deal with such feelings? For many people, myself included, the first place to turn is comedy.

The horrifying terror attacks in Paris just over a month ago shocked and sobered the majority of us. Nobody worth the time of day is finding humour in the death of innocent citizens. However, it is often suggested that the most effective way of conquering the threat of terrorism lies not in force or violence, but in laughter of a strange kind; in ridicule. There is no element of this tragedy that is to be found funny but it has, yet again, got me thinking about how our opinions are shaped by what we view on television and how exactly we are expected to process this onslaught of information.

https://www.youtube.com/watch?v=oONoFFK5H0k

It can be claimed that the truth lies in the ridiculousness of it all. To laugh at something does, after all, disarm the thing that we are laughing at, rendering it inconsequential. Every waking moment revolves around the concept of death, regardless of whether we are aware of it or not. Everything in life essentially boils down to death but it seems, for the most fortunate of us, to be something we hear more about in the media than ever personally experience. Being eighteen, I have had limited encounters with the ill and the dying and that has left these concepts to be very abstract and distant in my daily life. My dog died unexpectedly at the beginning of November. I didn’t see her dead or even nearly dead and it felt strange to have her be there and then suddenly not be there anymore. Every time I talk about the fact my dog is dead, I laugh. My instinct now is to back this up by insisting that there is nothing funny about the fact my dog is dead, but if that was the case, surely I wouldn’t be laughing?

Laughter is perhaps our most relied-upon social tool, used to ensure a connection with others through the assurance that our communication is effective and our conversation understood. Laughing is also a means of deflecting stress and processing grief. It works as a defence mechanism when we feel uncomfortable or appears as a symptom of shock or fear. We also laugh when we feel connected within a community due to holding a common belief; it seems that we find humour in the good and the bad. I may, perhaps, view this topic from a biased perspective: I am, after all, a British citizen and we are particularly known for our droll humour. So is that why I haven’t been able to cry; because I am British?

Regardless of why we do it, it’s okay to laugh at things by way of processing information. Yes, it is often seen as socially inappropriate, but to laugh does not mean to laugh at something or someone. Perhaps it is the healthiest means we have by which to understand and digest the never-ending stream of atrocities we hear about in the news and maybe, as a result, it can become our lifeline. I won’t be seeing my dog again but I will continue to laugh at the fact she was an absolute moron.

Posted in: Comedy Circle, News Tagged: Politics, Satire

Comedy Circle #1 Who Watches Satire?

September 27, 2015 by Becca Moody Leave a Comment

It has been virtually impossible to miss the recent, yet of course not fully reported, news story regarding Lord Ashcroft’s account of David Cameron’s Bullingdon Club days and the antics he and his chums got up to. Waking up to the storm of excited social media was made all the more interesting given the fact this doesn’t seem to be a hoax, but I guess we can never know for sure. I doubt the Prime Minister will ever admit to it, if it does happen to be true. Since the news broke on September 20th Charlie Brooker has been inundated with comments that reference the parallels of Cameron’s pig plight with National Anthem, the first episode of Black Mirror, which aired in 2011 and it got me thinking about the role that satire plays in our society.

Shit. Turns out Black Mirror is a documentary series.

— Charlie Brooker (@charltonbrooker) September 20, 2015

Satirical comedy is a genre that seems deeply ingrained in the British psyche. At its best it can be revolutionary, but at its worst attempts become lazy, stereotypical and therefore ineffective. Yet regardless of whether it hits the mark or not, it seems that we can’t express ourselves thoroughly without it. Satire is now an underpinning part of our media consumption, with the implications and effects of this being incredibly promising in terms of freedom of speech. It has been proven that comedy, and practically any form of communal laughter, is an immediate way of uniting a group of people in a positive, reinforcing manner. It may even be so that with some of the most popular and accessible satirical humour that is broadcast on television in the UK, this sense of togetherness is multiplied due to the age-old addition of human pride that comes about when discussing things that make us feel clever.

Intelligence is anyone’s game now. Education is now accessible to far more people than ever before, and increasingly so, meaning that satirical comedy is no longer an exclusive thing. It makes people like me, a seventeen year old female with a Midlands accent and very little in the way of a plan for the future, feel as though my opinion is valued and important. Regardless of whether I agree with the satirist or not, the crucial point of it is that the individual is permitted to broadcast an opinion. Though at times this branch of British comedy can feel very smug and male-dominated, it is encouraging to see it being opened up to more people as time progresses.

So if more of us are watching, absorbing and reflecting the satirical sense of humour, are those that are being criticised watching it too? Of course there are countless targets of countless jokes from all different backgrounds, and for all kinds of different reasons. Nobody is safe from mockery, or at least they shouldn’t be. I can state with relative certainty that each person reading this has been a part of a collective that has been criticised by a comedian on television or radio, whether that be the teenage generation, the middle classes, the working classes, the One Direction fans. You name it, it’s probably been ridiculed. But do we take note of the message behind the comments, when it is our own values that are being attacked, or is it in our nature to defend our position in order to deflect any criticism?

Is comedy still relevant if the people you are satirising are unaware of the irony? Does it matter if David Cameron never watched Black Mirror?

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Posted in: Comedians, Comedy Circle, News Tagged: Black Mirror, Charlie Brooker, Politics, Satire
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