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Crackanory Series 4 Preview

January 25, 2017 by Becca Moody Leave a Comment

The latest series of the ever-popular, dark anthology series Crackanory is looming. Here is quick preview of the latest set of episodes, to give you an idea of what sinister gems this new series has to offer, in time for January 30th, when the series begins on Dave.

The first episode in the series, entitled A Close Slave, is written by Tony Way. Dara O’Briain narrates the story of a playwright in ancient Rome, who is aided by his helpful slave when suffering from a particularly troublesome bout of writer’s block. Way presents viewers with an interesting blend of uneasy politics and delightful silliness, with the addition of various pieces of historical trivia on top. The drama levels are high as there is certainly a lot for our young protagonist to lose here. But as long as he writes the perfect ending, everything should go smoothly, right?

Living With A Lie, written by Nico Tatarowicz and performed by Sheridan Smith, follows the turbulent experiences of office worker Russell as he struggles to write his first novel. This story is one of lies and false impressions, with Russell’s fictional and genuinely disturbing ‘Aunt Janet’ making an unwelcome appearance across all aspects of his personal and professional life. The writing in this episode is particularly beautiful, with Tatarowicz’s use of metaphor making for poetic storytelling; the kind of writing that inspires others to write. And not only this, Steve Oram stars as Russell’s unsupportive manager Phil. This is definitely a highlight of the new series.

Crackanory S4 – Episode 3 – Bob Mortimer – The Despot of Tea

Bob Mortimer narrates the third episode in the series, Arnold Widdowson’s The Despot Of Tea, and his trademark matter-of-fact delivery shines through in this tale of Geoff, who becomes an unintentional propaganda icon when his acting career takes a surprise turn. This somewhat uneasy tale follows Geoff as he travels to a former Soviet state for of an acting job, only to find out that he has been recruited by the country’s president Alexei to get the nation’s people back on side. If this twisting thrill-ride of a story wasn’t enough for you, it’s worth watching just to hear Mortimer say Sir Slurpington-Boots.

The Frankenstein-esque The Survivor is a delightfully unsettling piece of television. Written by Alex Kirk and narrated by Anna Friel, this tale recounts the difficult discoveries made by Thomas, who awakes in a strange house in the middle of the countryside to the news that his parents have died. He is bed-bound and helpless, pined over more like a family pet than a patient. Nothing is as it seems in the warped, dystopian world Thomas finds himself in, and viewers are kept guessing right up to the very last scene.

Episode five, Proxy Lady, features Mel Giedroyc’s recognisable, playful delivery that is pleasingly blunt in parts. Mel introduces us to 27 year old Beth, a miserable hotel worker who’s life becomes infinitely more interesting when she receives an ominous email from a woman named Greta (House of Fool‘s Ellie White). There is certainly something sick and twisted about the behaviour of the characters from the offset, but an unusual development is that it appears to be Beth who is the heartless one, rather than the mysterious loner she has dealings with.

Crackanory S4 – Episode 5 – Mel Giedroyc – Proxy Lady

Devil’s Haircut is written by Sarah Morgan and narrated by the ‘cool kid’ of comedy Doc Brown. It is a tale of ‘four white men in waistcoats singing stolen slave songs.’ Well, that’s what the sultry and mysterious Lil (Sophia Di Martino) claims a barbershop quartet is, and our protagonist, Spencer, happens to be a part of said barbershop quartet. Seduced by Lil’s red lipstick and intense gaze, the singer finds himself implicated in a pact that he had not intended to get involved in, with the love of his life suddenly becoming a source of great fear.

The Office‘s Mackenzie Crook narrates The Disappearance, written by Toby Davies. This is a story of misdirection, one that explores the border between magic and madness, pushing it to its absolute boundaries until, inevitably, something has to break. This episode is pacy and impactful, with an air of The Prestige about it. It features Dominic Coleman as Solomon the successful magician whose love for the craft, family relations and sanity begin to crumble around him.

And finally comes the final episode in the series: Pickled, written by Kevin Eldon and narrated by Miriam Margolyes. This tale begins with a close look at Benedict, a man who goes from riches to rags as his extravagant lifestyle catches up with him. Benedict’s life is in tatters around him, entirely of his own doing. Add a haunted house to the mix and it looks likes things aren’t going to be looking up anytime soon for our poor protagonist. Margolyes’ storytelling is fantastic and dramatic here; perfect for portraying the tense relationship that develops between Benedict and the ghostly old man he meets in the abandoned house.

This latest series of Crackanory perfectly epitomises what the art of entertaining storytelling is all about. The narrators are well-chosen and each story is innovative and unpredictable; definitely worth a watch. Crackanory series 4 begins on Monday 30th January at 10pm on Dave.

Top 5 Moments… The Fielding Edition

May 20, 2015 by Becca Moody Leave a Comment

Yes, I am well aware that we all have a birthday every single year, and though it may not seem it sometimes, Noel Fielding is no exception. Tomorrow, May 21st, marks the 42nd birthday of one of my all time favourite comedians and it seemed only fair to dedicate a post to one of the creative minds that inspired this website altogether, so here are my favourite elements of Fielding’s biggest projects…

5) Luxury Comedy

Luxury Comedy has its fair share of insane moments, with particular favourites of mine including human-shell hybrid, Daddy Push, and that cruel piece of French toast. Series two (which was shown in summer 2014) saw the move of the zany group from their tree-house to a coffee shop on the edge of a volcano in Hawaii, and though many characters also made the transition, various new faces appeared too. For examples, audiences were introduced to the show’s biggest (and apparently only) fan, a Brummie called Terry, played by Steve Oram. Fielding has confirmed that he doesn’t intend write a third series of Luxury Comedy, but many characters have found their way into his new live show, so all hope is not lost.

4)The Mighty Boosh

I think everyone’s favourite Mighty Boosh character has to be Old Gregg (played by Fielding), and it’s not surprising. With his creepy mannerisms (did you see what happened to Curly Jefferson?), yet prevalent sense of neediness (“do you love me?”), its only natural to be wary of this guy, but maybe we all relate to him a bit. Other magical Boosh moments included the arrival of the Crack Fox, Howard Moon’s coconut friend named Milky Joe, and Nanageddon, a pensioner from hell. The Boosh crowd always talk about creating a film, and releasing an album, so we can all cling on to the hope that we haven’t seen the last of this whimsical universe either.

3) Never Mind The Buzzcocks

One of the funniest moments from the whole 28 series of Never Mind The Buzzcocks so far was undoubtedly that time Noel Fielding ripped apart Dappy from N-Dubz. The rap singer apparently seemed to confuse a lampshade with a hair style. Easy to do, I suppose. As it was pointed out by Noel, it’s “not very difficult” to outsmart Dappy, it seems. This may have happened years ago, and I’m sure he’s a reformed character now, but I still reminisce of that encounter on a regular basis. However, the teams on Buzzcocks usually get along very well, particularly when slightly strange guests are present, such as the likes of comedians Adam Buxton, Tony Law, Paul Foot and James Acaster.

2) A Fielding Phonecall

In October of last year, I was given the opportunity to interview my idol for the British Comedy Guide. Noel and I talked about the first few shows of his first live tour in five years, An Evening With Noel Fielding, as well as the reaction to both series of Noel Fielding’s Luxury Comedy. I also found time to ask the question that not enough people have been asking: what on earth happened to Daddy Push? As it stands, I am a very inexperienced interviewer, but Noel made our chat stress-free and we had a laugh, as well as giving lots of insight into the workings behind the comedy and his plans for the future.

1) An Evening With Noel Fielding

I went to see An Evening With Noel Fielding in November 2014 at Birmingham’s Symphony Hall. This show is unlike any other; it’s a remarkable spectacle. It’s strange to look back over events and realise the vast expanse between the show’s humble, low-key beginnings with just Fielding on stage, to a mission in a plasticine world with a couple of deluded nitwits riding on a unicorn. I even got to meet Noel, Mike and Tom after the show, which topped off the whole fantastical dream that was this insane evening.

Feel free to join me in wishing Noel Fielding a very happy birthday; here’s to another year of absurdity and childishness, we look forward to it.

TV Review: Noel Fielding’s Luxury Comedy, Series 2

September 11, 2014 by Becca Moody 5 Comments

I wrote a post towards the end of July reflecting on the first episode of Noel Fielding’s Luxury Comedy: Tales from Painted Hawaii (series two) but this series has been so dense with artistic talent and clear passion, that I couldn’t possibly not revisit it after all five episodes.

It’s no secret that I am a massive fan of Noel Fielding and his work, so was obviously hugely excited that the long-anticipated second series had finally arrived. These episodes have taken a long time to produce because they are one of a kind; the process of making them seems to be more rigorous than that of various other Sitcom style shows. Love Luxury Comedy or hate it, it is impossible to deny that the makers of this show have presented their audience with great innovation: with the bright and complex animation from Nigel Coan; an eccentric soundtrack from Fielding and Kasabian‘s Serge Pizzorno; along with brilliantly intricate set and costume design from James Dillon and Ameena Kara Callender.

As well as the obvious beauty and detail involved in the visuals of Luxury Comedy, the stories are also packed full of references to art and literary culture such as Andy Warhol (of course), George Orwell and Yoko Ono. This alone is proof for me that the makers of Luxury Comedy have not been lazy during the creative process: every scene is punchy, a little bit mad, but also intelligent.

Watchers of series one who weren’t impressed may be pleased to know that this series is a lot more relatable for audiences, with occasional cynical statements that can catch you off guard.

Smooth: “What do you do to escape?”

Reality Man: “Panel shows. What’s funnier than five men in shiny shirts taking a side-ways look at the week’s news?”

In this way, I think this series is a lot more self-aware, in fact, one episode even focuses on the idea of the show only having one viewer (a Brummie named Terry, played by Steve Oram) and the fact that they must save him from certain death.

In addition to the lovely Noel, the show is full of immense comedic talents such as his Mighty Boosh co-stars (Dave Brown, Rich Fulcher, Richard Ayoade, Simon Farnaby and Tom Meeten) and of course, the delightful star of Doll & Em: Dolly Wells and Tom Meeten’s partner-in-crime: Steve Oram (Sightseers).

I would have to say that this programme is probably one of my favourites to ever appear on television, particularly this new series. It appeals to all of my interests: comedy, music and art (and Noel Fielding of course) but most importantly of all: Luxury Comedy is a source of inspiration to me. Every aspect screams quality and I sincerely hope the show and its creators flourish in the coming months as a result.

The whole of Noel Fielding’s Luxury Comedy: Tales From Painted Hawaii is available on 4OD.