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Lily Lovett and Patrick Monahan: The Edinburgh Interviews 2018

August 2, 2018 by Becca Moody Leave a Comment

© Steve Ullathorne

Who? Lily Lovett and Patrick Monahan
What? Date Night
Where? Just the Tonic at The Caves (venue 88)
When? 21:25

Are you prepared for what this year’s Edinburgh Fringe has in store for you?

Yes. We’ve been previewing our dating show all over the country so I feel ready to matchmake all the singles in the city this month! It’s such a fun show to perform so I’m just excited to have fun with our audiences.

What is the premise of your Edinburgh show this year?

We are hosting a dating show that is both for singles and couples. It’s Love Island meets Blind Date, a bit old and a bit new. We have a special guest each night, a single fellow Fringe performer, and we play games to eventually match them with their most suited member of the audience. We test couples on how well they know each other and there’s lots of comedy and sketches. 

What was the biggest obstacle you face(d) while putting this show together?

Working with my partner (comedian Patrick Monahan)… No it’s great working together but because we’re a couple we don’t have the sort of politeness two colleagues would have with each other. We’re very much ‘that’s an awful suggestion Pat’ and ‘Lily that’s a terrible idea’. Being so honest and unafraid to be blunt with each other probably saved us a lot more time compared to less intimate double acts!

Who would most enjoy your show?

Anyone! Lots of performers say that but really, our show is clean and fun for everyone, families can come, older couples can come, young single people can come, it really is one for everyone.

Do you have any other Edinburgh show recommendations?

Obviously I’m going to say my partner Patrick Monahan’s solo show at the Gilded Balloon, 8pm. It’s basically an hour of him taking the piss out of me, which I don’t mind because my dad is a comedian (Red Dwarf’s Norman Lovett) and since I was old enough to talk I was watching him make jokes about me on stage. Pat’s show this year is brilliant, it’s my favourite of his yet. It’s very relatable, all about relationships and living together, in the previews I’ve seen a lot of the audience nodding throughout! He talks about how we’re from such different backgrounds (immigrant working class versus British middle class) and there’s a particularly great routine based on me making avocado on toast. It’s very funny! 

What is your favourite thing about Edinburgh as a city?

It’s so beautiful. And I have a strong connection with Edinburgh. My parents met here at the festival, my dad was performing at Gilded Balloon so it’s funny that my partner also does. I spent my very early years in Stockbridge and after moving to London we still came up to the festival for my dad’s shows. Now I perform here in festival time and we often come for Christmases so it feels a bit like a second home. 

What are your plans for after the festival?

We are off to Ibiza for a well earned holiday straight after our last show so Edinburgh can rain as much as it wants this August, in September I will make up for it and finally get a summer tan! Then we’re going to set up a regular night in London for our dating show and do some shows in other cities too.

GET YOUR TICKETS FOR ‘DATE NIGHT’ HERE

PATRICK MONAHAN: ‘#GOALS’

THE EDINBURGH INTERVIEWS 2018

Posted in: Comedians, Edinburgh, Interviews Tagged: Date Night, Edinburgh Festival, Lily Lovett, Patrick Monahan, The Edinburgh Interviews, The Edinburgh Interviews 2018

Patrick Monahan: The Edinburgh Interviews 2018

August 1, 2018 by Becca Moody Leave a Comment

© Steve Ullathorne

Who? Patrick Monahan
What? #Goals
Where? Gilded Balloon Teviot (venue 14)
When? 20:00

Are you prepared for what this year’s Edinburgh Fringe has in store for you?

You can never be prepared for Edinburgh, no mater how much you preview & train for the festival, the month long run is like an assault course that even the best SAS soldiers would struggle with. 

What is the premise of your Edinburgh show this year?

It’s a brand new stand up show with a slight theme looking at me being ‘immigrant working class’ and my misses being ‘British middle class’ and about how easy/difficult it is living together from our two backgrounds.

What was the biggest obstacle you face(d) while putting this show together?

Cutting the show down to 60 minutes. Because when I started writing it at the start of the year, I write out 90 minutes of material on it because I tour the show straight after Edinburgh! 

Who would most enjoy your show?

Everyone! Because my shows are non-threatening, cleanish material and uplifting, I try not to exclude anyone, except for racists and serial killers!

Do you have any other Edinburgh show recommendations?

Yes, “Date Night” at 9.25pm every night at Just The Tonic, it’s a brilliant brand new dating show, which is hosted by my misses & me! 

What is your favourite thing about Edinburgh as a city?

Everything, the people, the surrounding scenery, the old style buildings, the cheap Lidl on Nichols street, the free samples of fudge in the fudge shop, the quiet walk home through the meadows at the end of each night, the value for money food in the mosque kitchen… the list is endless, what’s not to love about this city!

What are your plans for after the festival?

Sleep, Tour, sleep, tour, write, rest, tour, eat loads of food!

GET YOUR TICKETS FOR PATRICK MONAHAN: ‘#GOALS’ HERE

LILY LOVETT AND PATRICK MONAHAN: DATE NIGHT

THE EDINBURGH INTERVIEWS 2018

Posted in: Comedians, Edinburgh, Interviews Tagged: #Goals, Edinburgh Festival, Patrick Monahan, The Edinburgh Interviews, The Edinburgh Interviews 2018

Seven Questions With… Patrick Monahan

December 28, 2015 by Becca Moody 1 Comment
patrickmonahanPatrick Monahan is one of the most energetic performers to ever come out of Ireland or Iran or even Newcastle. With an uncanny ability to get audiences animated through singing, dancing and laughter it is perhaps unsurprising that Monahan’s demographic spans a large age range. His material is largely autobiographical: it’s honest, uplifting and immensely enjoyable to witness live. And the opportunity to witness the force that is Patrick Monahan live may come sooner than you think, as he is rumoured to be announcing a tour in the very near future.
To learn more about his comedy, I asked Patrick these seven questions…

1) Do you consider yourself to be proactive?

I think to survive as a stand up you have no choice but to be proactive, your material is constantly up on every social media on line, clips are put up on YouTube filmed by audience at gigs or by the police on CCTV and uploaded. So you have to keep writing and developing new comedy routines and gags and stories, cos if people discover you on line, and come to see you, it’s nice for them to see you doing something different. It’s not like being a singer that can do their greatest hits on line and on stage, I’d love to be Justin Bieber or Adele, but unfortunately stand ups can’t be.

2) Where does your love of dance come from?

I’ve always loved physical comedy from growing up watching comics like Robin Williams & Richard Pryor, who not only tell the story but re-enact every detail of the story. And I love comedy about real life things that have happened at clubs or music venues that instead of just telling it, I can express it through dance to the audience. I enjoy dancing but I don’t know how many people like watching me dance.

3) Do you love or loathe the concept of New Year?

I think the whole idea of having a new year its great fun, but in reality it doesn’t actually change that much from doing comedy a week before or a week after. Although people actually out on New Year’s Eve at a comedy show are a lot better behaved than people out in December cos most people out on NYE are mostly couples or family celebrating who want to listen to the show as opposed to office parties who want to sleep with Denise in accounts & roast Dave from finance who are out on a Xmas works do.

4) What would you define ‘lazy comedy’ as?

Anyone who nicks routines of another comic is obviously lazy and should be punished by being sent to a remote island with a laptop and not allowed off till they can write a one and half hour show of their own stand up. I have to write a new tour show every year and I didn’t even know my alphabet till I was 14. If I can write regularly then no excuses for anyone else.

5) Which subject bored you the most at school?

School was interesting for me cos I went to a couple of different schools, so before I could get too bored me family had moved to somewhere else. But I definitely think if I went back to school now, I’d get more out of it than when I was a kid. Also most schools give away a free tablet to write on.

6) Do you enjoy being busy?

I love it. I get 2 days off a year, which is Christmas Day and New Year’s Day, but to be honest, by the evening of Xmas I’m scratching around at home looking for an impromptu gig I can sneak onto!

7) Does the audience your comedy attracts ever surprise you?

My comedy audience range from 8 years old to 88 years old, mainly cos me comedy is non-offensive, without any swearing or anything too blue. So my audience will consist of couples & families who bring out their kids & grandparents. I love it, I’d never complain.

KEEP UP TO DATE WITH PATRICK MONAHAN’S COMEDY WORK BY VISITING HIS WEBSITE AND FOLLOWING HIM ON TWITTER.

SEVEN QUESTIONS WITH…

Posted in: Comedians, Seven Questions With... Tagged: British Comedy, Comedy, Interview, Patrick Monahan, Seven Questions With

Edinburgh Preview: Patrick Monahan – The Disco Years

August 30, 2015 by Becca Moody Leave a Comment

patrickmonaghanPatrick Monahan has an energy that could wake the dead. In a last minute preview before the Edinburgh Festival (which was, at the time, imminent), the Irish-Iranian-Geordie comic was adding the final flourishes to his latest stand up hour, working on cementing the overall structure of the show, yet he bounded on stage with the confidence of a man that new the next sixty minutes were to go swimmingly, regardless of how far progressed his material was in that moment.

A show that begins with several minutes of vigorous seventies style dancing from the older members of our Birmingham audience is not the way I expected Patrick to get the ball rolling, but comedy is all about new experiences, and we were clearly there to learn. The hour (and the rest) itself is a personal and honest account of the comedian’s experiences as a young boy growing up in Iran in the 1970s, with heavy influences from the world of dance, of course, as this appears to be Patrick’s speciality.

I was born in the late 1990s and it’s fair to say that I know very little of what went on in the 70s (or even the 80s and 90s for that matter) other than the obvious pop culture stereotypes and a brief understanding of international tensions at the time. Diverse, to say the least. But not only were us younger audience members (or “the children” as we were referred to) able to learn a little more about what living in the 1970s was like for many, we were also invited to be a part of the discussion, which resulted in many laughs and a unified feel in the room. Forgetting, possibly, that the house lights were up for the entirety of the show, Monahan nurtured and maintained a friendly, sociable atmosphere. Even if that meant unknowingly encroaching on regional banter with innocent questions like “which is nicer, Worcester or Wolverhampton?”.

Patrick Monahan is a truly charming comic who exhibits great care for his audiences as well as for the quality of his craft, making his show one of the most enjoyable and uplifting experiences to be had at the Fringe.

Patrick Monahan is currently performing his show The Disco Years at the Edinburgh Festival.

SEVEN QUESTIONS WITH… PATRICK MONAHAN

MORE EDINBURGH PREVIEWS

Posted in: Comedians, Edinburgh, Live Comedy, Previews, Reviews Tagged: British Comedy, Comedy, Patrick Monahan, The Disco Years

Is Comedy a Londoner’s Game?

September 18, 2018 by Becca Moody Leave a Comment

Anyone who knows me knows that I love comedy. I’ve been to countless stand-up shows in Birmingham over the years and a fair few in Cardiff too since starting my degree. But one thing I have never done is see any form of live comedy at a venue in our country’s capital: London. No tour shows, no club nights, no previews in the back of a pub. Zilch. I could give you a whole bunch of reasons, from money considerations to the fact it’s just easier to wait for the comedians to come to me than to scout them out in London. I’ve always intended, one day, to go and experience London’s comedy scene first-hand. But why do I have this intention? What is it that makes the London comedy scene so unlike Birmingham, or Cardiff, and why do I feel like I need to go and experience it?

Suppose it’s a Friday night. You want to see some live comedy in central London, but where to go and who to see? A quick internet search provides a whole host of interesting events. On the night I’m looking at, Stewart Lee is performing his Content Provider show at the Leicester Square Theatre, and Geordie comedian Lauren Pattison is performing Lady Muck at the Soho Theatre (a show which saw her nominated for Best Newcomer at the Edinburgh Comedy Awards in 2017). Both shows have completely sold out. There are also comedy club nights happening all over this part of the city, from the Comedy Store in Soho, to the 99 Club in Covent Garden. Some comics’ names are even appearing two or three times, as they perform a set at one club, then move straight on to the next (and sometimes the next). There are also shows that start as late as 10-11pm; closer to the finishing time of most comedy gigs across the country than the start.

Lauren Pattison © Andy Hollingworth

There’s clearly a lot of comedy to cram in over the weekend, and certainly high demand for it too. London has a population of almost 9 million people, whereas Birmingham (my home city) comes in lower at around 1.1 million. Cardiff, at the other end of the scale, is home to just under 500,000. So we might assume that the demand for comedy is much lower in Cardiff than in London, but is this all there is to it? Are these comedians flocking in their hundreds just to perform to bigger, more frequent audiences? It may be true that other cities in the UK just don’t have the same demand for stand-up comedy, but I’m curious to find out if this is the main attraction for stand-up comics, or whether there are other factors that make this city such an appealing place to work.

Now, I’ve made it pretty clear that my knowledge of London’s comedy scene is limited. However, I have interviewed countless comedians about their theatre runs, new material nights and club nights in the city. And, after all, writing an article about stand-up comedians working in London, without speaking to any stand-up comedians who have worked in London, is about as useful as writing a dissertation on the social behaviours of ants but spending the whole time only speaking to toddlers about their verdicts on such ant behaviours. I need to ask some comedians first-hand about why they feel drawn to London’s comedy scene, because surely it can’t just be the size of the crowds.

Lauren Pattison moved to London in September 2016. She confided in me at the time: ‘I’m worried moving to London was the wrong thing to do; I’m worried that I’m never going to be in a position financially to leave my day job and just be a comedian.’ (See: ‘Seven Questions With Lauren Pattison’). But since this conversation, Lauren has skyrocketed into the public consciousness. She regularly performs as tour support for the quick-witted Katherine Ryan, and is currently touring her acclaimed show Lady Muck across Australia and New Zealand. It hasn’t been an easy ride, with financial worries understandably playing a big part in the comedian’s struggles to properly settle in London, but her success appears to be increasing by the day. I’m intrigued to know how Lauren is managing to make her move to London financially and creatively viable, so I started by asking her why she moved to London in the first place.

‘I moved to London because I felt a bit stuck in Newcastle,’ Lauren tells me, ‘I was doing alright for myself up North but felt like I didn’t really play anywhere down South – partly because I wasn’t known and partly because the expense of travelling and staying down there for a gig was so high that it would cost a week’s wage for me to go and do an unpaid gig. I had nothing to lose by moving to London (aside from my hopes and dreams).’ It seems that moving somewhere more central, like London, is a way of opening up other parts of the country for Britain’s commuting comics. ‘A lot of places seem to be a bit easier to get to from down here! Leeds, Liverpool, Manchester, Newcastle and Birmingham are all relatively easy to get to via train and being based down here means it’s much easier and cheaper to get to gigs down South.’

Stephen Bailey © Comedy Central

Stephen Bailey (a stand-up comedian from Manchester who also regularly supports Katherine Ryan on tour, it seems she has good taste) lives and works in London too: ‘I was living in London anyway because of my day job. Then, when I was in a position to leave the office, I kind of just stayed. For me, just breaking into TV, I feel like I need to be here for the meetings, the auditions, the showcases – as it would cost an arm and a leg for me to go back and forth to Manchester as a non-driver.’

Both Stephen and Lauren agree that London is a great place to develop yourself as a comic and potentially get noticed by important industry people. ‘The good thing,’ Stephen tells me, ‘is that you can perform several times, every night of the week, which can arguably help you get better. On the flip side, it’s so oversaturated… you could just be playing to other comics if you don’t know where to look.’ Lauren’s comments back this up: ‘Comics can literally do something every night of the week without having to leave London. It helps you hone your act and you can notch up a lot of gigs in a short space of time, but I think what made me the comic I am is by not just gigging in one place but gigging in different rooms, in different cities with different audiences.’ But just because there might be more opportunities in our capital for hopeful stand-ups, you can’t just move there and expect a career handed to you on a plate. The sheer number of comedians working in London goes to show how much effort needs to be put in to make sure you stand out from the crowd. Not only do you need a clear, original and genuine comic voice, but you need to be savvy about where and when you perform, otherwise you can find yourself out of pocket and performing to smaller crowds than you’d like.

Lauren confirms my suspicions: ‘People tell you, “you can gig every night of the week!”. You soon find out that you can, but none of those gigs are paid and you’re on with twenty other comics and there’s no progression and you’re lucky to have an audience. For me it was about not just saying yes to everything (which is what I usually do) but sussing out which gigs were worth my time and effort. Focusing my energy on the gigs I knew would get me places or swing a tenner my way so I could cover my tube fare soon made me much happier.’

Money is, and I expect always will be, a massive obstacle for comedians working in London. Starting out in comedy is an expensive game anyway, with many continuing to work different jobs in the day and gigging during the evening. The financial aspect was an issue for Lauren (she continued to work as a waitress when she first moved to London), and I suspect she is just one of countless creatives who struggle to make living and working in London financially possible for themselves. ‘I was burning the candle at both ends, working a day job and going straight to a gig after. Yet at the end of the month I was still broke. All my wages were being pumped into affording travel to gigs and trying to cobble together rent.’

And it doesn’t help that some comedy clubs seem to be in no rush to pay comedians for their work. Lauren fills me in: ‘I’ve had nightmares before where I’ve had to chase promoters for months for £50 and you’ve got bills to pay and food to buy and travel to cover to get to another gig. If any other job didn’t pay on time you’d be straight to HR but there isn’t really an HR department in comedy and it’s not unusual to wait nearly two months to be paid.’ Stephen tells a similar story: ‘Good acts that are working the circuit have to quit because they can’t get their payments off promoters. You have to be good at budgeting as most places just pay you as and when they feel like it. I am owed money from December, I’m always chasing payments. The longest I ever had to wait was a year. Jongleurs didn’t pay for ages, kept booking in more gigs then went bust so most comics lost dollar for work done. Not cool.’

Jongleurs announced on the 17th of October 2017 that they were closing down. In a statement, the company said: ‘Every possible effort has been made to keep the company viable, including cash injections of over £200,000 from the director and shareholders since late 2014. Unfortunately there are now no more funds available to inject into the company.’ The closure left many comedians unpaid; some had even racked up a whole year’s worth of gigs that they hadn’t been paid for.

So maybe working in London as a stand-up comic isn’t a plausible reality for many comedians working today. But while working in London can help get you noticed by industry professionals and punters, and will thus inevitably help you to establish yourself as a comedian, it surely isn’t the be all and end all. There are other big cities with a large variety of people making up their comedy audiences. I asked Lauren what she thinks about this prospect, and she felt a similar way: ‘I don’t think London is necessarily the best place to be working as a stand-up comedian for everyone. I think it’s not necessary to move – for example, if I lived Manchester or Birmingham and could drive, I wouldn’t move. Everything would be more accessible via car and living costs would be lower.’ If you want to access areas aside from London, then any city that is relatively central could be a good place to set up camp, opening up cities in the North and the South, whilst avoiding the living costs of the capital.

© Birmingham Glee Club

You may have noticed whilst reading this article that Birmingham is where my heart lies. It’s where I’m from, where I spend the majority of my time, and my favourite city to go and see live comedy in. One quick search of comedy events next Friday night flags up lots of results. Though admittedly not as many as my search of London venues, I still find that Patrick Monahan is performing his show Rewind Selector 90s at Birmingham Glee Club, there’s a Machynlleth Comedy Festival Showcase at the MAC (Midlands Arts Centre), and Dane Baptiste is performing G.O.D. (Gold. Oil. Drugs.) not too far outside of Birmingham at the Leamington Spa Royal Spa Centre, plus more. 

If you want to take advantage of the vast range of opportunities that working as a stand-up in London can bring, are prepared for the potential financial struggles and willing to put the work in, then I’m sure that London can be a wonderful, vibrant place to live and work. One final thing that Lauren says sticks with me, and proves to me once and for all why she has found such great success in recent years: ‘I am beyond pleased I gritted my teeth, kept my head down and ploughed on. Yeah, it can feel harder for sure if you’re less privileged, but rather than sulk about it I’ve always tried to find a way to still make it happen – even if it takes a bit longer and I have to eat noodles for weeks.’ This sums everything up for me: you can make your way in comedy, wherever you’re working, if you have passion and grit (and perhaps a day job on the side). Yes, being based in London can help you to reach more audiences in a shorter time frame, but if you’re not financially able to live in the capital, that’s not the end of your chances of making it big time. London is a place where comedians can gig as much as they like and develop their material and comic voice, but, at the end of the day, there are audiences in every town and city if you’re prepared to root them out. Comedians, the world is your oyster.

This article was originally published in Issue #167 of Quench Magazine, in March 2018.

Posted in: Comedians Tagged: British Comedy, Comedy, Katherine Ryan, Lauren Pattison, London, Stand Up, Stephen Bailey

A Guide To Edinburgh 2015

August 7, 2015 by Becca Moody Leave a Comment
That time of year is upon us once more; thousands of performers, reviewers and audience members are preparing to visit the holy grail of comedy that is the Edinburgh Festival. Here is a quick run through of everything MoodyComedy would be attending if only I could get there this year. Do get in touch if you attend any of these shows, or see something else that you think should be featured. You can also catch up with the past week’s exclusive MoodyComedy interviews.

Stuff That’s Gold

2015KATHERI_SV

Katherine Ryan

Katherine Ryan is performing her latest show, Kathbum, currently riding high on her phenomenal rise to fame in recent years and showing no signs of stopping any time soon. With every new show, Katherine only increases in her wisdom, experience and cutting sass, similar to that of Irish charmer Aisling Bea who brings her second show, Plan Bea, to the festival. Another name to watch out for is that of Luisa Omielan, who will perform a very limited run of her second show Am I Right Ladies?!. Omielan is a performer that cares about her audience to an extent I don’t think I’ve ever witnessed before: her show is empowering, lively and not to be missed.

James Acaster presents another whacky hour of surreal yet surprisingly dramatic story-telling stand up in his show Represent and Joe Lycett returns, with possibly the best show title of the year: That’s The Way, A-Ha A-Ha, Joe Lycett. And it would frankly be a mistake to miss out on seeing Bridget Christie‘s latest show, A Book For Her, which sees the launch of her debut novel, and showcases her trademark blend of feminism and spectacular comedy.

Stuff That’s Odd

Tony Law, the king of surreal comedy, is performing his new show Frillemorphesis where he explores ideas such as shouting, moving and talking, absolutely standard. A live show from the Tone Zone is an opportunity not to be missed, or forgotten in a hurry, and his being in this category is by no means a suggestion that this show will not also be Gold.

Shouty extraordinaire Bobby Mair brings another dark and bitterly funny show off the back of his recent television successes, entitled Filthy Immigrant; Tom Allen performs Both Worlds with his signature sinister calm and endearing flamboyance and Harriet Kemsley, who spent the first part of this year supporting Katherine Ryan on tour, also performs her debut hour, Puppy Fat, which has got the critics excited. If you like a bit of audience interaction, Jonny Awsum’s show Everything Is Awsum will be another unforgettable experience, as will Patrick Monahan’s seventies-inspired show The Disco Years.

Stuff That’s Free

Now any Edinburgh Festival-goer will be able to tell you that ticket price does not necessarily dictate quality; free shows are on the rise as they are a great way of ensuring the trip is more affordable for comedians and fans alike. There are some real gems performing shows this year that rely on kind donations alone.

lou

Lou Sanders

Rob Auton has prepared another delightfully off-kilter, poetical concept show entitled The Water Show where he considers everything surrounding the theme of water, much like his previous shows which have centred around themes such as Yellow, Sky and Face. Elf Lyons‘ Being Barbarella is a high-octane adventure, discussing science fiction, liberation and sharks. This lady is a true one-off, who’s surreal form of comedy is often likened to The Mighty Boosh. And Lou Sanders, being the wonderful shambles of a performer that she is, brings her insane show about her efforts to get accepted into Eton College For Boys, of course entitled: Excuse Me, You’re Sitting On My Penis Again.

Stuart Goldsmith will also be recording episodes of The Comedian’s Comedian Podcast where he interviews everyone that is anyone in the world of comedy, delving deep into the psyche of the performer and having many laughs in the process. The line up for this year is stellar and although the recordings are free to attend and non-ticketed, the venue will undoubtedly fill up quickly on the night so plan ahead.

You can purchase tickets for all shows mentioned on the Edinburgh Festival website.

READ EDINBURGH PREVIEWS HERE

Posted in: Comedians, Edinburgh, News Tagged: Aisling Bea, Bobby Mair, Bridget Christie, Edinburgh Festival, Elf Lyons, Harriet Kemsley, James Acaster, Joe Lycett, Jonny Awsum, Katherine Ryan, Lou Sanders, Luisa Omielan, Patrick Monahan, Rob Auton, Stuart Goldsmith, Tom Allen, Tony Law

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