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Seven Questions With… Great British Mysteries

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© Michael Shelford

Great British Mysteries is the historical comedy duo made up of Olive and Teddy (played by Rose Robinson and Will Close), who are returning to the Edinburgh Festival this year with their second show: 1599?. Self-described as ‘Woman in Black meets Key Stage 2 Tudor history’, this silly investigation into various perplexing mysteries will leave you wishing you were a detective yourself, or perhaps not.
I asked Will Close from Great British Mysteries these seven questions to find out more about the pair…

1) How did you come to form Great British Mysteries?

‘Great British Mysteries’ began life when we were away on tour with the 1927 show, ‘Golem’, which we were involved with for about two and half years. We did a lot of shows and a lot of travelling and during that time started kicking around an idea for this odd character comedy piece. When we came back, we got Joe Hancock involved as Director/Technical Master/Overlord and then it became quite a productive trio. We’d all done or been involved in comedy before and have known each other a long time so it was a natural fit.

2) What is the biggest mystery you’ve ever encountered?

Well we are mystery geeks so that’s a tricky question. My favourites to read about are probably Nessie, the Yeti and Sea Serpents of all guises. Although, I am quite fond of Mokele-mbembe who are supposedly a species of dinosaur still alive and well in the Congo. Real-life ones on the other hand, that’s probably less exciting… What will become of my student loan? That’s currently baffling mystery hunters everywhere.

3) What makes you laugh the most?

Very hard. I love Richard Ayoade, Matt Berry, Limmy and the list goes on and on and on. My best friend Tim who is a prawn farmer in Canada also makes me laugh, but for different reasons. I mean, he’s a prawn farmer in Canada. That’s gold.

4) Do you like going to the cinema?

I do but I’m not very good at getting it into my routine. Joe and Rose go more. I always book for anything fantasy related – dwarves, elves, dragons and I’m there. But I tend to forget the rest of the time. I have a PictureHouse membership but I just use it as a means of getting slightly reduced popcorn.

5) What is your best Christmas memory?

Ooh, I think they are always best when you’re young. The year we got a Nintendo 64 is hard to top. I saw this large box under the tree on about the 10th of December and then that was it. I couldn’t sleep with excitement; ‘Is it?’, ‘Isn’t it?’, ‘Maybe it’s just more handkerchiefs from my Grandma in a very large box.’ The actual moment the anticipation broke on Christmas morning; I can’t even recall. It was a blur. Mario 64 was seared onto my eyelids for months afterwards.

6) What is the biggest onstage disaster you’ve ever had?

I don’t think there’s ever been anything too disastrous. In a funny way, when something backfires or doesn’t work it can actually create quite a fun vibe. We were doing Golem in Manchester once and the screen (which is completely integral to the whole show) just switched off. Gone. No more films. I was playing drums and doing a live score of the action but then it just vanished. Me and the pianist just jammed out for fifteen minutes and then it came back. I think the audience quite enjoyed it. At least, that’s what I tell myself.

7) What is your most obscure achievement?

I can make an elephant with my hands. It’s nothing perverse, I just bend my fingers into odd shapes… Oh, and I’m tragically good at FIFA. A misspent youth… But at least I know about Mokele-mbembe.

GET YOUR TICKETS FOR ‘GREAT BRITISH MYSTERIES: 1599?’ HERE

TV Review: House Of Fools, Series 2

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Reeves and Mortimer mature like a fine wine. They somehow manage to out-do themselves with every programme they create, and building on the foundations of shows like Big Night Out and Shooting Stars, that truly is some feat. Series one of House of Fools was a comical violation of the senses, in the most enjoyable way imaginable. A fool would assume it couldn’t get any better. But it has.

This second series has shown the group really cement themselves as a unit, if a rather dysfunctional one, which gives the comedy so much more meaning and vigour, and the addition of Julie’s Bistro downstairs provides an interesting new dynamic. Rachel, Erik’s straight-talking Norwegian girlfriend, is a new character and is played by Ellie White. She fits into the group effortlessly and the possibility of Rachel just becoming a reflection of Erik’s character is successfully avoided, as she is the centre point of jokes from her very first appearance (such as her fear of non-flat things, which Bob inadvertently brings to the surface).

BBC/Christopher Baines

BBC/Christopher Baines

Dan Skinner continues to bring elements of his hysterically funny stand up character Angelos Epithemiou to his performance as Vic’s younger brother, Bosh, and similarly, Matt Berry approaches the character of Beef in his typical smooth-voiced and flamboyant style. These talented actors have certainly worked out who they are in terms of performance and this is expertly picked up on by Reeves and Mortimer in the character development and sharp script writing. And then we have Julie. Julie is absolutely magnificent. She is bewildering, extravagant and outrageous yet has the depth of a wholly decent character at the same time. Morgana Robinson’s performances truly are a sight to behold, with her enthusiastic slapstick and unpredictable line delivery, particularly regarding her temporarily tiny hands.

From the strange interpretations of celebrities like Bruce Forsyth and Alistair McGowan, to the arrival of The Butcher Boys, a dance trio made up of Tom Davis, Tony Way and Romesh Ranganathan, to the appearances of Sally Phillips, Simon Farnaby and Rufus Jones, amongst others, it can’t be denied that this programme is diverse. As well as the new energy in the cast, the fact House of Fools is recorded in front of a live audience adds something extra special to the performance, especially as they are seen at the beginning and end of episodes when the camera pans out. Fans of Vic and Bob do not sound like your average laughter track; they are boisterous, enthusiastic and clearly having a bloody enjoyable time. This homemade feel is enhanced by the decision not to remove the frequent corpses and mistakes made by the cast, which often highlight how preposterous the plot is and remind us that a great deal of the script is semi-improvised.

BBC/Christopher Baines

BBC/Christopher Baines

House of Fools is a microcosm of insanity and childishness. When Beef announces that his black cape is “made of the nighttime,” nobody bats an eyelid. When Vic proposes to save Bob’s underwear from a giant moth by shooting it dead, Bob dismissively sighs: “Vic, I don’t want my panties covered in shot.” It always has been and always will be an absolute joy watching these two fantastic comedy minds working together, and seeing them have so much fun in the process. Vic and Bob have unlocked a door to a phenomenally wacky and unsettlingly funny parallel universe, and I want to stay there forever.

CATCH UP WITH SERIES TWO OF HOUSE OF FOOLS ON BBC IPLAYER

iPlayer Preview: Funny Valentines

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If you watched the BBC iPlayer shorts from June 2014, you’ll have seen for yourself how these miniature comedy installations really do open up a new style of viewing. Last year’s six hilarious bitesize programmes allowed us to sample a whole range of funny creations from the likes of Matt Berry, Reece Shearsmith, Micky Flanagan and Meera Syal, and it’s no surprise that the news of a brand new set this month was more than welcome.

Rom Com is the increasingly popular Romesh Ranganathan’s Valentine’s-related short, starring Aisling Bea. Together they make up the world’s seemingly most awkward first date ever. The episode follows Romesh as he is rigorously prepared for his evening with this quite mysterious young woman by his very own verbally abusive relationship guru, who also happens to be a figment of his own imagination. Rom Com is a dark and oppressive comedy, and is made bitterly funny thanks to both of its stars.

Katy Wix’s Dear Jean Pierre is a silly story of a quaint French romance, as it reaches its emotional final moments. In this remarkable tale, Wix relives the moments where the relationship began to decline, and brings her wonderfully childish humour along for the ride. With her trademark hopeful and innocent nature, and a knack for surprising us with various twists and turns along the way, Dear Jean Pierre is a complete comedy delight.

© BBC/Baby Cow/Guy Levy

Matt Berry’s Wild Love is certainly wild, shockingly funny and crude. In the sequel to last year’s Lone Wolf, Berry narrates the mating antics of various creatures ranging from golden frogs to “colonial hopping dogs”. This undiscovered world is absolutely crazy, and even our beloved narrator himself seems to get carried away by the absurdity of it all, which makes for hilarious listening. Writer, Bob Mortimer, and Berry have come together yet again, to create something fantastic, and it’s not too difficult to visualise this becoming a series one day. Watch out David Attenborough!

Bill Bailey brings his brilliant song-writing skills to present a parody of the romantic-rock music industry by remaking one of his own songs, Love Song. It is bleak, harshly funny and typical of Bailey’s hilarious comedy. It also really made me want to watch his ’96 live show Cosmic Jam again as this man’s material is absolutely timeless. Music Lovers is Sara Pascoe’s surreal comedy short about a Norwegian band, Monozygotic, who are promoting their new album, but it turns out there is much more going on behind the scenes that are revealed throughout. I loved this because it’s completely different from anything I’ve seen Sara do before (and because I got to hear Elis James’ Norwegian accent.

© BBC/Happy Tramp/Guy Levy

Elephant, starring Nick Helm and Esther Smith, is the sweetest little comedy I’ve seen in a long time. It follows a very clumsy yet likeable pair of young almost-lovebirds as they embark on the world’s cheapest almost-date ever. The visuals of this one are absolutely beautiful, with bright natural lighting and smiles all round and the over all effect is a slow-burning, lovely episode that really warms the heart. The Lady and the Fly from Modern Toss is very different from the rest of the episodes due to its animated format. A fly has fallen in love with a human woman and her apparent rejection has made him feel like ending it all and becoming a “self-netter” by flinging himself into a spider’s web, ready to be eaten. Modern Toss have created something that is cleverer than most observational comedy, as the ideas are implied through the fly’s narrative, rather than in explicit statements.

These iPlayer shorts are such a great new development in online viewing and I look forward to a third batch at some point in the future.

Watch all of the fantastic comedy shorts on BBC iPlayer

This Year In Comedy, Part 1

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2014 has been a massive year for comedy in Britain;

There have been countless brand new television programmes broadcast this year, with some of my favourites including Uncle, House of Fools, Doll & Em, The Walshes, Inside No.9, Alan Davies: As Yet Untitled and Siblings. In this sense, 2014 has certainly proven itself to be twelve months of creativity and innovation in comedy, which will pave the way for televised comedy in the future.

As well as new projects, there have been many top-quality programmes that returned to our screens this year. Noel Fielding’s Luxury Comedy: Tales From Painted Hawaii was a special one for me, as Noel Fielding is my comedy hero, and considering the fact that the first series was broadcast all the way back in January 2012. Ricky Gervais’ Derek, Toast of London (Matt Berry) and Big School (David Walliams and Catherine Tate) returned for a second series and the brilliantly funny Friday Night Dinner came back with a third.

Noel Fielding's Luxury Comedy

Noel Fielding’s Luxury Comedy

At the beginning of the year, the BBC announced that they were to make a conscious effort to include at least one woman on every episode of every panel show broadcast by the corporation, and it inspired me to write this post. It’s fair to say that to begin with, I was disheartened. I felt embarrassed that female comedians were being made to look like poor little lambs that can’t fend for themselves as it is absolute nonsense. However, the situation improved later on in the year (which I also documented here) as the thirteenth series of Mock The Week aired and so many talented female comics were given the screen time they deserve. It is my hope from here on in that people forget about the publicised rule and appreciate that these women have earned their right to be on these programmes, and acknowledge their immense talent.

Another shock announcement was that there are plans for the channel BBC3 to be axed in order to fund other projects within the BBC. Amongst other things, the broadcaster wants to create a BBC1+1 which seems pointless as we already have iPlayer, and the decision has, understandably, not been well received. We are told that when BBC3 disappears from our TV screens, it will still be available via BBC iPlayer. Maybe we are just reluctant to give in to the age of the computers, but it definitely feels like the space for new comedy on television is being made smaller by moving its main platform online. “We know those +1 channels are very important to people”, well, Mr Cohen, so is our comedy.

Winner of this year's Fosters Comedy Award: John Kearns

Winner of this year’s Fosters Comedy Award: John Kearns

The Edinburgh Festival this year saw a new winner of the Fosters Comedy Award crowned. John Kearns’ show Shtick is the first Free Fringe show to have ever won the award. There have also been some HUGE live comedy tours this year from the likes of Russell Howard, Miranda Hart, Sarah Millican and Noel Fielding, as well as the return of Monty Python for five nights of nostalgic silliness at the O2 Arena.

COME BACK NEXT WEEK TO READ PART TWO OF THIS YEAR IN COMEDY

The British Comedy Awards 2014

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2014 has been a fantastic year for British Comedy, and The British Comedy Awards exists to showcase a large proportion of that to the public.

Last year’s post about the British Comedy Awards ceremony was largely negative, as a result of the production rather than the comedy being nominated and awarded. The show was aired live, which meant that mistakes could not be hidden and the timing issues were obvious, with some speeches having to be cut short which seemed outrageous. This year, however, the programme aired on Channel 4 on December 17th, rather than live, on December 16th, which meant the whole affair appeared far more professional and respectable, if a little fake, to the television audience.

It was a delight to see the wonderful Harry Enfield receive three awards (individually for Best TV Comedy Actor and teamed with Paul Whitehouse (Harry & Paul) for Best Sketch Show and Best Comedy Moment). Katherine Parkinson (The IT Crowd) also won Best TV Comedy Actress, which I think is incredibly well-deserved and so endearing to see how shocked she was to be recognised. Matt Berry was nominated for a whopping six awards, though he lost to Nick Helm for Best Comedy Breakthrough Artist, which is just as it should be seeing as Berry has been a television comic for over a decade. I’m a big fan of Berry’s Toast of London; it was great to see such a strange style of sitcom win an award for once.

The person I was most pleased to see win an award was certainly Aisling Bea, who won Best Female TV Comic. Seeing this absolute ray of sunshine crawl onto stage in her dress and heels and inadvertently turn herself into a “hospital DJ,” made me laugh so much and just proved that Aisling is a funny woman through and through. I am unbelievably pleased for her and can’t wait to see what this award does for her career in the coming year. Another beautiful moment was hearing an emotional speech from Brendan O’Carroll (Mrs Brown’s Boys), who was rightly awarded with the Writers’ Guild of Great Britain Award.

It’s easy to be cynical whilst watching such a grandiose display of wealth and status, and there were times throughout the production where I did feel like the spirit of British Comedy was being exploited, but, unlike Stewart Lee, I chose to ignore that this year. From the position of a viewer rather than a performer, I can see that The British Comedy Awards gives comics a platform to boost their careers or give them recognition for their lifetime achievements, and that can only be a good thing in my opinion, however unfair you believe the results to be. Out of the nominees for King or Queen of Comedy, however, Greg Davies will always win in the end.

I think my favourite part of the whole affair was hearing Tulisa say “I’m a big comedy fan.” Yes, that part made me laugh the most.

TV Review: Toast Of London, Series 2

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The king of voiceovers, the prize idiot, the most unsuccessful actor ever to grace our television screens: Steven Toast is back.

Matt Berry is a true talent who has proved he is able to play a huge variety of different roles, but each character always has that signature Berry-style about them, and that’s what makes him so enjoyable to watch. Series two comes armed with recurring jokes from the first series, with appearances from Ray “Bloody” Purchase and regular and consistently awkward conversations with the delightfully irritating Clem Fandango.

Steven Toast has an air of self-importance and a clear sense of disgust and disregard for anyone else, despite him often being the one portrayed as the fool in a wonderful example of dramatic irony. This dramatic irony is what makes the series so entertaining and even painful to watch in some places; Toast is an arrogant cretin who says and does the most terrible things, yet the joke is always on him.

With its offbeat storylines accompanied by incredible and hilarious musical interludes (written and performed by Berry), Toast Of London is peculiar, rapidly changing and absolutely outrageous. The stable and sarcastic character of Ed Howzer-Black (Robert Bathurst) compliments Toast’s childish pedantry brilliantly, with his dead-pan delivery of such horrendous lines. As well as Bathurst, Doon Mackichan is a delight to watch, playing Toast’s agent, Jane Pleugh. Mr Pleugh gets the limelight in one of my favourite scenes of the series, her incredibly funny acid trip in episode four (“High Winds Actor”). The new instalment of Toast Of London also includes appearances from the likes of Peter Davison (Doctor Who), Matthew Holness (Garth Marenghi’s Darkplace), Morgana Robinson (House of Fools), Steve Pemberton (The League of Gentlement) and Terry Mynott (The Mimic).

Toast of London has been accused by some of being sexist but surely it is satirical. Steven Toast is a man that we aren’t supposed to really like. He’s a moron; an egotistical snob who’s career really isn’t going anywhere. The show is often uncomfortable and intentionally distasteful, smooth to the extent that the sarcasm can be missed, to the point that watchers may be inclined to look away from the screen or cover their ears. My reading, however, is a positive one. Many parts of the show I found unnecessary, such as the sheer amount of nudity in every episode, as I generally don’t think a good comedy needs to hide behind crude references in order to be funny; Toast could do without it, though it’s likely that this aspect is relied upon for Toast’s own character development.

The second series of Toast of London has taught me a lot about my own taste in comedy, and the more I think about the programme, the more I realise how much I enjoyed watching it.

CATCH UP WITH TOAST OF LONDON, SERIES TWO ON 4OD.

Garth Marenghi’s Darkplace, Revisited: S1E6, The Creeping Moss From The Shores Of Shuggoth

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Episode: The Creeping Moss From The Shores Of Shuggoth

Air Date: 3 March 2004

Summary: Another mist has appeared over Darkplace but this time, it’s green! On this occasion, it gets through the air vents and the result is a young woman named Linda getting infected and turning into cosmic broccoli (of course). Unfortunately for Sanchez, he falls in love with Linda, who is now terminally ill, and this even results in him contracting the broccoli disease (much like an STD) and has to have emergency surgery. This episode is not only a commentary on the issues of AIDs in the world, but is also a story of love and loss.

broccoli

What Else? More new music is played in this episode such as Matt Berry’s song: One Track Lover which features some wonderful rapping from Thornton Reed. Somehow, the tapes that contained a part of the programme have been destroyed (under mysterious circumstances) which means that these must be explained through the use of photos of the events and a commentary from Dagless. There is also a brilliant and entirely not un-realistic fight scene between Dag and Sanchez.

Quote of the Episode:

Thornton Reed: “When I heard my wife died, I could barely finish my lunch.”

Familiar Faces: Julian Barratt appears for a third and final time as the priest. We also see Graham Linehan as a member of hospital staff and Kim Noble as a barman (as well as his usual role of Doctor Jim).

THE END:

So, that is the end of my revisit to Garth Marenghi’s Darkplace. I hope you enjoyed reading about them and maybe hearing about them for the first time (or just remembering how much you loved the show in the first place!).

THE REVISITED SERIES

Garth Marenghi’s Darkplace, Revisited

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Garth Marenghi’s Darkplace is a wonderfully stupid but very sinister cult comedy classic. It aired in January 2004 so celebrated it’s tenth anniversary at the start of this year. Sadly, the show only ran for one series but I want to relive the chaos of Dark Place with you. This new weekly feature will see a short analysis of an episode each week and I hope it will either help you to remember the things you loved about the show or even introduce you to something you may never have watched.

Darkplace is a medical drama based in Romford; talked through to the audience by the writer of the show’s screenplay, Garth Marenghi. It features a cast full of wonderful comedic actors, many who have also worked on The Mighty Boosh and The IT Crowd.

dean and garth

The immediate cast include Matthew Holness as “author, dream weaver, visionary, plus actor”, Garth Marenghi, who plays the part of “maverick doctor”, Rick Dagless M.D; Richard Ayoade as Garth’s manager, Dean Learner and also as his role of Thornton Reed, Dagless’ boss and Matt Berry as horror film star, Todd Rivers and his character, “hot shot surgeon”, Lucien Sanchez. Finally, Alice Lowe has the part of Madeleine Wool, a mysterious actress who later disappeared, who plays the part of Liz Asher, psychic lady doctor.

In addition to this, there are many other familiar faces that pop up, including Noel Fielding, Julian Barratt, Kim Noble, Stephen Merchant and Graham Linehan.

Many shocking and disturbing things happen in Darkplace Hospital, including a portal to Hell being opened underneath the building, a contaminated water supply resulting in people turning into apes and the arrival of Skipper the Eyechild. Is any further explanation needed? Stay tuned for a look into each episode of this brilliant show with Garth Marenghi, Revisited.

BBC iPlayer: Original Comedy Shorts

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A wonderful thing happened on BBC iPlayer on June the 1st: six comedy shorts were released exclusively online with input from many of the most brilliant people in comedy right now. This kind of thing is so vital for keeping comedy on television and online alive as we need to keep pushing the boundaries of comedy in order to keep it successful and influential.

Each comedy short is around five minutes long and they are all completely stand alone episodes (though it would be great if someone could pick them up for series in the future). My favourites were Micky Flanagan’s Foxageddon, Matt Berry in Lone Wolf and Bob Mortimer and Frankie Boyle’s Cookery Show mainly because of the comedians they involved, but I also thought Morgana Robinson’s impressions Channel M were wonderful, as always (her Amy Child impression is spot on).

I can imagine Micky Flanagan’s episode evolving into some kind of Lead Balloon–esque series in the near future as Flanagan’s comic delivery is very unique, which you’ll know if you’ve seen any of his stand up. His character here has the same comic voice as his stand up which I thought really aided the episode because there was less ground work that needed to be done to set the scene. The episode was funny because it is entirely stupid, which I guess is just refreshing for an audience who are used to satire etc. Also, the fact it featured Kerry Godliman (Derek) was a brilliant thing as I think she is very talented.

Frankie Boyle and Bob MortimerBob Mortimer is a hero of mine and I was very looking forward to seeing what he could produce in a five minute time frame. I wasn’t disappointed; it was a whimsical, nonsensical cookery world and it was a beauty to watch, as Mortimer always is. I also noted that Bob was involved in almost all of the other comedy shorts: sometimes as producer and sometimes as writer and this proves what a clever, hardworking genius he is. It was also interesting to see Frankie Boyle playing a slightly different role, as a television presenter who hates peas:

“What is it, Frankie, is it the peas, or the thought that the knife might be on the brink of extinction?”

I can picture Frankie working on some kind of childrens’ show in the future and before watching this, I would never have thought so (for obvious reasons). I think Boyle and Mortimer are both incredible comedic talents, with an interesting partnership on screen and really hope something comes from this comedy short, as with many of the other episodes, but especially the cookery show.

I also love every show Matt Berry is involved with as the man is undeniably a fabulous comedic actor. Lone Wolf is an extremely funny mini-documentary that follows a wolf pack as they hunt their next meal but the voiceover is Berry-style: foulmouthed and hilarious. Again, I can see this making a fantastic feature in a sketch show or even a show on its own.

You can watch all the comedy shorts on BBC iPlayer here and I definitely recommend you do!

The Mighty Boosh Revisited: S1E2, Mutants

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Episode: S1E2, Mutants

Air Date: 25 May 2004

Summary: There is a crisis at the Zooniverse: the animals, and even the quiet Joey Moose, have gradually been going missing and nobody knows who the culprit is (well, half of the staff haven’t even noticed). However, all hell breaks loose when Vince discovers that Bollo, too, has been snatched, as well as Mrs Gideon’s beloved python. The evil mastermind behind the trouble is the one and only Dixon Bainbridge who has been making mutants in his Secret Lab. Don’t worry, he has his reasoning: “Times have changed, zoos are over. You see a rhino, big deal. You see a wolf, who cares? You see a rhino with a wolf’s head- that’s a kind of twisted poetry”. His demands are getting out of hand as he orders Fossil to “get me a human person” and Howard is in severe danger of becoming a ‘mansnake’…

What Else? This episode features another one of Fossil’s iconic scenes, his quirky song: “Nicey nicey zoo zoo, for him and her, and me and you” as well as further development of Fossil’s inability to name the animals, for example, he refers to the elephant as the ‘grey leg faced man’. Howard demonstrates his brilliant skill for disguises, such as hiding behind a bunch of pink balloons: it’s true, he is a maverick.

Quote of the Episode:

Howard: “It’s very visually noisy, your face. It’s like a brass band under a wig”

Familiar Faces: Dave Brown as Joey Moose again, and more of Matt Berry’s Dixon Bainbridge. If you look closely, Dave Brown and Rich Fulcher can be picked out behind the mutant make up!

THE REVISITED SERIES